Diggers is a coming-of-age story directed by Katherine Dieckmann. It portrays four working-class friends who grow up in The Hamptons, on the South Shore of Long Island, New York, as clam diggers in 1976. Their fathers were clam diggers as well as their grandfathers before them. They must cope with and learn to face the changing times in both their personal lives and their neighborhood.
Four Lives (2003)
Aimed at the cause of domestic violence victims with traits of physical, emotional, and sexual abuse, this film presents the reality of four women victims of the phenomenon of violence under the manifestations of different types of mistreatment.
Grey Area (1982)
The dilapidated former house/headquarters of South Central LA's Black Panthers is at the center of a clash between radical ideals of the past, and 1980s Buppie efforts to use white-owned platforms (banks, media) to uplift the community.
Bird (2024)
12-year-old Bailey lives with her single dad Bug and brother Hunter in a squat in North Kent. Bug doesn’t have much time for his kids, and Bailey, who is approaching puberty, seeks attention and adventure elsewhere.
This Life 2: Those Left Behind (2022)
A poignant drama about a Danish family's unbearable loss and total disintegration, but above all about the faith and hope that miraculously gives them the superhuman strength not to give up.
Household Saints (1993)
A chronicle of three generations of Italian-American women struggling to get by in post-World War II New York’s Little Italy.
The Fisherman at the Stream (1897)
A boy is fishing in a stream when some others see an opportunity for mischief.
Automated Hat-Maker and Sausage-Grinder (1900)
A machine churns out sausages on one side and spits out hats on the other.
Turn-of-the-Century Surgery (1900)
George Mélies made a version of this a few years later, often titled Une Indigestion, but Guy-Blaché’s earlier film Chirurgie Fin de Siecle (1900) is more widely available. And it’s not one to watch the night before an operation. In this clinic, a sign pleads “On est prie de ne pas crier/Please do not cry”, and the doctors set about the patient with saws, cheerily hacking off limbs, and then slopping them into a bucket, all the while arguing ferociously with each other. They then reattach arms and legs from a bucket of “exchange pieces” (using glue) before re-animating their victim, I mean patient, with bellows. (from http://silentlondon.co.uk/2015/01/23/10-disgusting-moments-in-silent-cinema/)
The Magician's Alms (1905)
A magician transforms a tiny dinner table into a full meal for a homeless man.
The Birth, the Life and the Death of Christ (1906)
The stations of Christ's life are segmented into a series of performative tableaux.