A tangled network woven with tiny particles of movements broken out of found footage and compiled anew: the elements of the "to the left, to the right, back and forth" grammar of narrative space, discharged from all semantic burden. What remains is a self-sufficient swarm of splinters, fleeting vectors of lost direction, furrowed with the traces of the manual process of production.
Skyscrapers (1906)
A new skyscraper is being built in New York City, and numerous workmen are busy at hazardous jobs high above the ground. When one of the workers, Dago Pete, deliberately starts a fight, he is immediately fired. But the discharged worker soon comes up with a plan to commit a robbery and get even. His scheme could affect the lives of several others.
Vapors (1965)
Mr. Jaffee is a curious but closeted married man, who decides to take a walk on the wild side one night over to the local bath house located in Times Square, New York. When he is a approached by Thomas, a swinging regular who takes an interest in Mr. Jaffe as the new face "on the scene", a deep discussion about marriage, connection and loss begins to unexpectedly unfold. The two become emotionally intimate in a very short time, with no sexual contact of any sort, while everyone around them are screwing like rabbits.
Húmus (2018)
A videodance short-film of the avant-garde / experimental dance group of the same name based on the book "Húmus" (released in 1917) by Raul Brandão.
The Unwritten Law: A Thrilling Drama Based on the Thaw-White Tragedy (1907)
Dramatization of the real-life shooting of Stanford White by Harry K. Thaw.
If One Could See Into the Future (1911)
A mother confronts Death as to why he has to take her young boy. And he shows her the future to explain why he need to be eliminated.
Man of Marble (1977)
A young Polish filmmaker sets out to find out what happened to Mateusz Birkut, a bricklayer who became a propaganda hero in the 1950s but later fell out of favor and disappeared.
Feral (2012)
A wild boy is found in the woods by a solitary hunter and brought back to civilization. Alienated by a strange new environment, the boy tries to adapt by using the same strategies that kept him safe in the forest.
Within (NaN)
This psychedelic horror short inspired by vintage cinema follows a raped girl's descent into derangement and makes the audience feel as claustrophobic as the character.
Lost Luggage (2016)
Neil Bishop has spent his whole life living on the fringes of society. His only interaction with people is through his job as a lost luggage courier. One day, Neil delivers luggage to a woman in suffering, and he discovers someone like him. In this dreamlike psychological thriller, Neil Bishop sets out to make today, unlike any other day.
Carne (1991)
After a dreadful incident coupled with an ungovernable paroxysm of violence, a butcher will fall into a downward spiral that will burn to the ground whatever dignity still remained in him.
Alpsee (1995)
For a young boy, ordinary facts and things of daily life seem to have great importance.
Superstar: The Karen Carpenter Story (1987)
The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.
Chelsea Girls (1966)
Lacking a formal narrative, Warhol's mammoth film follows various residents of the Chelsea Hotel in 1966 New York City. The film was intended to be screened via dual projector set-up.
Pangaea (2015)
Dementia draws a woman into a world of memory loops, losing her love her spirit, her present her past.
The Whisper Stop (2006)
Five passengers encounter a mysterious woman on a train. While we strain to hear their whispers, we are confronted by the passengers' reactions. Dark and secretive, this journey will leave you with questions playing on your mind.
Thoughts and Visions of a Severed Head (1991)
The theme of death is heavily interwoven in Smolder’s surreal salute to Belgian painter Antoine Wiertz, a Hieronymus Bosch-type artist whose work centered on humans in various stages in torment, as depicted in expansive canvases with gore galore. Smolders has basically taken a standard documentary and chopped it up, using quotes from the long-dead artist, and periodic statements by a historian (Smolders) filling in a few bits of Wiertz’ life.