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This is a story of a talented and ambitious musician who faces a major crossroads in his life. Paul’s career has progressed to the point where he plays his own music in pubs, but he has struggled to go beyond that. It is a hand-to-mouth existence and Paul and his girlfriend, Sera, struggle to keep the bank balance in check. However, one day an important music producer sees Paul play and, realizing he has talent, offers him a big contract. Paul throws caution to the wind and signs the deal, certain that this is his big break. Unfortunately, the fine print in the contract stipulates that Paul make the kind of commercial music he vowed he never would, and also forces him to act under a stage name. Now, Paul must decide if he is willing to sell his soul for financial stability. And whatever he decides, he realizes that it will have a lasting effect on his career and on his life.
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Heart, Beating in the Dark (2005)
This new version of Nagasaki's Yami utsu shinzô (1982) is neither a remake nor a sequel. It is both those things, and at the same time it is also a documentary, a portrait of the consequences of passing time, and an occasionally very funny reflection on what the hell the point is of all this filmmaking business anyway. Shigeru Muroi and Takashi Naito, back then young hopefuls willing to take chances, now among the most established and recognisable actors in Japan, return to play the roles they assumed in the 1982 film, each of their characters having gone their own way. Alongside, another young couple (Honda and the ever-brilliant Eguchi) find themselves in the exact same situation as their older counterparts 25 years earlier. Their paths cross, an opportunity arises: for the elder two to redeem part of their own lives, for the younger couple to find a helping hand in their darkest hour.
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After the ordeal with Samara, Rachel and Aiden move to a rural town. But soon Rachel learns about the death of a girl in a similar fashion. To save Aiden, she must dig into Samara's past even further.
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A simple-minded gardener named Chance has spent all his life in the Washington D.C. house of an old man. When the man dies, Chance is put out on the street with no knowledge of the world except what he has learned from television.
