Filmed before his feature-length Arrebato, Zulueta’s Frank Stein is a personal reading of horror cult classic Frankenstein (1931), filmed directly from its television broadcast and reducing Whale’s original to only three packed and dizzying minutes, during which the film's sensitive monster evolves at an unusual rate.
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Alice Guy's version of Edgar Allan Poe's The Pit and the Pendulum. This film is partially lost.
Luzern Viper (1988)
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Author Algernon Blackwood (1869-1951) casually narrates his uncanny 1937 tale. 'Audible skywriting' and its unintended consequences are the unlikely subject, effectively undercut by a surprise ending. The camera angles are eccentric, but it's a rare opportunity to see Blackwood onscreen.
Lock Your Door (1949)
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Apocalypse After (2018)
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Bewitching Eyes (1977)
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The Damnation of Faust (1898)
A lost film. Georges Méliès also directed a film entitled Faust aux enfers in 1903 that is frequently confused with this one, but it has little to do with the story of Faust.
Filthy (2003)
When WMIA news reporter Dana Diamond goes in search of the ultimate story she gets more than she bargains for. On a riot-torn Halloween night (Devil's Night) Dana is lured into an old, decrepit house by Leonard, a sadistic transient, promising her real-life violence she can capture on camera. Inside, her worst nightmares are realized as she now becomes the ultimate story. Dana is kidnapped by Leonard's crazed, incentuous family; Fermentia, the matriarch, and Pussey, her daughter, who live in a house full of stinking, rotting, decades old-garbage. Will Dana survive the unrelenting attacks of her merciless tormentors? Find out in the savage, unflinching, tour-de-force "FILTHY"
House (1977)
Hoping to find a sense of connection to her late mother, Gorgeous takes a trip with her friends to visit her aunt's ancestral house in the countryside. The girls soon discover that there is more to the old house than meets the eye.
Memoirs of a Strangler of Blondes (1971)
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The Foaming Node (2018)
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El Tren de la Bruja (2003)
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Vesuvius (2012)
You'll never look at a statue of the Virgin Mary the same way again. Based on the assertion that divine apparitions aren’t what they always appear to be, Vesuvius is an interesting take on the psychopath with Catholicism smacked against the background. Gio Alvarez provides a convincing portrayal of a madman, and people can even argue if this short inclines toward the supernatural or the psychological. Whereas Grave Torture uses darkness impeccably, Vesuvius plays with light so well.
