A documentary on the expletive's origin, why it offends some people so deeply, and what can be gained from its use.
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Mi Barrios Altos querido (2019)
Five stories about dignity in the capital of Peru. A local leader looking for someone to leave the post of her complex work, a tourist guide who is a patron of the architectural heritage and Creole music, an ex-delinquent rescued by the Evangelical Church, a teenage dancer of Afro-Peruvian music forced to emigrate and a muralist of Bellas Artes son of Andean migrants, they try to get ahead in Barrios Altos, the most feared – but also most beloved – historic neighborhood of Lima.
Curtain Up! (2020)
Curtain Up! follows elementary school kids in New York’s Chinatown as they prepare for a production and begin to discover themselves. Behind the scenes, they face families’ expectations and uncertainties post-graduation. Interestingly, it is through rehearsing for this American favorite that these kids come to grapple with their Chinese roots.
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Land Without Bread (1933)
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)
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JFK: Seven Days That Made a President (2013)
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The whole world knows him. Burlesque comedy genius, popular actor, author, director, producer, composer, choreographer, Charlie Chaplin (1899-1977) used his talent to serve an ideal of justice and freedom. But his best scenario was his own destiny, a story written into the political and artistic history of the 20th century.
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U.S.A.E.R. (2015)
Documentary where we know the work done by specialized teachers with students face barriers of learning and participation, to present a condition of disability, abilities or difficulties in the development of academic education in 4 elementary schools in Tijuana Mexico.
De Cabral a George Floyd: Onde Arde o Fogo Sagrado da Liberdade (2020)
Through clippings, the film draws a narrative line between the construction of racism in Brazil and the United States, having as base the European invasion of the continent, police violence, the genocide of the black people, the massacre of indigenous peoples, religious violence, the criminalization of funk music, structural racism in art and education, the importance of quota policy and the need urgent historical repair as a commitment by the Brazilian state to the black people.
In the Grip of Gazprom (2023)
The war in the Ukraine has changed the way many European countries view Russian politics. Suddenly it became clear how dependent countries had become on Russian gas imports for decades and what Vladimir Putin was up to. However, no country needs more gas than Germany. It was only after Russia's invasion of the Ukraine that the German government realized that Russia had long used gas as a weapon to impose its will on states. The instrument created for this purpose is the natural gas production company GAZPROM. So how did Germany become so dependent on Russian gas? The documentary shows how, over several decades and several changes of government, a broad alliance of politicians and business representatives did everything possible to secure Germany's energy supply with cheap Russian gas, while the Kremlin's foreign policy became increasingly aggressive and the warnings of experts went unheeded.
Drei Stunden Güstrow (1994)
December 1981: Helmut Schmidt, chancellor of the FRG, visits the chairman of the state council of the GDR, Erich Honecker. The experiences with the visit of Willy Brandt in Erfurt in 1970 have warned the state leadership: Euphoria for a federal chancellor is out of the question this time. For December 13th, the protocol plans a visit to Güstrow. The Christmas market, the Barlach memorial, and the cathedral of Güstrow are on the agenda. The enormous machinery of the ministry of state security is set into motion in order to ensure the “safety of the guest”. Erich Mielke: “Never before, such a high effort was necessary as here in Güstrow.” People are temporarily arrested, inhabitants placed under house arrest, Stasi employees dressed up as “visitors of the Christmas market”. And like that, the media was supposed to get presented with a favourable image of the GDR. A reconstruction of three hours of state visit to Güstrow.
