This film takes viewers through the rich, white majesty of the Inuit Great North. Along with doing justice to the breathtaking and awesome landscape of the freezing, snow-covered environment, Great North also looks into the long-standing traditions, such as fishing and hunting, of the Inuit tribes.
Another Young Couple (2023)
Another Young Couple — borne out of a camera test for If Beale Street Could Talk, James and I asked my friends Essence and Jihaari, newly transplanted to LA to allow us into their home for an afternoon tea about their lives and loves, apart and together. We were migrating to the Alexa 65 for Beale Street and wanted to see for ourselves how that large-format sensor would affect intimate portraiture within lived spaces… in particular the faces and spaces of Black folk.
Clouds (1969)
Clouds 1969 by the British filmmaker Peter Gidal is a film comprised of ten minutes of looped footage of the sky, shot with a handheld camera using a zoom to achieve close-up images. Aside from the amorphous shapes of the clouds, the only forms to appear in the film are an aeroplane flying overhead and the side of a building, and these only as fleeting glimpses. The formless image of the sky and the repetition of the footage on a loop prevent any clear narrative development within the film. The minimal soundtrack consists of a sustained oscillating sine wave, consistently audible throughout the film without progression or climax. The work is shown as a projection and was not produced in an edition. The subject of the film can be said to be the material qualities of film itself: the grain, the light, the shadow and inconsistencies in the print.
Film-Tract n° 1968 (1968)
In the 1968 movement in Paris, Jean-Luc Godard made a 16mm, 3-minute long film, Film-tract No.1968, Le Rouge, in collaboration with French artist Gérard Fromanger. Starting with the shot identifying its title written in red paint on the Le Monde for 31 July 1968, the film shows the process of making Fromanger’s poster image, which is thick red paint flows over a tri-color French flag. —Hye Young Min
Organism (1975)
Academy Award winning film maker Hilary Harris’ epic vision of New York City shot over 15 years [1959-74] during which time Mr. Harris pioneered and contemporized time-lapse film making techniques to achieve this unique experiential view of the world we inhabit: chaos and confusion seem to multiply in every corner of the Big Apple. Yet there seems to be some order in all that chaotic and relentless system and things seem to work just fine. The same can be said about the human body. Director Hilary Harris proves with this short documentary that cities and organisms are all-alike.
Out from Smoke & Ash (2017)
In 1921, the Tulsa, Oklahoma neighborhood of Greenwood was one of the most affluent all-black communities in America. Known as the 'Black Wall Street,' it covered 40 square blocks and boasted more than 600 businesses and 15,000 residents which was demolished, scores killed, and thousands left homeless. This is the retailing of this story through a mix of mediums and performances as well as spoken word.
Flying Stewardess (1940)
A short documentary depicting a typical day in the life of a 1940s era flying stewardess.
Wallace & Gromit’s Cracking Contraptions: Behind the Scenes (2002)
A documentary about the making of Wallace & Gromit’s Cracking Contraptions.
The Case Against the 20% Federal Admissions Tax on Motion Picture Theatres (1953)
At the time this film was made, motion picture theaters were required to pay a 20% tax on gross ticket sales, and Congress was debating lowering this tax (as well as others) in a bill being considered by a Congressional committee. This film, which was made especially to be shown to members of the committee, sets forth the motion picture industry's case for reducing, if not eliminating, the tax.
We Must Have Music (1942)
A short history of movie music is presented, from silent films accompanied by a single piano, to the elaborate song scores for musicals (with scenes from MGM's musicals) and background music for dramas. Conductor/composer
Rest of Delirium (2019)
Maricarmen is a writer who lives with schizophrenia since she was seventeen years old. The film is a portrait of her live, her illness and her work.
Chronos (1985)
Carefully picked scenes of nature and civilization are viewed at high speed using time-lapse cinematography in an effort to demonstrate the history of various regions.
In the Shadow of Jozef Peeters (2020)
This documentary goes deeper into the life of Jozef Peeters his family. Godelieve is also central to this documentary. Thanks to her, the apartment can be visited.
Scapegoat (2020)
An aimless journey, where a trailer enters the bowels of a disappeared city, a black cat and 20 ° below zero.
Journey into Amazing Caves (2001)
Journey into Amazing Caves is an extraordinary IMAX adventure into the depths of the earth to uncover the secrets to life underground.
How to Write an Autobiogaphy (2010)
This video will teach you how to write your own autobiography, with examples from the narrator’s life.
Song 5 (1964)
SONG 5: A childbirth song (the Songs are a cycle of silent color 8mm films by the American experimental filmmaker Stan Brakhage produced from 1964 to 1969).
Nice Chinese Girls Don't! (2019)
Kitty Tsui, Chinese American writer, poet, body builder, and lesbian activist, tells of her arrival as an immigrant to San Francisco and, amidst the anti-Vietnam war protests, finding her way to San Francisco State, which influenced her on her path as an activist and poet. In this first ever documentary about a Chinese American Lesbian, Tsui brings to life her coming of age in San Francisco in the 1970s, her challenges, and her continued rise to celebrity by being re-discovered by a whole new generation of Feminists.
A History of The War on Drugs, from Prohibition to Gold Rush (2016)
Why are white men poised to get rich doing the same thing African-Americans have been going to prison for?
Images of Asian Music (A Diary from Life 1973-74) (1974)
A contemplative, seemingly timeless record of the years Hutton spent in Southeast Asia while working as a merchant seaman. Jon Jost writes, "The film is rich with truly wonderful visions: a thick, white porcelain cup perched on a ship's rail, the tea within swaying gently in sync with the ship while the sea rushes by beyond the faces of crewmen posing awkwardly but also movingly for the camera; a cockfight on ship; scenes from a bucolic pre–Pol Pot Phnom Penh. Images has the haunting elegiac resonance of Eugène Atget's Paris, the echo of a time and place that was." - MoMA
Barn Rushes (1971)
"…elegant yet rustic in its simplicity of execution; tugged gently toward different sides of the set by hints of color and motion interactions, positive and negative spaces, etc., and the unyielding delivery on one of the great apotheoses of poetic cinema at fade-out time." – Tony Conrad