Amid the release of the fourth Indiana Jones movie, filmmaker Brandon Kleyla chronicles the fanaticism of the whip-carrying admirers and interviews various filmmakers, archaeologists and writers about the Indy franchise. Viewers learn why archaeologist Indiana Jones and his many adventures have spawned die-hard, convention-going fans for more than two decades.
I Walked with a Werewolf (2009)
Academy Award winning make-up artist Rick Baker reflects on An American Werewolf In London and The Wolfman.
History and Stories of Psychoanalysis (2016)
The film consists mainly of interviews with readers of Freud in Brazil and several places in Europe, and touches on topics such as history, translation, culture, language and, especially, Freud himself.
Conversations of a Marriage (2013)
A portriat of the daily lives of Beatriz and Gilberto, a couple that has been together for over 40 years. A reflection about love and marriage. An intimate glimpse into the lives of two people who struggle to live in harmony.
Britain's Racist Election (2015)
Channel 4 documentary Britain's Racist Election follows the controversial 1964 Smethwick election battle between Peter Griffiths and Gordon Walker, fought on grounds of racial denomination
Gender Me: Homosexuality and Islam (2008)
Gender Me is a road movie about Mansour’s voyage into the world of Islam. It is a personal odyssey through a world of taboos, filled with contradictory images. He explores questions regarding faith and gender in Islam with a special focus on the unusual stories of Muslim gays. Mansour is a homosexual Iranian refugee who has been living in Oslo for the past 18 years where he works as a pharmacist. Now he wants to travel back to Istanbul, where he lived for two years before he was granted asylum in Norway.
Viva la Vulva (2019)
With a sense of humour, this documentary questions the condition of women from the angle of the image and perception of their body, and covers the new taboos and aesthetic diktats concerning their genitals in the era of the sexual revolution and contemporary feminism.
The Codes of Gender (2010)
Arguing that advertising not only sells things, but also ideas about the world, media scholar Sut Jhally offers a blistering analysis of commercial culture's inability to let go of reactionary gender representations. Jhally's starting point is the breakthrough work of the late sociologist Erving Goffman, whose 1959 book The Presentation of the Self in Everyday Life prefigured the growing field of performance studies. Jhally applies Goffman's analysis of the body in print advertising to hundreds of print ads today, uncovering an astonishing pattern of regressive and destructive gender codes. By looking beyond advertising as a medium that simply sells products, and beyond analyses of gender that tend to focus on either biology or objectification, The Codes of Gender offers important insights into the social construction of masculinity and femininity, the relationship between gender and power, and the everyday performance of cultural norms.
What Difference Does It Make? (2014)
A documentary that explores the challenges that a life in music can bring.
To Hear Your Banjo Play (1947)
A short film about Pete Seeger and the birth of banjo music throughout the Southern United States.
Getting LOST (2024)
A documentary revisiting the global television phenomenon LOST. Featuring interviews with the cast and crew, as well as members of the loyal fan base who still celebrate the show twenty years after it originally aired.
Appalachian Journey (1991)
Appalachian Journey is one of five films made from footage that Alan Lomax shot between 1978 and 1985 for the PBS American Patchwork series (1991). It offers songs, dances, stories, and religious rituals of the Southern Appalachians. Preachers, singers, fiddlers, banjo pickers, moonshiners, cloggers, and square dancers recount the good times and the hard times of rural life there. Performers include Tommy Jarrell, Janette Carter, Ray and Stanley Hicks, Frank Proffitt Jr., Sheila Kay Adams, Nimrod Workman and Phyllis Boyens, Raymond Fairchild, and others, with a bonus of a few African-Americans from the North Carolina Piedmont.
Hex Hollow: Witchcraft and Murder in Pennsylvania (2015)
A documentary film investigating the 1928 murder of a Pennsylvania farmer and the allegations of witchcraft that shocked the nation.
Emmanuelle: A Hard Look (2001)
Documentary about the Emmanuelle movies, looking at their making as well as their social and cultural impact.
Robert Doisneau: Through the Lens (2017)
Featuring previously unissued photographs and video archives as well as interviews of his friends and partners in crime, this documentary tells how the kid from the poor suburbs turned superstar photographer. It draws the intimate portrait of the life and work – being so closely interwoven – of and artist fiercely determined to be purveyor of happiness.
Traceable (2014)
Traceable follows Laura Siegel, a fashion designer who takes a critical look at the fashion supply chain and fast fashion industry, travels through India in order to meet and work together with the artisans who create the majority of the clothing that we wear. The film explores our growing disconnect of how and who makes our clothing, thus instilling a need for traceability in the fashion industry.
Terror Studios (2016)
How the Islamic State has created a powerful propaganda factory that manipulates and twists at its convenience the subjects and icons of the Western popular culture in order to lure into darkness certain young people and recruit them to achieve a dreadful purpose, an industry of fear that overcomes the infamous Nazi machinery and the methods used by both sides during the Cold War.
Russification in pop style (2024)
A documentary about how Russia has been using popular culture as a weapon against Ukraine for decades. Together with industry participants, the film's narrator, musician Albert Tsukrenko, explores the financial, political and psychological reasons for the vulnerability of Ukrainian artists and reflects on how to break this vicious circle. Unfortunately, our own Ukrainian talents are becoming the ammunition in this weapon. Several generations of original Ukrainian musicians at different times in the 1970s and 1980s, 1990s and 2000s, and 2010s switched from Ukrainian to Russian in their work. Whether willingly or unwittingly, they became tools of Russian show business, which has always sought to blur the cultural border between Russia and Ukraine and worked to promote the imperial myth of "one nation".