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We Are Still Here (2023)
In a sweeping tale that spans 1000 years and multiple generations – from the distant past to the 19th century, the present day and a strange, dystopian future – this landmark collection traces the collective histories of Indigenous peoples across Australia, New Zealand and the South Pacific. Diverse in perspective, content and form, traversing the terrain of grief, love and dispossession, they each bear witness to these cultures’ ongoing struggles against patriarchy, colonialism and racism.
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Urban Justice (2007)
Seagal plays a man with a dark and violent past, who seeks revenge for the murder of his son.
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In Dark Places (2018)
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Jonny dreams of leaving his dead-end job as a courier. Through his childhood best friend, nephew of the notorious crime lord Ray Kreed, he wins his way into the toughest gang in North London. Hungry for action, Jonny sparks a feud between Ray's gang and a rival firm in South London headed by drug kingpin Sean and his lieutenant Matthew.
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Chase, a frustrated artist, lives a bohemian life with lover, Alexis, an enchanting dancer, in their rundown apartment in an artistic niche of the city. His life is thrown into turmoil when Alexis is raped and murdered. Chase's greedy art dealer, Carl, sees this tragedy as a way to capitalize on what once was a unfruitful investment. What follows is a chain reaction of greed by way of mourning Alexis' death. Chase can find only one reason to go on: revenge.
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Four Danish-Americans who, thanks to their exploits across the Atlantic, should have been behind bars, have taken up residence in a Copenhagen hotel. It is not longing for their homeland that has driven them home, but the hope of making "the big deal," more specifically, securing the crown jewels at Rosenborg Castle in a daring coup. At the hotel, the four "gentlemen" impatiently await their boss's orders to move out.