A feature-length documentary about our complex relationship with manufactured objects and, by extension, the people who design them.
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Land Without Bread (1933)
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)
Pitch Black (2023)
Pitch Black takes us inside the claustrophobic worlds of three young men immersed in the online black-pill subculture, as they struggle to reckon with their actions.
Pier Paolo Pasolini: An Italian Journey (2018)
In the summer of 1959, as a magazine correspondent, writer and filmmaker Pier Paolo Pasolini (1922-75) traveled along the Italian coast. In 1963, he documented the sexual behavior of the Italians. In the winter of 1970-71, he witnessed the hardships of the most impoverished Italian population suffering from the boot of state power. After these three trips, he came to the conclusion that Italian society had changed drastically for the worse over the years.
Flamboyants (2021)
The trajectory of flamboyant bodies that expose themselves in their social networks, whether artistic or not, and use these spaces freely.
The Monopoly of Violence (2020)
As anger and resentment grow in the face of social inequalities, many citizens-led protests are being repressed with an ever-increasing violence. In this documentary, David Dufresne gathers a panel of citizens to question, exchange and confront their views on the social order and the legitimacy of the use of force by the State.
Skin: A History of Nudity in the Movies (2020)
The definitive documentary on the history of nudity in feature films from the early silent days to the present, studying the changes in morality that led to the use of nudity in films while emphasizing the political, sociological and artistic changes that shaped that history. Skin will also study the gender inequality in presenting nude images in motion pictures and will follow the revolution that has created nude gender equality in feature films today.
Sex, Death & Eyeliner (1999)
Documentary directed by W.K. Border, that which dives into the aspects of contemporary Gothic subculture, vampirism, and BDSM culture. Filmed in 1997 in California.
David Macaulay: Pyramid (1989)
How did ancient Egyptians build the Great Pyramid at Giza, joining two million blocks of heavy stone with amazing precision? Who were the leaders who built these enormous structures, and what did these tombs signify? Host David Macaulay explores the history, mythology, and religions of Egypt's people, combining live footage and animation. Take a rare look at the mummy of Ramses II and buried treasure in the sacred Valley of the Kings.
Design (1969)
This film was made by Bass' company as a presentation to AT&T executives. It would have extended to be shown to the public, but a number of his ideas in the film were not ultimately adopted, like his phone booth designs, and men's and women's uniforms. But a great many of the design were adopted—including, most memorably, the telephone vans and hardhat designs of the 1970s. Bass designed down to the details, showcasing in this film a myriad of ideas, like Yellow Pages book designs, cufflinks for executives, and flags. (AT&T Archives)
De Cabral a George Floyd: Onde Arde o Fogo Sagrado da Liberdade (2020)
Through clippings, the film draws a narrative line between the construction of racism in Brazil and the United States, having as base the European invasion of the continent, police violence, the genocide of the black people, the massacre of indigenous peoples, religious violence, the criminalization of funk music, structural racism in art and education, the importance of quota policy and the need urgent historical repair as a commitment by the Brazilian state to the black people.
U.S.A.E.R. (2015)
Documentary where we know the work done by specialized teachers with students face barriers of learning and participation, to present a condition of disability, abilities or difficulties in the development of academic education in 4 elementary schools in Tijuana Mexico.
Design Disruptors (2016)
Full-length documentary featuring design leaders and product designers from 15+ industry-toppling companies—valued at more than $1 trillion dollars combined. The film chronicles the true nature of design and the design-driven business revolutions being shaped around the world through the designers eyes. Get a never-before-seen look into the perspectives, processes, and design approaches of leaders at industry-toppling brands and discover how these companies are disrupting billion dollar industries through design.
Between the Sun and the Sidewalk (2024)
Christian Garcia, a fiercely dedicated Latino political organizer, leads a team of young people mobilizing their community for a soda tax. Tested during their fight for the right to vote, the young recruits dare to beat back the goliath soda industry and ignite a youth-powered movement for health equity and justice.
Negritudes Brasileiras (2018)
The visual documentary "Negritudes Brasileiras" was a way found by Nataly Neri to continue the Brazilian racial debate, locating it in the present time with the rise of new concepts such as representativeness and the increasing popularisation of the internet. The documentary was sponsored by the Youtube project Creators For Change, which provides a framework for creators to produce content engaged in the platform to combat hate speech, racism, xenophobia, etc.
Better Things: The Life and Choices of Jeffrey Catherine Jones (2012)
Jeffrey Catherine Jones is one of the most revered comic book and fantasy artists of all time and a complex character with an unusual life, an ideal subject for an insightful and captivating documentary. Tracing the early history as part of The Studio with fellow artists Bernie Wrightson, Barry Windsor-Smith and Michael William Kaluta through to gender transition in later life, Maria Paz Cabardo assembles a collage of artwork and archive alongside interviews with collaborators and some touchingly intimate conversations with the artist herself shortly before she died.