Following a dream, Canadian paraglider pilot Benjamin Jordan travels to Malawi to teach children the joys of kite flying. There he meets Godfrey, a young man who has always dreamed of flying though has never had the means. The odd pair tour the country on bikes, building kites with youth while motivating them to follow their dreams. They are destined for Malawi's highest peak where, after weeks of ground training, the two will attempt to fly down and make Godfrey the first Malawian paraglider pilot.
African Safari (2013)
A documentary that leads the audience from Namibia to Kilimanjaro to explore the African wildlife.
Playing with Scorpions (1972)
Between 1950 and 1958, John Marshall made four expeditions to film the Ju/'hoansi (a group of !Kung Bushmen) of the Nyae Nyae region of Namibia (then South West Africa). During this time, Marshall shot over 300,000 feet of 16mm film (157 hours). He later produced a total of 23 films exclusively from this footage. In this short film, children tempt fate by playing with scorpions.
Ghostland: The View of the Ju'Hoansi (2017)
Remember the culture clash in THE GODS MUST BE CRAZY? This time it's real. One of the most ancient cultures on our planet is undergoing a major change. The Ju/Hoansi Bushmen in Namibia are not allowed to hunt anymore and need to converge with our so called “civilized” lifestyle. For the first time the Ju/Hoansi Bushmen travel through the Kalahari and then right into the heart of Europe. What starts as a look at their fascinating culture becomes an even more fascinating look at our Western lifestyle. A warm and humorous reflection of our habits through the eyes of people who are about to give up their million year old traditions.
Man V. Lion (2014)
For wildlife filmmakers, the only way to safely explore the startling African lion is at the end of a mighty long lens — until now. Man v. Lion follows veteran big cat expert Boone Smith across the Nambiti Game Reserve as he tracks three male lions in the open African bush. But to truly understand these brothers, Boone goes face to face with them. We take an in-depth look at the lions' unique physical attributes, intricate hierarchy, and complex hunting strategies. Boone explores each stage of a lion's kill leading up to the final face-off: Boone in the middle of lions devouring their prey.
Batouk (1968)
This uneven and uninspired documentary of Africa is a collection from various stock footage. Female dancers in mod clothes dance on the Eiffel Tower in comparison to the primitive dances of native Africans. A lone runner trains for a marathon, and a few animals are shown in their natural habitat. Commentary and modern jazz and pop music help to make this seem much longer than 66 minutes.
Black President (2015)
Exiled, yet internationally celebrated Zimbabwean artist Kudzanai Chiurai's demons come to life as he tries to flee South Africa following increasingly fractious experiences on the Johannesburg art scene. His greatest demon “Black Guilt” is one he can never shake off, this burden of having to speak for his people. But Is this responsibility really a burden at all, or is it actually a superpower? Either way, will Kudzi ever be President of His Own State of Being?
Pangolins: The World's Most Wanted Animal (2018)
In Namibia, conservationist Maria Diekmann found herself on the frontline of the battle to save these wanted animals after unexpectedly becoming a surrogate mother to an orphaned baby pangolin named Honey Bun. On an emotional journey, Diekmann travels to Asia to better understand the global issues facing pangolins, before joining forces with a Chinese megastar to help build a campaign to bring awareness to the plight of these surprisingly charming creatures.
SADDARI (NaN)
Saddari is a story of A 3 Young bikers decide to hit the road to another state for adventure , Ending up embarking on a challenging bike trip across all of Sudan with less than a 100$ In their pockets combined and worn-out bicycles, Facing numerous challenges along the way.
Stealing Africa (2012)
Zambia's copper resources have not made the country rich. Virtually all Zambia's copper mines are owned by corporations. In the last ten years, they've extracted copper worth $29 billion but Zambia is still ranked one of the twenty poorest countries in the world. So why hasn't copper wealth reduced poverty in Zambia? Once again it comes down to the issue of tax, or in Zambia's case, tax avoidance and the use of tax havens. Tax avoidance by corporations costs poor countries and estimated $160 billion a year, almost double what they receive in international aid. That's enough to save the lives of 350,000 children aged five or under every year. For every $1 given in aid to a poor country, $10 drains out. Vital money that could help a poor country pay for healthcare, schools, pensions and infrastructure. Money that would make them less reliant on aid.
The Ark of Lights and Shadows (2018)
The forgotten story of Martin and Osa Johnson, rebel filmmakers and Kansas natives who made some of the first films in Africa in times when filming itself was more dangerous than lions or malaria.
Downstream to Kinshasa (2020)
For two decades, the victims of the Six-Day War have been fighting in Kisangani for the recognition of this bloody conflict and demanding compensation. Tired of unsuccessful pleas, they have finally decided to voice their claims in Kinshasa, after a long journey on the Congo River.
Those Who Jump (2017)
In northern Morocco lies the Spanish enclave of Melilla: Europe on African Land. On the mountain above live over a thousand hopeful African migrants, watching the land border, a fence system separating Morocco and Spain. Abou from Mali is one of them – the protagonist in front of the camera, as well as the person behind it. For over a year, he has ceaselessly persisted in attempting to jump the fence.
Affliction (2015)
The Ebola outbreak in West Africa seen through the eyes of the local populations, village officials, aid workers, the sick and those who recovered.
Aimé Césaire, Une voix pour l'histoire (1995)
A three-part study that introduces audiences to the celebrated Martinican author Aimé Césaire, who coined the term "négritude" and launched the movement called the "Great Black Cry".
I Am Because We Are (2008)
I Am Because We Are is a 2008 documentary film directed by Nathan Rissman and written, narrated, and produced by Madonna through her production company Semtex Films. The film documents the concern over the millions of orphans in the African country of Malawi who have lost parents and siblings to HIV and AIDS, many of whom live on the streets. The film also shows the efforts with Madonna's charitable organisation Raising Malawi in helping with improving their lives and conditions.