A lyrical and funny story about the hard life of a village on the coast suffering from the high winds.
The Stork Market (1949)
The audience takes a tour through a baby factory run by storks. Next, we're invited to follow the bouncing ball and sing along to "Pretty Baby".
Hula Hula Land (1949)
The Talking Magpies, Heckle and Jackle, open a hot-dog concession stand in Hawaii. The first customer is a dumb dog who becomes the innocent victim of the merry, mischief-making magpies. Another dog, a tough one, is getting the same treatment but not for long. Written by Les Adams
Goggle Fishing Bear (1949)
Barney has a dive mask and swim fins to help with his pursuit of fish. First, though, he needs to get the anchor set, despite an overly helpful little seal. The seal acts like an inept hunting dog, leading Barney to a cave with an angry lobster, then an unfortunate encounter with a shark.
Leprechauns Gold (1949)
A song-filled Noveltoon featuring the antics of the Irish Leprechauns during their annual gold-washing ceremony. It depicts the wee people of Ireland who flavor its traditions with laughs and legend.
Acid Rain (2019)
After running away from her depressing village in eastern Europe, a teenage girl meets a new friend under a bridge.
Each and Every Night (2020)
Since childhood, Lea has been seeing ghostly deer looming around her. Now that she is in a relationship with Maud, the visions are getting worse. How can she prove to her girlfriend, and to herself, that this is a real problem to be dealt with?
Candy Boy (2007)
Children are mysteriously falling ill at an orphanage. Candy Boy, the most valiant of the orphans, investigates, but the arrival of a new boarder complicates his inquiries.
Forest Tales (1997)
A poetic tale directed by Elena Petkevich for children on a small grasshopper, which is trying to learn the secret of life.
The Hunger Artist (2002)
Set in a city both past and present, on a deserted street where only the distant sounds of life blow by. The Hunger Artist stands alone, locked in his cage. Once famous and adored by the crowds, he now performs alone.
Through My Thick Glasses (2004)
An elderly man tells his granddaughter his personal story of the Second World War. His life as a child and all the strange characters he populates it with takes the little girl to a bizarre world she doesn't understand.
Walls (1988)
An animated short film from 1987 that deals with the incarceration of a man in a dark cell from where there is no escape.
New Janko the Musician (1961)
In the modern village of the future, everything is mechanized, but the dreams of the village musician remain the same. He wants to become an artist. Thanks to the fact that an Art Nouveau goddess gave him a helping hand, Janko Muzykant saves his life and escapes from the village on a Pegasus.
Puleng (2004)
On a small Kalahari farm things look bleak. It hasn't rained for ages and the well has run dry and the residents are just about hanging on with what little they have. As the farmers' daughter prepares to gamble on the final few seeds they have left something appears on the horizon which could be the salvation they have been praying for.
The Tale of How (2006)
This lavishly embellished, comically operetta CGI fantasy story takes place in the Indian Ocean, where a flock of “piranha birds” has settled on the back of an octopus. When an octopus is starved, it feeds on birds on its back, but because it is already threatened with extinction, they decide to send a bottle across the sea with a call for help.
Trigger Happy (1997)
“Trigger Happy” was made with hundreds of objects found on the streets and sidewalks of New York. It began as an attempt to make an animated ballet, but as I was shooting the dance turned rowdy, into more of a nocturnal revel. It was shot on a lightbox with high-contrast film. The backlight silhouetted the objects, making them into graphic icons of themselves. The resulting film is a negative, which turned the objects white and the background black as asphalt. It makes the dance almost phantasmagoric. The trigger I was happy about was on the camera, but the title also fits the velocity of the imagery. Much of the animation happens by the rapid replacement of one object with another. It’s the afterimage in your eyes that animates the difference between the shapes, as one is replaced by another, and another… The music by Shay Lynch perfectly captures the idea of dancing in the streets.” —Jeffrey Noyes Scher