Registration of the second theatre program by the Dutch comedy duo (Erik) van Muiswinkel and (Diederik) van Vleuten. In their first program, the two comedians limited themselves to the earth and the strange peoples who inhabit it. In their second program they expand their explorations into the world of the unseen, where they test their strength with astrologers, illusionists, millennium preachers and similar figures. What mechanisms drive people to believe in supernatural madness, and to derive pleasure and comfort from it? Have we made any progress in the twentieth century? If Darwin, Freud and Einstein opened humanity's eyes, then a hundred years later there will be enough volunteers to close them again. Van Muiswinkel and Van Vleuten argue about it for a long time during this performance.
Najib Amhali: The Best of (2010)
All his shows have been sold out, night after night. The best of his shows has been compiled in one live show, "The Best of Najib Amhali".
Wim Helsen: Heden Soup! (2006)
Wim Helsen Heden Soup! HOMELESS, KINGS, SAINTS AND COLD WATER FISHING: They all eat soup. Also mistresses love soup. They eat them with spoons, some dip bread in it or slurp on the edge of their soup bowl. One can of doing anything. Tomatoes, leeks, pumpkins, chicken. But loving thoughts, secret messages and mushrooms are allowed. And say nothing of balls. In mysterious faraway places there that make soup from nettles. Dogs bark for soup. One gets it warm from the inside (in his body).
Marc-Marie Huijbregts: Marc-Marie Punt. (2009)
Television registration of the third program by the Dutch comedian Marc-Marie Huijbregts. Marc-Marie Huijbregts sketches a very intimate self-portrait based on personal anecdotes and reflections.
Maarten van Rossem: Eindejaarsconference 2013 (2013)
Dutch Comedian Maarten is at it again for the 2013 Year Review - his last one.
Brigitte Kaandorp: Badwater (2002)
Registration of the theater program by the Dutch comedian Brigitte Kaandorp.
Brigitte Kaandorp: Lustrum (2004)
Registration of the theatre program by the Dutch comedian Brigitte Kaandorp, about the celebration of the centenary of the Mea Culpa College. Rector Cornelis Putman (played by Bert Klunder) presents the festive evening, on which teachers and students perform fun acts, fine dances and beautiful songs. Including the ABC of Madame Manshanden, Wagner's Die Walküre in the adaptation of Brünhilde Putman Braun and a series of chanson classics in the interpretation of Mireille François, the French teacher.
Ronald Goedemondt: Geen Sprake Van (2018)
Stand-up comedian Ronald Goedemondt converts his daily experience as a man in his forties into astute humor about fatherhood and aging.
Claudia de Breij: Teerling (2016)
Registration of the seventh theatre program by the Dutch comedian Claudia de Breij.
Micha Wertheim: Voor Beginners (2006)
Stage registration of the first comedy special by the Dutch comedian Micha Wertheim. The central idea of the performance is: 'Some people think I'm arrogant, but I spit on them."
Hans Teeuwen: Dat dan weer wel (2002)
Mind you is the fourth theater of the Dutch comedian Hans Teeuwen. He performed the show in 2001. The last show was filmed in 2002 and aired on television, the same year that the show on CD and DVD published. It's Teeuwen's most famous and most frequently quoted show. He takes everything on the heel, including racism, blacks, world religions, AIDS patients, women, Jostiband and the Queen of the Netherlands.
Hans Teeuwen: Industry of Love (2004)
Teeuwens fifth stand-up show is about love. Small, large, hidden, the physical, the famous and the improper love. Hans Teeuwen unravels that love into forms that you do not recognize, but can very surely sense.
Theo Maassen: Ruwe Pit (1998)
Maassen won two of the biggest comedy contests in the Netherlands in 1990, the Groninger Studenten Cabaret Festival(GSCF), and Cameretten. The GSCF jury was not pleased with the quality of the contestants that year, and gave Maassen the first prize, remarking he was the best of the year, but still not very good. In the following years, however, Maassen fame grew steadily, especially amongst students. Maassens style was based on stand-up comedy: Alone on stage, telling jokes and stories to amuse the public, without any musical support (a thing common for most Dutch comedians up to that point).
Theo Maassen: Tegen beter weten in (2006)
Maassen won two of the biggest comedy contests in the Netherlands in 1990, the Groninger Studenten Cabaret Festival(GSCF), and Cameretten. The GSCF jury was not pleased with the quality of the contestants that year, and gave Maassen the first prize, remarking he was the best of the year, but still not very good. In the following years, however, Maassen fame grew steadily, especially amongst students. Maassens style was based on stand-up comedy: Alone on stage, telling jokes and stories to amuse the public, without any musical support (a thing common for most Dutch comedians up to that point). Since 2000, Maassens shows are shown on Dutch national television, making him more and more a household name.