The worlds of a former neo-Nazi and the gay victim of his senseless hate crime attack collide by chance 25 years after the incident that dramatically shaped both of their lives. They proceed to embark on a journey of forgiveness that challenges both to grapple with their beliefs and fears, eventually leading to an improbable collaboration...and friendship.
Which Is Scary (1991)
A set of seven portraits consisting of personal accounts from the lives of gays and lesbians. The narration includes stories about coming out, bashing, cross-dressing and AIDS.
Dear Jesse (1998)
In 1996, at age 30, native son Tim Kirkman returns to North Carolina to explore the parallels and differences between himself and Jesse Helms: they're from the same town and college, with media interests, from families blessed by adoptions, Baptists by upbringing.
Joe Orton Laid Bare (2017)
Exploring the wit, work and world of Joe Orton through his own words, and the testimony of those who knew him and worked with him.
The Case Against 8 (2014)
A behind-the-scenes look inside the case to overturn California's ban on same-sex marriage. Shot over five years, the film follows the unlikely team that took the first federal marriage equality lawsuit to the U.S. Supreme Court.
2 or 3 Things I Know About Him (2005)
What would your family reminiscences about dad sound like if he had been an early supporter of Hitler’s, a leader of the notorious SA and the Third Reich’s minister in charge of Slovakia, including its Final Solution? Executed as a war criminal in 1947, Hanns Ludin left behind a grieving widow and six young children, the youngest of whom became a filmmaker. It's a fascinating, maddening, sometimes even humorous look at what the director calls "a typical German story." (Film Forum)
Night and Fog (1959)
Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.
Confessions of a Male Stripper (2013)
Male stripping is booming in the UK. Every weekend in most major cities, women are paying to see men get naked. The Dreamboys is the biggest male stripping agency of them all and ex-stripper David Richards is in charge. He claims to know what women want, and is prepared to do whatever it takes to give it to them. David is on the search for some 'fresh meat' to join his London troupe and meets the men that come forward to auditions. Who are they, why are they doing it and what impact is it having on their lives? Like never before, this First Cut film lifts the lid on this exotic world of sex, fantasy and temptation and shines a light on the private lives of the men whose job it is to bare all. First Cut is the critically acclaimed, eclectic documentary strand that showcases distinctive new films by up and coming directors.
Hitler's Olympics (2016)
Hitler, Nazi propaganda and 1936 Berlin Olympics are put under the microscope to uncover hidden truths and the historical legacy of those games.
We Who Wait: The Adverts & TV Smith (2012)
A documentary about the life and career of UK singer-songwriter and Adverts frontman, TV Smith.
No Money, No Future (2017)
Punk bands in Korea get invited to biggest hardcore punk festival in Tokyo. This movie shows how one of the loudest and most active punk bands in Asia live and deliver message very closely and pleasantly.
Deborah Harry Does Not Like Interviews (2019)
An archival biography film about the early career of Deborah Harry told entirely through press interviews where she endures superficial, tedious, and demeaning questions from journalists.
Bottom (2012)
A cinema verite documentary about a man living in New York City determined to have raw sex with as many men as possible in a year and meticulously keeping count of the number of 'loads' he takes.
Paul Monette: The Brink of Summer's End (1997)
Narrated by Linda Hunt, this documentary examines the life of the late author and gay rights activist Paul Monette. Born in 1945 to a well-off Massachusetts family, Monette grows up unable to accept his homosexuality, for years hiding it from his loved ones while struggling to develop as a writer. In 1978, Monette publishes his first novel, which allows him to come out to his parents. After losing one lover to AIDS in 1986, he becomes a ferocious advocate for awareness of the disease.
Gestern und heute (1938)
Nazi propaganda film contrasting Germany in the days before Adolf Hitler became Chancellor with the Germany of "today" and how much better it is.
Oliver (1983)
A documentary about a gay nightclub performer with an especially lurid "Spider-man" act. Oliver is a female impersonator who supports his family by performing in Manila's gay bars.
I Am My Own Woman (1992)
The life story of Charlotte von Mahlsdorf, who survived the Nazi reign as a trans woman and helped start the German gay liberation movement. Documentary with some dramatized scenes. Two actors play the young and middle aged Charlotte and she plays herself in the later years.
The Story of Skinhead (2016)
Don Letts examines the history of this notorious subculture in a fascinating documentary, which features interviews with members of different skinhead scenes through the decades. Beginning in the late 1960s, Don fondly recalls a time of multiracial harmony as youngsters bonded over a love of ska, reggae and smart clothes as white working-class kids were attracted to Jamaican culture and adopted its music and fashions. But when far-right politics targeted skinheads in the 1970s and 1980s, an ugly intolerance emerged, and Don reveals how the once-harmonious subgroup has since struggled to shake this stigma.
So, Which Band is Your Boyfriend in? (2018)
Through a series of interviews, 'So Which Band Is Your Boyfriend In' takes a look at gender in the UK's DIY and underground music scenes.
The World's Worst Place to Be Gay? (2011)
Scott Mills travels to Uganda where the death penalty could soon be introduced for being gay. The gay Radio 1 DJ finds out what it's like to live in a society which persecutes people like him and meets those who are leading the hate campaign.
High Energy: Disco on Amphetamines (2019)
By the end of the seventies, disco music, considered too mainstream, was dead. But DJs and dance floors still needed new records and faster rhythms. Built on synthesizer sounds, the hi-nrg (high energy) style swept the gay clubs before hitting the charts during the eighties.