Common sense says you can't make a living in America playing avant-garde improvisational jazz. But Ken Vandermark does it anyway. Among musicians, Vandermark's work ethic is almost mythic. The Chicago reed player has released over 100 albums with nearly 40 ensembles, spends over eight months per year on the road, and lives every other waking moment composing, arranging, performing—and trying to discipline his two hyperactive canines. Though Vandermark was the recipient of a 1999 MacArthur genius grant, he still spends most of his life in smoky clubs and low-budget recording studios, hoping people will plunk down hard-earned cash to hear his wholly non-commercial music. Following the artful cinéma vérité style of the internationally acclaimed Sheriff (Work Series #1), Musician (Work Series #2) forgoes all interviews and voice-overs. It is a fly-on-the-wall time capsule that expertly captures every subtle sound and texture of this most American of art forms.
Tag für Tag (1979)
36 year old welder Karin works at an agricultural factory in Mecklenburg, Germany.
Font Men (2014)
You've never heard of Jonathan Hoefler or Tobias Frere-Jones but you've seen their work. They run the most successful and respected type design studio in the world, making fonts used by the Wall Street Journal to the President of the United States.
The United States vs. Billie Holiday (2021)
Billie Holiday spent much of her career being adored by fans. In the 1940s, the government targeted Holiday in a growing effort to racialize the war on drugs, ultimately aiming to stop her from singing her controversial ballad, "Strange Fruit."
Jazz Icons: Count Basie Live in '62 (2006)
The concert captured on William "Count" Basie's entry in the "must-own" audio/video Jazz Icons series comes from the vaults of Swedish Television. Modern eyes and ears are whisked to April 24, 1962, with Basie conducting his Atomic-era orchestra.
La Bataille de l'acier (2018)
One year: this is the time left to the employees of the Ascoval steel plant to save their factory and their future. During these months of sacrifice, doubt and hope, Eric Guéret, author and director of the documentary, accompanies the management and employees in a race against time to increase productivity and try to find a buyer. For many, this steel mill, which was the story of a lifetime, becomes a matter of survival. A personal struggle that is also symbolic of a problem intrinsic to this documentary: French deindustrialization. Can we still have heavy industry in France today?
Sweet and Lowdown (1999)
In the 1930s, jazz guitarist Emmet Ray idolizes Django Reinhardt, faces gangsters and falls in love with a mute woman.
Sparni (2023)
It’s the second semester of junior year for Pierce “Sparni” Sparnroft, a gifted jazz vibraphonist studying at Montclair State University in New Jersey. Sparni’s prospects on the vibes were rejuvenated by their new professor, the world-renowned Steve Nelson, and are to be showcased during a student-driven recital in May 2023. But all the while, Sparni must face a crisis within.
High Society (1956)
After a divorce with her childhood friend, arrogant socialite Tracy Lord is remarrying but her ex-husband in still in love with her. Meanwhile, a gossip magazine blackmails Tracy's family into covering her new wedding. A musical remake of the 1940 romcom The Philadelphia Story.
Miles Davis: Birth of the Cool (2019)
An immersive look at the eventful life and brilliant artistic career of visionary American jazz trumpeter Miles Davis (1926-1991).
A Decent Home (2022)
Mobile homes have long been an affordable option for people who struggle with the cost of other housing in the United States. But now the economy of mobile home parks is under threat as private equity firms are buying up properties and looking to squeeze more money out of mobile home owners. Filmmaker Sara Terry uses this backdrop to explore urgent class issues that resonate across America, and especially in the high-priced rental market of New York City.
The End of the Endless (2001)
"Fim do Sem Fim" is a feature-length documentary that has as its backdrop the imminent disappearance of certain trades and professions in Brazil. Shot in 10 Brazilian states, the film is a dive into the inventiveness and resistance of men in the face of technological and cultural changes.
The Case of the Three Sided Dream (2014)
The documentary film on the life and legacy of Rahsaan Roland Kirk – a one of a kind musician, personality, activist and windmill slayer who despite being blind, becoming paralyzed, and facing America’s racial injustices - did not relent.
México, México: Mexique en mouvement (1968)
"Mexico begins where the roads end ”. Mexican writer Carlos Fuentes tells us about the history of Mexico: its invasions, its revolutions, its sacred lands, its forgotten legends, its religious rituals and this frightening misery. François Reichenbach and his camera sink into the dust, on this sacred land, where "the land never ends."
New York, New York (1977)
An egotistical saxophone player and a young singer meet on V-J Day and embark upon a strained and rocky romance, even as their careers begin a long uphill climb.
Livre Pensar (2019)
Conceição Tavares is one of the most forceful, critical and original voices of Brazilian economic thought. This documentary gives an account of her life and work, while taking stock of more than half a century of a country looking for a future.
Chasing Trane (2017)
An account of the life of the brilliant jazz musician John Coltrane (1926-67), a gifted saxophonist, an extraordinarily talented thinker whose original, avant-garde work has impacted and influenced people all over the world. A story about music's ability to entertain, inspire and transform.
The Last Day's Work (1987)
Work is becoming more service oriented and more and more services rely upon us doing harm to each other. In most people's lives, work operates as a degrading and debilitating force. It disables people's critical and perception capacities. Unless workers assume responsibility for evaluating the meaning and implications of the work they do, there will never be the capacity to redirect the modern work institutions from their courses of violence and exploitation. Built in seven parts which correspond to each day of the week, this film studies the relationship between work being done and the nature of the people that are doing it.