Traditional clay-mation and stop-motion animated film.
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Rimo and Zimo Peace In Town (2014)
Rimo and Zimo are two towns that are not very far from each other, divided by a small desert. Both towns’ people have stayed away from each other for a long time, feeling mutual hatred and fear. One day, two little rascals from Rimo, Bızdık and Minnik, decide to go to the desert for an adventure. Meanwhile, the Zimo Family enjoys a family picnic at the desert with their baby egg and little daughter.
And the Lighthouse Made Three (1986)
A plasticene animated film about a lonely lighthouse, a craggy old lighthouse keeper and a mysterious dark figure that moves in the fog. A delightful song ends this tale of unrequited love.
The Challenge to Death (2001)
For the first time in front of a camera Ayunanda Fahaki introduce his whole body in a blender and ensures due out alive after turning it on.
Tarantella (1940)
Here the artist creates a world of color, form, movement and sound in which the elements are in a state of controllable flux, the two materials (visual and aural) are subject to any conceivable interrelation and modification.
Hair Piece: A Film for Nappy Headed People (1984)
An animated satire on the question of self-image for African American women living in a society where beautiful hair is viewed as hair that blows in the wind and lets you be free. Lively tunes and witty narration accompany a quick-paced inventory of relaxers, gels, and curlers. This short film has become essential for discussions of racism, African American cinema, and empowerment.
Googolplex (1972)
Extended editing techniques based on Land’s experiments affect the viewer’s sensory perceptions.
Blindman's Bluff (2005)
A blind man accidentally loses his guide-dog. Alone in the dark in a big city, he discovers that his strength lies in recognising his own vulnerability.
Follow That Goblin (1992)
A singing, dancing and rapping extravaganza erupts when Scott and his sister Abby tour the haunted house on Halloween night. The two are trapped in the murky mansion when they stop to help Herbert the Goblin, a hapless haunt who's lost the will to frighten. He teaches the monsters how to be truly scary and save the house
UFOs (1971)
Blasting off into cosmic visual abstraction, pioneering computer artist Lillian Schwartz’s UFOs is a kinetic tour-de-force whose innovative pixel pigmentation showcased advanced stereoscopic technology as art.
Crulic: The Path to Beyond (2011)
An animated feature-length documentary telling the story of the life of Crulic, a 33 year-old Romanian accused of having stolen a wallet from an important Polish judge. Crulic was brought to the Krakow Detention Center Custody prison. He decided to start a hunger strike from the day he was arrested, demanding a meeting with somebody from the Romanian Consulate.
Little Miss Eyeflap (2009)
Breaking with her own culture, a Norwegian-Pakistani girl escapes the force marriage her family has planned for her.
Tram (2012)
As every morning, men get on the tram to go to work. But on that day, to the rhythm of the tickets inserted in the ticket-stamping machine, the vehicle gets erotic and the conductress’ desire turns the reality into a surrealistic and phallic fantasy.
Belly (2012)
Oscar is coming of age, against his better judgment. In doing so he must experience the necessary evil of leaving something behind, but he can still feel it in the pit of his stomach.
Raven the Little Rascal (2012)
A children’s animated feature film based on an internationally bestselling book series for a main target audience of 3 to 8 year olds telling a universal story about friendship, loyalty and honesty in which Little Raven and his friends have to work up all their courage to save their beloved forest.
Jan Švankmajer: The Complete Short Films (2007)
Featuring all 26 entries in the official filmography, this is the world's first complete DVD edition of the short films by the legendary Czech Surrealist filmmaker-animator Jan Švankmajer. Technically and conceptually astonishing in their own right, these films are also as remarkable for their philosophical consistency as for their frequently mind-boggling imagery. This package also includes a bonus short, Johanes Doktor Faust (1958), the longer cut of 'The Cabinet of Jan Švankmajer' with a new introduction by the Quay Brothers, the documentary Les Chimeres des Švankmajer (2001), interviews with Jan and Eva Švankmajer and examples of their work in other media. There's also a chance to see some Švankmajer special effects, created when he was banned from directing his own films.
