The bizarre story of Elliot "White Lightning" Scott, who plans on becoming Canada's first action hero with his low-budget karate epic, Blood Fight. This surreal documentary captures two years in the lives of a passionate amateur filmmaker, his supportive partner Linda Lum, and their cast and crew of outrageous dreamers - all striving to achieve success.
The Wild Blue Yonder (2005)
An alien narrates the story of his dying planet, his and his people's visitations to Earth and Earth's self-made demise, while human astronauts in space are attempting to find an alternate planet for surviving humans to live on.
Nasty Girl (The Sharpest Girl in Town) (2023)
Using visual assemblage as a technique to delve into the artist's own formation of personal narrative, self-possession and the aestheticization of compositional materials, Sodipo extends her long term fascination with images that pull, extend, transform and recontextualise notions of femininity, desire, and danger.
The Overnighters (2014)
Desperate, broken men chase their dreams and run from their demons in the North Dakota oil fields. A local Pastor's decision to help them has extraordinary and unexpected consequences.
In Ictu Oculi (2020)
The six-decade transformation of a block of houses, shown by means of artfully featured archival shots, highlights the beauty and sadness of human-made decay. In the blink of an eye 66 years pass by and a savings bank replaces a church.
The Road Movie (2017)
Anything can happen on Russian roads and is precisely shot by the dashboard camera. Super-objective video registration grows into the strong image of Russian national character – with its permanent awaiting for the miracle and habitual approach to real dramas. A forest on fire as a symbol of Russian hell, a military tank at a car wash and car chase in the vicinity of Kremlin shot with a dashboard cam at the same time when Boris Nemtsov, the leader of political opposition, was shot dead near Kremlin. Dashboard cam depicts life in it’s purity as an unbiased observer.
Twenty Show: The Film (2009)
Twenty Show was the first "user generated film", edited from fictional and real video-blogs. A unique experience initiated on the Internet, a mockumentary that paints a generational portrait of young French people in their twenties.
The Scars (2019)
The personal stories lived by the Uncle, the Father and the Son, respectively, form a tragic experience that is drawn along a line in time. This line is comparable to a crease in the pages of the family album, but also to a crack in the walls of the paternal house. It resembles the open wound created when drilling into a mountain, but also a scar in the collective imaginary of a society, where the idea of salvation finds its tragic destiny in the political struggle. What is at the end of that line? Will old war songs be enough to circumvent that destiny?
His Name Was Jason: 30 Years of Friday the 13th (2010)
A retrospective documentary about the groundbreaking horror series, Friday the 13th, featuring interviews with cast and crew from the twelve films spanning 3 decades.
Lacan Palestine (2012)
Lacan Palestine is a found footage essay about the troubled couple in Palestine. This country without a country has been party to imperial projections for centuries, amply on display here in waves of armed crusaders, legionnaires, Mongols on horseback and biplanes issuing state edicts from the end of a machine gun. There are maps by the galore, drawn and redrawn as occupied territories are bartered in foreign capitals. Contemporary art activists Velcrow Ripper, Elle Flanders, Tamira Sawatzky, Dani Leventhal and others have generously donated their keen lookings and these have been blended with newsreels, desert spectaculars, historical recreations and intimate encounters. Mike Cartmell appears as the ghost of psychoanalysis, offering ruminations on killing the father, John Coltrane and why enjoyment is difficult
Bloodline (2008)
One man's journey into the world of the so-called 'Bloodline' conspiracy, at the heart of Dan Brown's The Da Vinci Code, where a secret society, the Priory of Sion, claims to have guarded evidence of the marriage of Mary Magdalene and Jesus Christ, their children and their descendants down through the centuries.
The Forbidden Files (1989)
The Forbidden Files, films of Jean-Teddy Filippe, flirt with fantasy featuring pictures and voiceovers to create the illusion of a documentary about the strange events from around the world.
Faces of Death II (1981)
Brief scenes of death related material: mortuaries, accidents and police work are filmed by TV crews and home video cameras. Some of it is most likely fake, some not as much.
Faces of Death III (1985)
The third installment of the infamous "is it real or fake?" mondo series sets its sights primarily on serial killers, with lengthy reenactments of police investigations of bodies being found in dumpsters, and a staged courtroom sequence.
Faces of Death IV (1990)
Follows the same pattern of the other Faces of Death movies. In this one we see many staged and not so staged looking deaths ranging from bungee jumping accidents and magic tricks gone bad.
Faces of Death V (1995)
A direct-to-video compilation of the highlights of the earlier films in the Faces of Death series.
Faces of Death VI (1996)
A direct-to-video compilation of the highlights of the earlier films in the Faces of Death series.