MxPx - Both Ends Burning (2011)

Cannibal Corpse: Live Cannibalism (2000)

Live show filmed during the Death Metal Massacre tour on February 16, 2000 at the Rave in Milwaukee, WI. One of the most extreme heavy metal bands ever, Cannibal Corpse acknowledge no boundaries of speed, power, or "good taste" in this full-on concert video. Cannibal Corpse: Live Cannibalism features interviews with the members of the band and their loyal fans in between numbers, in which they tear through a range of classic tunes.

Dead Kennedys: DMPO's on Broadway (1985)

This 58 minute DVD video is one of the Dead Kennedy's last ever live concerts, captured on film just months before their breakup in 1984. This 14-song performance at San Francisco's On Broadway catches Jello and company at the height of their punk powers.

Dead Kennedys: The Early Years Live (1987)

An overview of the early years--late 1970s, early 1980s--of San Francisco punk band Dead Kennedys, with clips from some of their live concerts and footage of landmark San Francisco locations of the punk music scene. Jello Biafra and The Dead Kennedys show why they're the kings of satire in 9 live early performances.

The Fall: The Wonderful and Frightening World of Mark E. Smith (2005)

A 1-hour Documentary looking at the Manchester post-punk group and its infamous leader Mark E Smith. The Film follows the current band recording their final Session for the John Peel Show (they were his favourite group and recorded more sessions than any other band) as well as chronicling the chaotic history of the band & its numerous line-up changes.

The Howlin' Wolf Story: The Secret History of Rock & Roll (2003)

Arguably second only to Muddy Waters among the Mississippi Delta singers who traveled north and pioneered urban electric blues (their supposed rivalry is the subject of one of this DVD's bonus features), Wolf was a big, imposing man with an inimitable, booming voice and a lasting influence on generations of rock & rollers--all of which comes across in the 90-minute film.

Instrument (1999)

The band Fugazi is documented over a period of more than ten years (1987-1998) through performance footage and interviews with the band and their fans. Director Jem Cohen's relationship with band member Ian MacKaye extends back to the 1970s when the two met in high school in Washington, D.C.. The film takes its title from the Fugazi song of the same name, from their 1993 album, In on the Kill Taker. Editing of the film was done by both Cohen and the members of the band over the course of five years. It was shot from 1987 through 1998 on super 8, 16mm and video and is composed mainly of footage of concerts, interviews with the band members, practices, tours and time spent in the studio recording their 1995 album, Red Medicine. The film also includes portraits of fans as well as interviews with them at various Fugazi shows around the United States throughout the years.

Contradict (2020)

When two friends collect money for the so-called "suffering in America" in the streets of Accra, is it for fun, political provocation, or a prophecy? Two Swiss filmmakers will answer these questions with the help of seven musicians from Ghana-M3NSA, Wanlov The Kubolor, Adomaa, Worlasi, Akan, Mutombo Da Poet, and Poetra Asantewa-who have written new songs and produced video clips especially for the documentary film Contradict.

O.J.: Guilty in Vegas (2017)

This two-hour premiere special analyzes with new details and revelations the case that led to Simpson's conviction for armed robbery. Included: the scene of the crime in room 1203 at the Palace Station Casino and the chilling details that led to O.J. Simpson's verdict.

The PhanDom Menace (2002)

The PhanDom Menace presents the definitive look at the most devoted fans on the planet. Follow the lives of Australia's most passionate Star Wars fans as the moment they've waited 16 years for is suddenly upon them. See the amazing costumes, trivia soaked brains, vast collections and unconditional dedication that make these fans a breed apart. Be stunned by the shockwaves that echo through the Star Wars fan community at the dawn of its new prequel era.

Wordplay (2006)

From the masters who create the mind-bending diversions to the tense competition at the American Crossword Puzzle Tournament, Patrick Creadon's documentary reveals a fascinating look at a decidedly addictive pastime. Creadon captures New York Times editor Will Shortz at work, talks to celebrity solvers -- including Bill Clinton and Ken Burns -- and presents an intimate look at the national tournament and its competitors.

Sick: The Life and Death of Bob Flanagan, Supermasochist (1997)

The story of Robert Flanagan, a man who was born with cystic fibrosis and told he wouldn't live past 20, who through a unique odyssey of masochism, art and love found a way to live decades past his expiration date.

Brian and the Boz (2014)

In some ways, Barry Switzer and Brian Bosworth were made for each other. The Oklahoma coach and the linebacker he recruited to play for him were both out-sized personalities who delighted in thumbing their noses at the establishment. And in their three seasons together (1984-86), the unique father-son dynamic resulted in 31 wins and two Orange Bowl victories as Bosworth was awarded the first two Butkus Awards. But then Bosworth's alter ego: "The Boz," took over both their lives and ultimately destroyed their careers. In "Brian and The Boz," Bosworth looks back on the mistakes he made and passes on the lessons he learned to his son. It's a revealing portrait of a man who had and lost it all, and a trip back to a time when enough just wasn't enough.

QUEERCORE (a punk-u-mentary) (1997)

The urban on-line dictionary defines queercore as “Gay-themed, underground, independent music; usually punk rock (Team Dresch, Pansy Division, The Butchies, The Need, etc.)”. See for yourself.

Copyright Criminals (2009)

Copyright Criminals examines the creative and commercial value of musical sampling, including the related debates over artistic expression, copyright law, and (of course) money. This documentary traces the rise of hip-hop from the urban streets of New York to its current status as a multibillion-dollar industry. For more than thirty years, innovative hip-hop performers and producers have been re-using portions of previously recorded music in new, otherwise original compositions. When lawyers and record companies got involved, what was once referred to as a “borrowed melody” became a “copyright infringement.” The film showcases many of hip-hop music’s founding figures like Public Enemy, De La Soul, and Digital Underground—while also featuring emerging hip-hop artists from record labels Definitive Jux, Rhymesayers, Ninja Tune, and more.

U2: Popmart - Live from Mexico City (1997)

U2 performs live in Mexico City in support of their 1997 album, "Pop," featuring lavish special effects, cutting edge sound and spectacular multimedia enhancement. /// Tracklist: 1. Pop Muzik 2. Mofo 3. I Will Follow 4. Gone 5. Even Better Than The Real Thing 6. Last Night On Earth 7. Until The End Of The World 8. New Year's Day 9. Pride (In The Name Of Love) 10. I Still Haven't Found What I'm Looking For 11. All I Want Is You 12. Desire/La Bamba 13. Staring At The Sun 14. Sunday Bloody Sunday 15. Bullet The Blue Sky 16. Please 17. Where The Streets Have No Name 18. Lemon (Perfecto Mix) 19. Discothèque/Love To Love You Baby/Life During Wartime 20. If You Wear That Velvet Dress 21. With Or Without You 22. Hold Me, Thrill Me, Kiss Me, Kill Me 23. Mysterious Ways 24. One 25. Wake Up Dead Man

i.Mirror by China Tracy (2007)

Cao Fei recorded her experiences within the online social platform Second Life. The result is a wistful, surreal vision of an alternative reality sprung from the pop culture fantasies and hyper-consumerism of contemporary urban China, while also trying to transcend its real-life limitations. It can be seen as an answer to the challenge posed by River Elegy: how to envision a new Chinese destiny founded on principles of individuality, creativity, discovery, and freedom. The film also reflects the contemporary condition of the virtual supplanting our experience of the real.

Lost Button (2015)

A documentary about Goran Ivandic 'Ipe', the drummer of most popular Yugoslav rock band of all time, Sarajevo-based "Bijelo dugme" (White Button). Ivandic's fatal jump from the balcony of hotel Metropol in Belgrade in 1994 sparked much controversy around his fate.

The Valley of Gods (NaN)

Michale Graves Live at Europa (2013)

A feature length concert film of the former frontman of the resurrected Misfits, Michale Graves at the Europa Club in Brooklyn, NY.

Shadowplayers: Factory Records and Manchester Post-Punk 1978-81 (2006)

Shadowplayers is a two hour documentary film by James Nice tracing the early history of iconic Manchester Label Factory Records between 1978 and 1981. The facts and the fictions are explored through candid interviews with 22 key participants, including Anthony H. Wilson (Founder) and Peter Saville (Designer), as well as musicians including Peter Hook (Joy Division/New Order), Vini Reilly (Durutti Common), Simon Topping and Martin Moscrop (A Certain Ratio), Chris Watson (Cabaret Voltaire) and Howard Devoto (Buzzcocks/Magazine). The film is divided into 19 chapters, covering subjects such as The Factory Club, sleeve art and graphic design, producer Martin Hannett, the riot at the Joy Division concert at Bury in April 1980, The Factory Beneleux connection, the tragic suicide of Joy Division singer Ian Curtis, the beginnings of New Order, and the decline of the post-punk culture in 1981.