Arguing that advertising not only sells things, but also ideas about the world, media scholar Sut Jhally offers a blistering analysis of commercial culture's inability to let go of reactionary gender representations. Jhally's starting point is the breakthrough work of the late sociologist Erving Goffman, whose 1959 book The Presentation of the Self in Everyday Life prefigured the growing field of performance studies. Jhally applies Goffman's analysis of the body in print advertising to hundreds of print ads today, uncovering an astonishing pattern of regressive and destructive gender codes. By looking beyond advertising as a medium that simply sells products, and beyond analyses of gender that tend to focus on either biology or objectification, The Codes of Gender offers important insights into the social construction of masculinity and femininity, the relationship between gender and power, and the everyday performance of cultural norms.
Plastic Galaxy: The Story of Star Wars Toys (2014)
Plastic Galaxy explores the ground breaking and breathtaking world of 'Star Wars' toys. Through interviews with former Kenner employees, experts, authors, and collectors, the documentary looks at the toys' history, influence, and the passions they elicit today.
This Is It (2009)
A compilation of interviews, rehearsals and backstage footage of Michael Jackson as he prepared for his series of sold-out shows in London.
What Will I Be? (1975)
Vancouver s two leading authorities on sexism in the school system, Linfa Shuto and Reua Dexter, relate their opinions on the problem and some solutions that they are working on. The tape also includes a short historical look at women s position in education and a critical discussion on sex stereotype roles by Grade 6 students.
AURORA: Nothing Is Eternal (2016)
Following the artist from the bustling streets of New York to her rain-soaked hometown of Bergen, the film includes interviews with AURORA's closest friends, as well as uniquely stripped-back performances of tracks including “Warrior” and “Murder Song (5, 4, 3, 2, 1).” Whether she’s reminiscing on her childhood with her sisters, dancing through the city streets in her headphones, or discussing the secret life of apples, there’s a spellbinding quality to everything the artist does.
Emmanuelle: A Hard Look (2001)
Documentary about the Emmanuelle movies, looking at their making as well as their social and cultural impact.
Girl Groups: The Story of a Sound (1982)
A look back at the girl-group craze of the 60's through archival footage and interviews with those involved.
Romantic Comedy (2020)
This documentary goes beneath the surface of our favorite films, seeking to better understand the way we view love, relationships, and romance. From clumsy meet cutes to rain-soaked declarations of love, these films reflect our experiences but are often just as problematic as they are comforting. Helped by a chorus of critics, actors, and filmmakers, and original songs by her band Summer Camp, director Elizabeth Sankey embarks on a journey of investigation and self-discovery.
She's Nobody's Baby: American Women in the 20th Century (1981)
This documentary goes back to the turn of the century to show how women shaped the nation’s history.
African Underground: Democracy in Dakar (NaN)
African Underground: Democracy in Dakar is a groundbreaking documentary film about hip-hop youth and politics in Dakar Senegal. The film follows rappers, DJs, journalists, professors and people on the street at the time before, during and after the controversial 2007 presidential election in Senegal and examines hip-hop’s role on the political process. Originally shot as a seven part documentary mini-series released via the internet – the documentary bridges the gap between hip-hop activism, video journalism and documentary film and explores the role of youth and musical activism on the political process.
Bear (2022)
An amateur filmmaker meets the film student who is supposed to edit his material, the focus of which is allegedly bears. A debate arises about the power of the voyeuristic gaze.
Fanalysis (2002)
Actor/cult icon Bruce Campbell examines the world of fan conventions and what makes a fan into a fanatic.
Advertising at the Edge of the Apocalypse (2018)
In this highly anticipated sequel to his groundbreaking, ADVERTISING AND THE END OF THE WORLD, media scholar Sut Jhally explores the devastating personal and environmental fallout from advertising, commercial culture, and rampant American consumerism. Ranging from the emergence of the modern advertising industry in the early 20th century to the full-scale commercialization of the culture today, Jhally identifies one consistent message running throughout all of advertising: the idea that corporate brands and consumer goods are the keys to human happiness. He then shows how this powerful narrative, backed by billions of dollars a year and propagated by the best creative minds, has blinded us to the catastrophic costs of ever-accelerating rates of consumption.
Believing is Seeing (2023)
A mysterious outbreak of tic disorders among young people leads Dr Robert Bartholomew to question whether social media is making us sick. Doctors have recently identified a concerning trend among young people: tic disorders potentially spread via TikTok videos. For sociologist Dr Robert Bartholomew, an expert in mass psychogenic illness, the trend isn’t surprising, but the potential consequences are alarming. Could the global scope of social media mean we are on the precipice of the world’s largest outbreak of psychogenic illness?
A Day in the Life of a Consumer (1993)
The film shows one day from waking up in the morning all the way to waking up again the next morning. The everyday situations that many commercials are made of, the little dramas that they create and solve through the product or service they sell, are stitched together into one day. This is a film about the everyday in (German, or Western-European) society because the commercials are part of the everyday of most people (everyone who watches television) and they depict an ideal image of society. The film abundantly uses repetition as an editing technique, in visual ways as described above, but also because commercials can be read in different ways. For instance, Brat baking foil shows up at the evening dinner sequence, when an ovendish is put on the table, and again later on in the sequence about going out to a classic concert, because the clip has classic music.
Life Itself (2014)
The surprising and entertaining life of renowned film critic and social commentator Roger Ebert (1942-2013): his early days as a freewheeling bachelor and Pulitzer Prize winner, his famously contentious partnership with Gene Siskel, his life-altering marriage, and his brave and transcendent battle with cancer.