Journey to the West (2014)

Love Actually (2003)

Eight London couples try to deal with their relationships in different ways. Their tryst with love makes them discover how complicated relationships can be.

Spring, Summer, Fall, Winter... and Spring (2003)

An isolated lake, where an old monk lives in a small floating temple. The monk has a young boy living with him, learning to become a monk. We watch as seasons and years pass by.

Breathless (1960)

A small-time thief steals a car and impulsively murders a motorcycle policeman. Wanted by the authorities, he attempts to persuade a girl to run away to Italy with him.

God Does Not Believe in Us Anymore (1982)

After his father is murdered by the Nazis in 1938, a young Viennese Jew named Ferry Tobler flees to Prague, where he joins forces with another expatriate and a sympathetic Czech relief worker. Together with other Jewish refugees, the three make their way to Paris, and, after spending time in a French prison camp, eventually escape to Marseille, from where they hope to sail to a safe port.

Seven Years in Tibet (1997)

Austrian mountaineer Heinrich Harrer journeys to the Himalayas without his family to head an expedition in 1939. But when World War II breaks out, the arrogant Harrer falls into Allied forces' hands as a prisoner of war. He escapes with a fellow detainee and makes his way to Llaso, Tibet, where he meets the 14-year-old Dalai Lama, whose friendship ultimately transforms his outlook on life.

Happiness (2014)

Peyangki is a dreamy and solitary eight-year-old monk living in Laya, a Bhutanese village perched high in the Himalayas. Soon the world will come to him: the village is about to be connected to electricity, and the first television will flicker on before Peyangki's eyes.

Samsara (2002)

A love story situated in the Himalayas. A Buddhist monk can't choose between life and the way of the Buddha.

10 Questions for the Dalai Lama (2006)

How do you reconcile a commitment to non-violence when faced with violence? Why do the poor often seem happier than the rich? Must a society lose its traditions in order to move into the future? These are some of the questions posed to His Holiness the Dalai Lama by filmmaker and explorer Rick Ray. Ray examines some of the fundamental questions of our time by weaving together observations from his own journeys throughout India and the Middle East, and the wisdom of an extraordinary spiritual leader. This is his story, as told and filmed by Rick Ray during a private visit to his monastery in Dharamsala, India over the course of several months. Also included is rare historical footage as well as footage supplied by individuals who at great personal risk, filmed with hidden cameras within Tibet.

Becoming Who I Was (2017)

Angdu is no ordinary boy. Indeed, in a past life he was a venerated Buddhist master. His village already treats him like a saint as a result. The village doctor, who has taken the boy under his wing, prepares him to be able to pass on his wisdom. Alas, Tibet, Angdu’s former homeland and the centre of his faith, lies far away from his current home in the highlands of Northern India. On top of that, the conflict between China and Tibet makes the prospect of a trip there even more daunting. Undeterred by these harsh facts, the duo set off for their destination on foot, accompanied by questions of friendship and the nature of life. With its narrative approach steeped in a serene sense of concentration, this documentary film, composed over a period of eight years, stands as a fundamental experience in its own right.

The Count of Monte Cristo (2002)

Edmond Dantés's life and plans to marry the beautiful Mercedes are shattered when his best friend, Fernand, deceives him. After spending 13 miserable years in prison, Dantés escapes with the help of a fellow inmate and plots his revenge, cleverly insinuating himself into the French nobility.

The Next Karate Kid (1994)

Mr. Miyagi decides to take Julie, a troubled teenager, under his wing after he learns that she blames herself for her parents' demise and struggles to adjust with her grandmother and fellow pupils.

Le Deuxième Souffle (1966)

A gangster escapes jail and quickly makes plans to continue his criminal ways elsewhere, but a determined inspector is closing in.

Borsalino (1970)

In 1930s Marseilles two small-time crooks decide to join forces when they meet while brawling over a woman. Starting with fixed horse races and boxing matches, they soon find themselves doing jobs for the local gangster bosses. When they decide to go into the business for themselves, their easy-going approach to crime starts to change.

Walk with Me (2017)

Narrated by Benedict Cumberbatch, Walk With Me is a cinematic journey into the world of a monastic community who practice the art of mindfulness with Zen Buddhist master Thich Nhat Hanh.

French Connection II (1975)

"Popeye" Doyle travels to Marseilles to find Alain Charnier, the drug smuggler that eluded him in New York.

Madame Hofmann (2024)

"Welcome to my life", Sylvie Hofmann repeats this sentence almost all day long. Sylvie has been a nurse for 40 years at the North Hospital of Marseille. Her life is running. Between patients, her sick mother, her husband and her daughter, she has always devoted her life to helping others. What if she decided to think a little about herself? To retire? Does she have the right, but above all, does she really want to?

The Witnesses (2007)

Paris, 1984. A group of friends contend with the first outbreak of the AIDS epidemic.

Sentinelle (2021)

Transferred home after a traumatizing combat mission, a highly trained French soldier uses her lethal skills to hunt down the man who hurt her sister.

The Burmese Harp (1956)

In Burma during the closing days of WWII, a Japanese soldier separated from his unit disguises himself as a Buddhist monk to escape imprisonment as a POW.

Art as a Weapon (2014)

Street art, creativity and revolution collide in this beautifully shot film about art’s ability to create change. The story opens on the politically charged Thailand/Burma border at the first school teaching street art as a form of non-violent struggle. The film follows two young girls (Romi & Yi-Yi) who have escaped 50 years of civil war in Burma to pursue an arts education in Thailand. Under the threat of imprisonment and torture, the girls use spray paint and stencils to create images in public spaces to let people know the truth behind Burma's transition toward "artificial democracy." Eighty-two hundred miles away, artist Shepard Fairey is painting a 30’ mural of a Burmese monk for the same reasons and in support of the students' struggle in Burma. As these stories are inter-cut, the film connects these seemingly unrelated characters around the concept of using art as a weapon for change.