This documentary is a journey into our own fascination, a collection of portraits of folk musicians living in New England, and a study of the ground on which their music is founded. We listen to them as they tell their stories and play their music. First and foremost, Behind a Hill is a tribute to these musicians and a rare peep into the house parties and basement jams of New England, in the northwestern corner of the USA, with the vain hope attached that maybe you, the viewer, will grow as fond of the music as we have. When we first encountered these musicians, we were overwhelmed by the quality of their musical output. We were entranced by the melodies, harmonies, rhythms, and tempos and every other element that constitutes a song (or, as is often the case, a piece of abstract drone music, heavy feedback, or someone banging a steel pipe against a bag of dirt while chanting in a yet undiscovered language, or...).
Cerddwn Ymlaen (2004)
The highlights of the 20th Anniversary Concert celebrating the partnership between Wales' best -known political folk singer and the first international ambassadors of Welsh folk music, held at Machynlleth, Wales in October 2002.
Get Better: A Film About Frank Turner (2016)
‘Get Better – A Film About Frank Turner’ was directed by friend Ben Morse, and follows Frank Turner and his band The Sleeping Souls for a year on the road, but the band swiftly came off the road – and Frank came off the rails before recovery.
A Star-Spangled Story: Battle for America (2014)
"The Star-Spangled Banner" is known by all, treasured for its powerful melody and stirring lyrics. And yet, only about 40% of U.S. citizens know all the words. And even fewer know their meaning. Join us as we travel back to 1814, when Washington D.C. was under British attack during the "Second War of Independence," and the very bricks and mortar of American democracy were reduced to smoking rubble. We examine the battle that inspired witness Francis Scott Key to immortalize its final moments, then reveal how his poem transformed into an anthem.
Grandma's Way Out Party (1993)
Heading out west to her Grandma's birthday celebration, Lynda Barry and Kevin Kling record their adventures along the way.
Once Were Brothers: Robbie Robertson and The Band (2020)
A confessional, cautionary, and occasionally humorous tale of Robbie Robertson's young life and the creation of one of the most enduring groups in the history of popular music, The Band.
Runrig: Wheel In Motion (2000)
Live footage of Runrig's concerts at Loch Lomond, Edinburgh Castle, their Western Isles tour and throughout Europe in 1991. Songs include: Always The Winner - Solus Na Madainn / The Morning Light - Healer In Your Heart - Every River - Harvest Moon - Hearthammer - Abhainn An t-Sluaigh / The Crowded River - Headlights - Edge Of The World - Alba / Scotland - Instrumental - An Cuibhle Mòr / The Big Wheel - I'll Keep Coming Home - Tear Down These Walls - Pride Of The Summer - Flower Of The West - Loch Lomond - This Beautiful Pain
CNN Concatenated (2002)
An 18-minute long single-channel video which uses CNN footage cut so that each word is spoken by a different newsperson. The pieces literally asks the viewers questions about media authenticity and give CNN a distinct voice
Selva. A Portrait of Parvaneh Navaï (1982)
Trance dances and out of body projection. In front of the camera, Parvaneh Navaï becomes a mediator who enters in contact with and immerses into the energies of Nature, while her own energy radiates and echos in the forest ("selva"). The camera amplifies and expands her presence, transforming the forest into an imaginary space. The camera becomes a painter's brush.
May It Last: A Portrait of the Avett Brothers (2017)
An intimate portrait of the acclaimed North Carolina band The Avett Brothers, charting their decade-and-a- half rise, while chronicling their present-day collaboration with famed producer Rick Rubin on the multi-Grammy-nominated album “True Sadness.”
Kiss 25 Goodbye (1991)
Outrage kiss-in at Bow Street police station in London, with a demonstration against homophobic government bills clause 25/28.
The Avett Brothers at Red Rocks (2020)
On July 7, 2019, they celebrated their sixth consecutive year of sold-out concerts at Red Rocks Park and Amphitheater, the world’s only naturally-occurring, acoustically perfect amphitheater, located just outside of Denver. Over 9,000 fans danced, sang and cheered — it was the perfect way to spend a warm summer evening. This special features performances of “Live and Die,” “Down with the Shine,” “Head Full of Doubt,” “High Steppin,'” “Ain’t No Man,” “Laundry Room” and more.
Bloody Nose, Empty Pockets (2020)
A portrait of the lives of a disparate group of patrons and employees at an American watering hole today.
Urgent ou à quoi bon exécuter des projets puisque le projet est en lui-même une jouissance suffisante (1977)
Gérard Courant applies the Lettrist editing techniques of Isidore Isou to footage of late 70's pop culture. Courant posits that his cinema offers an aggressive détournement to the French mainstream, reifying a Duchampian view of film: "I believe in impossible movies and works without meaning... I believe in the anti-movie. I believe in the non-movie. I believe in Urgent... My first full length movie that is so anti-everything that I sometimes wonder if it really does exist!"
Black Hole Radio (1992)
Black Hole Radio is an installation that consists of taped confessions of callers of the New York City Phone Confession Line and video images. The Phone Confession Line is based on anonymous callers ringing to confess on things they had done or thought like adultery, theft, murder or regrets. Thereafter anybody could call and listen to the confessions. Although making a confession was free, listening to a confession costs money. After Cohen got his hands on the confessions, he used them as an audio heartbeat to accompany video-images of every day life in New York City he had taken over the years. This installation is a portrait of the city with its dark secrets, hushed voices and nocturnal images. In this way Cohen tries to bring across an experience to the viewer that relies on absence, waiting and the effort to hear something in the dark.
You Gave Me A Song: The Life and Music of Alice Gerrard (2019)
You Gave Me A Song offers an intimate portrait of old-time music pioneer Alice Gerrard and her remarkable, unpredictable journey creating and preserving traditional music. The film follows eighty-four year old Gerrard over several years, weaving together verité footage of living room rehearsals, recording sessions, songwriting, archival work, and performances with photos and rare field recordings. Much of the film is told in Alice’s voice and via interviews with musical collaborators and family members who share the story of Alice and others chasing that high lonesome sound.
How the West Was One (2024)
In a contemporary reimagining of the American West, three young women - a snake hunter, a New York artist, and a rodeo queen - challenge the idea of who is permitted to be a cowgirl.
Sylvia Kristel – Paris (2003)
Sylvia Kristel – Paris is a portrait of Sylvia Kristel , best known for her role in the 1970’s erotic cult classic Emmanuelle, as well as a film about the impossibility of memory in relation to biography. Between November 2000 and June 2002 Manon de Boer recorded the stories and memories of Kristel. At each recording session she asked her to speak about a city where Kristel has lived: Paris, Los Angeles, Brussels or Amsterdam; over the two years she spoke on several occasions about the same city. At first glance the collection of stories appears to make up a sort of biography, but over time it shows the impossibility of biography: the impossibility of ‘plotting’ somebody’s life as a coherent narrative.
American Youth (2019)
An experimental collage of commercials, political advertising, news footage, and found video used to mark the rapid capitalization of young Americans after the collapse of the 60s/70s youth movements.