Sylvia and Cora Miao play two widowed mothers, best friends and confidants who spend their days reminiscing about times past. Over the course of a lazy weekend afternoon, the two women conjure memories of Cora's husband, his life, his death, and his passionate affair with Sylvia. A series of wistful flashbacks reveal the sometimes touching, sometimes painful circumstances around the women's deep friendship with one another, and their love for the same man.
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Knowing the past changes the future. Seeking a connection to her heritage, Rebecca Hoffman sets out on a journey of discovery following the deaths of her adoptive parents. She finds that connection with her birth family in the Navajo community. But cultures clash when her husband is rejected as an outsider. Rebecca and her family experience rebirth in a rich culture and renewal as a family in this dramatic film based on the autobiography Looking for Lost Bird by Yvette Melanson (with Claire Safran).
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Moataz falls in love with the widow Suhaam, and their relationship quickly grows, but he discovers that she has a serious illness, so he proposes to her even though his cousin loves him and wants to marry him.
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Doctors say that Veronika, a woman in her 20s, is schizophrenic. She is compliant, which makes her an easy target for men. She's religious, believing she is God's favorite child; she searches for Jesus. She has sent a letter to a filmmaker suggesting her life as the subject for a movie. We see her raped then take up with a series of men she believes are Jesus, each willing or insistent on sex. A young man with his own crisis of faith invites her to join a cult. We see her involuntarily committed to an asylum from time to time where medication and constraints await. Her wealthy parents are helpless. Will a medical professional ever talk to her? If one did, would it help?
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