Loosely based on Charles Dicken’s book “A Tale of Two Cities”, Working Class tells the tale of underground street artists Mike Giant and Mike Maxwell and their decade long friendship that started with a tattoo. The story is told through the cities they call home by, cutting back and forth between the neighborhoods of San Francisco and San Diego, as the artists talk about their life philosophies and the work they create.
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Affitti Gray Vol. 1 (2007)
This one is dedicated to all writers. The long awaited and much anticipated Affiti Gray #1 is now available, feat. A solid variety of bombing, freights and walls along with a good amount of live painting actions. Containing new as well as classic footage, this video is pure graffiti – no filler content. Featuring tons and tons of quality fr8s from writers around the U.S., this video will surely please. Classic SF Graffiti. Throw ups, pieces, and tags from various writers. Live piecing on walls, live fr8 painting, live bombing and live transit painting and more. Check this one out, and enjoy the great music aswell!
This is What a Feminist Sounds Like (2012)
This is What a Feminist Sounds Like is the story of 80 year old social activist Pat Noonan and it is a guided tour of the burgeoning of woman's rights and gender equality in North America during the twentieth century, set in the small automotive town of Windsor, Ontario.
Sofía (2021)
A taboo in the family: the death of my great-grandmother Sofía. The surface of this history is known but not the background and much less the beginning, only its end. The tragic end The answers are in the family, in my grandparents and my uncles. This project is a tribute to her and the woman she was.
This Is Our Scene Too! (2016)
A documentary about women in the Indonesian DIY hardcore/punk scene, including interviews with musicians, photographers, and zine-makers.
The Hippie Temptation (1967)
CBS TV news special hosted by Harry Reasoner explores the way-out world of the Hippies and the Haight-Ashbury psychedelic 1960s LSD scene. Footage of LSDs users experiencing bummer trips. The Diggers, the Oracle and cool street and Golden Gate Park scenes with hippies tripping out. The Grateful Dead are interviewed and are shown performing "Dancin' in the Streets" on a flatbed truck in Golden Gate Park. The Hippie Temptation!
Like It Is (1968)
This documentary on the "youth movement" of the late 1960s focuses on the hippie pot smoking/free love culture in the San Francisco Bay area.
Teaches of Peaches (2024)
Peaches - artist, feminist, rock star. She has been challenging gender stereotypes for over 20 years and is on par with the icons of the pop and rock world. With exclusive private archive material and current footage of preparations and concerts of her 2022 jubilee tour “20 Years of Teaches of Peaches”, we learn how the Canadian Merrill Nisker became the internationally celebrated musician and electro-clash icon Peaches.
ALTAR: Cruzando Fronteras, Building Bridges (2009)
Examines the life, work, and cultural significance of Gloria Anzaldúa, poet and visual artist, and those she inspired in women's Chicano art. The work highlights the struggle for women's and gay rights.
Retreat (2019)
Marina and Perla join thousands of women on an annual Catholic pilgrimage. Perla's coming of age accentuates a generational divide as she struggles to assert her independence as a woman.
Ain't No Time For Women (2020)
The hairdressing salon “Saïda” is a space where people speak openly, laugh and argue. The subject rarely is hair. In the run-up to the presidential elections in Tunisia the shop turns into a political arena where the women – young or old, conservative or with a modern outlook – indulge in discussions about the pros and cons of the candidates. Their clever and witty statements reflect a young democracy with all its rifts and fault lines.
Pornography: Andrea Dworkin (1991)
Radical feminist Andrea Dworkin's expose on the pornography industry.
Basquiat, Une Vie (2010)
From Brooklyn to the Bronx, Soho to Greenwich, Union Square to Wall Street... Join us and the friends, collaborators and gallery owners who supported Jean-Michel Basquiat throughout his life. The first ever recognized graffiti artist, who saw international success as a neo-expressionist painter in the 80s, Basquiat is a true contemporary hero who died at the peak of his career.
Coller pour crier (2021)
On March 15, 2020, Montreal sees appearing on a wall, written in black letters on white paper "Stop feminicides". It is at this moment that the Collages Feminicides Montreal collective sees the light for the first time. Now the streets of the city are carpeted with their words. Today, after the 17th feminicide, they will continue to fight and stick, until this violence stops.
I'm Not Speak English (2021)
With analog and digital material collected during her stay on a "Work Trip" taking care of children in an American kindergarten as a migrant. I'm not speak English proposes —as a visual autobiography— to make visible a phantasmagorical light as a metaphor for the sudaca's bodies that work in invisible care task. Migrant bodies who bear as an imperceptible force the North American Nation.
Bomb It (2007)
Through interviews and guerilla footage of graffiti writers in action on five continents, the documentary tells the story of graffiti from its origins in prehistoric cave paintings thru its notorious explosion in New York City during the 70’s and 80’s, then follows the flames as they paint the globe.
The Other Song (2009)
Journeying across Varanasi, Lucknow, and Muzzafarpur in India, this documentary film traces the lost traditions and the culture of tawaifs (courtesans of North India), particularly through a song sung by Rasoolan Bai, "Lagat karejwa ma chot, phool gendwa na maar" and its lesser known, earlier version "Lagat jobanwa ma chot, phool gendwa na maar" (recorded in a 1935 Gramophone recording). Weaving the past with the present, the film spans between personal stories as it interacts with historical events, ultimately leading to the decline of a great art form.
C'est assez bien d'être fou (2018)
At the wheel of an old truck from the 1970s, Bilal, street artist, and Antoine, director, embarked on a journey lasting several months to the confines of Siberia. As the truck breaks down and meets the locals, an adventure emerges that will take them from the Carpathian mountains to the boat cemetery of the Aral Sea, from Odessa to Vladivostok. An artistic journey, alternating drawings and video, between road movie and documentary tale.
