A young working class Baltimore man spends 10 years on a single portrait, believing it is his means to fame and fortune. But he also believes that only one man can lead him there---the famous artist David Hockney. What happens when you finally meet the god of your own making?
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An educational documentary spanning two continents, opening up a much-needed debate about traditional African spiritual systems; their cosmologies, ideologies and underlying ethical principles. Modern science no longer refutes the origins of mankind being in Africa and similarities in the cosmological ideologies of African esoteric systems with those found many established world religions today, suggest that it was not only people that migrated, but also concepts and themes that then provided bedrock for the formation of other systems of belief.
The Things I Cannot Change (1967)
"This feature documentary is considered to be the forerunner of the NFB's Challenge for Change Program. The film offers in inside look at 3 weeks in the life of the Bailey family. Trouble with the police, begging for stale bread, and the birth of another child are just some of the issues they face. Through it all, the father tries to explain his family's predicament. Although filmed in Montreal, the film offers an anatomy of poverty as it occurs throughout North America." - NFB
Olympia: Part One – Festival of the Nations (1938)
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.
Olympia: Part Two – Festival of Beauty (1938)
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.
Dixie Chicks: Shut Up and Sing (2006)
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Billie Holiday: A Sensation (2015)
A documentary about the legendary jazz singer Billie Holiday (1915-1959). There exist many myths and legends about the Jazz Singer Billie Holiday — one of the greatest voices of the last century. Most of them tell the story of the tragic victim of drugs, alcohol, men, color, or the circumstances of her upbringing. To some extent she contributed herself to these legends, especially in her autobiography "Lady Sings the Blues". In recent years, more and more records and reports have shown a different picture of her. These statements of confidants, colleagues and friends clean up with many of the legends and show a strong personality who has been anything but a pitiable victim. Billie Holiday was a strong-willed and determined person and a very complex personality who did not correspond to the classic victim type.
Le plafond de verre (2006)
This is the story of the few people who went ahead, beyond racial prejudice. And their struggle to open the workplace to other people.
Forever (2006)
Père-Lachaise - one of the world's most famous and beautiful cemeteries - is the final resting-place of a gifted group of artists from all eras and corners of the world. Some - such as Piaf, Proust, Jim Morrison and Chopin - are worshiped to this day. Others have fallen into oblivion, or are visited occasionally by a single admirer. In Forever we see the mysterious, calming and consoling beauty of this unique cemetery through the eyes of people of flesh and blood. Many come for their 'own' beloved: husbands, wives, family and friends. Others Honor 'their' artist by leaving behind a personal message or a flower. While admirers share with us the importance of art and beauty in their lives, the graveyard gradually reveals itself as a source of inspiration for the living. Death offers little consolation except for the passing of time, the melancholia of a moss-covered tomb, and the beauty and power of a piece of music, a poem or a painting Written by Cobos
Welcome to Africville (1999)
Welcome to Africville gives voice to what may have been marginalized members of an Afro-Canadian community in 1969. It's intention is to be a catalyst to thought and reflection about the lives and struggles of people from that community whose stories still go untold. It is the fictional account of a family. We listen to the stories of three generations of women and their friend Julius on the day their community is to be destroyed by the municipal government of Halifax. This story is a portrait of four individuals coping with universal uncertainties and insecurities.
A Way Out (2001)
A Way Out is a documentary about breaking the cycle of poverty in Canadian's oldest and largest "ghetto," Regent Park. In addition to talking about what it is like to grow up poor in North America, it explores the reasons behind one person finding a way out of poverty and others remaining. As a former resident of a low-income community, Christene Browne went back to find out what had happened to some of her old friends. Formal and impromptu interviews are conducted and the community is revealed through footage and stills.
We The People 2.0 (2016)
American citizens who are normally marginalized, forgotten and left to fend against toxic dumps and other violations, come to understand that the only way to survive and save their communities is to challenge the system head-on.
Angry Inuk (2016)
With "sealfies" and social media, a new tech-savvy generation of Inuit is wading into the world of activism, using humour and reason to confront aggressive animal rights vitriol and defend their traditional hunting practices. Director Alethea Arnaquq-Baril joins her fellow Inuit activists as they challenge outdated perceptions of Inuit and present themselves to the world as a modern people in dire need of a sustainable economy.
13 Related Sewing Machines (2011)
Why can't I hear the sound of sewing machines anymore? A meeting with my family and the history of all their sewing machines.
The Story of the Weeping Camel (2003)
When a Mongolian nomadic family's newest camel colt is rejected by its mother, a musician is needed for a ritual to change her mind.
Living Water (1965)
A city awakens. There are sights and sounds we do not experience if we sleep late.
The Do Gooders (2013)
British documentary filmmaker Chloe Ruthven’s grandparents were aid workers in Palestine. Growing up, she had avoided getting too involved in the subject, recalling how mention of the country made all the adults in her life angry. In her forties, after revisiting her grandmother’s book on the subject, she starts to research a documentary on the effects of foreign aid in the area and is shocked at the continued reliance on it there. Along the way she meets Lubna, a Palestinian woman who acts as her driver and fixer, and who is fiercely critical of Western aid efforts in her country. What begins as a quest to better understand her family history turns into a deeply emotional account of two women trying to understand one another. Ruthven’s determination to focus her film on deeply subjective analysis results in a unique joining of the acutely personal and complexly political. (Source: LFF programme)