Colossal explores the complexities of grief and the process of grieving as understood through the myth of a Man as he ventures through shifting landscapes ruminating.
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"There will be no winters" - a film consisting of 14 short novels, each with its own plot and a musical theme. In fact, this is a screen version of the same album of Russian avant-garde singer Leonid Fedorov.
Reflections in the Dust (2019)
“I don’t believe in love because I’ve never seen it,” responds a young woman to an unseen interviewer in the first few minutes of the movie. This bleak portrait of loneliness and social exclusion is set on the edge of a desolate swamp where an aging clown and his daughter are struggling to survive. The location could be the end of the world, a place where hope has vanished along with a belief in the afterlife and the existence of God. The two unfortunates live together without the likelihood of change, as fear, aggression, and anger take hold of them – but they also experience sudden moments of tenderness.
Nikita Forever (2018)
Niki is a child who chases butterflies through a chaotic landscape in a home-made samurai costume, and attempts to prepare for a catwalk. Niki is on a journey to find meaning, to understand a crazy world that does everything it can to get rid of anyone who doesn't fit in - an inner journey to become a human being.
Since (1966)
Andy Warhol's experimental reconstruction of the assassination of the President of the United States, John F. Kennedy, which serves as his critical commentary on the way the media presented the tragic event.
Brutal Ardour (1978)
Boy meets girl (or vice versa) and they predictably fall in love to follow the canons of the strictest convention.
The God Crippled With One Leg (1994)
Experimental short film. A young woman is left stranded in an abandoned industrial building, bound by 16mm film. Meanwhile, an angel roams a highway. Also known as Jesus With One Leg.
Solitary (2016)
It’s New Year’s Eve and while the Brussels’ city streets are teeming with drunken revelers, the paths of two solitary souls will cross. Max, a poor sod, is drowning his existential confusion in alcohol. Julie, a young woman, finds it impossible to reconcile herself with the bitter realities of her life. But on this festive night, they’ll try to put aside their personal mess and painful pasts. Unfortunately, that past remains hot on their heels. Max’s urgent money needs drove him to commit a robbery with a trio of idiots. Juliette missed a meeting with a bottle of sleeping pills and feels the urge to try again if she can’t find anything worth living. The clock is ticking away to midnight. Whatever happens, there will be fireworks!
Bewitching Eyes (1977)
A Polish folktale set in the Middle Ages, tells the story of a man, whose eyes, or the gaze of them, brings upon death.
The Parrot (Papagajka) (2016)
A stranger arrives in Sarajevo and barges into Damir's reclusive world. Little by little she takes over his life. She absorbs his dreams, until finally she threaten his very existence.
Dog Star Man: Part III (1964)
Sexual intimacy. Three kinds of images race past, superimposed on each other sometimes: two bodies, a man and a woman's, close up, nude - patches of skin, wisps of hair, glimpses of a face and genitalia; strips of celluloid with lines and squiggles scratched on them; and, close-up shots of what appear to be the insides of living bodies - a heart beating, muscle and sinew and tissue wet with fluids. The exterior and interior of desire.
Dog Star Man: Part IV (1964)
A man is supine on a mountain side. Images rush past of nature and a stained glass saint. An infant is born. We see a lactating nipple. Images include a mountain peak, farm buildings, a tree stump, a fire, a crawling baby, and the sun. The man falls and rolls. Then, later, he swings his ax.
Dog's Night Song (1983)
A priest arrives in a village and give advice and comfort to different people. He meets a wheelchair-bound former representative of the Communist party, a woman who is dying of tuberculosis and an astronomer who sings in a punk band.
REVIEW OF INNER SPACES (2020)
Nina is 35 years old; her husband is 53. She loves him so much that she longs to have a child with him... Max also loves her. He is even flattered that Nina is very jealous, but he does not want a child because he is afraid that the child will call him grandpa... The real reason for the conflict is that Max will soon be killed and only he knows that fact. The film is a reflection of the emotions and experiences of two lovers, inspired by real events that happened in a provincial town in 2007.
Monument (1967)
In the fall of 1967, intermedia artists Ture Sjölander and Lars Weck collaborated with Bengt Modin, video engineer of the Swedish Broadcasting Corporation in Stockholm, to produce an experimental program called Monument. It was broadcast in January, 1968, and subsequently has been seen throughout Europe, Asia, and the United States. Apart from the technical aspect of the project, their intention was to develop a widened consciousness of the communi - cative process inherent in visual images. They selected as source material the "monuments" of world culture— images of famous persons and paintings.
The Truth About the Imaginary Passion of an Unknown (1974)
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Forenoon of a Faun (1963)
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Inflatable Sex Doll of the Wastelands (1967)
A wealthy real estate investor is forced to watch the rape of his girlfriend and then is sent a film showing the fact. He hires a hitman, Sho, and shows him the film, so that the detective can get rid of the criminals. But the boss of the criminal band is Ko, Sho's archnemesis, who raped and murdered his girlfriend.
R (2013)
In a surreal meeting filled with countless individuals from a variety of backgrounds, nine people recount how sex and sexuality have been used to exert control over their lives. Regardless of race, sexual orientation, nationality, social class, religion, or gender, all are equally shattered and all are equally victims. Those that recount their experiences show that the power / sex dynamic can come in many forms. Whether the power is taken away by physical or psychological means, and regardless of whether it is perpetrated by an individual, institution, or society, the results are equally devastating.