At first glance, Matthew VanDyke—a shy Baltimore native with a sheltered upbringing and a tormenting OCD diagnosis—is the last person you’d imagine on the front lines of the 2011 Libyan revolution. But after finishing grad school and escaping the U.S. for "a crash course in manhood," a winding path leads him just there. Motorcycling across North Africa and the Middle East and spending time as an embedded journalist in Iraq, Matthew lands in Libya, forming an unexpected kinship with a group of young men who transform his life. Matthew joins his friends in the rebel army against Gaddafi, taking up arms (and a camera). Along the way, he is captured and held in solitary confinement for six terrifying months.
Steal This Film II (2007)
These are strange times indeed. While they continue to command so much attention in the mainstream media, the 'battles' between old and new modes of distribution, between the pirate and the institution of copyright, seem to many of us already lost and won. We know who the victors are. Why then say any more?
Fire in the Nile (2020)
A major shift of political power in Sudan started with street protests throughout Sudan on 16 December 2018 That resulted in the overthrow of the dictator Omar Al-Basheer. The Sudanese Revolution took over 38 weeks to achieve its demands with over 300 casualties and +1200 arrests. Fire in the Nile is a documentary about how the people dealt with the government and how to protest until their demands have been granted.
Lost in Tunisia (2016)
After the elections that followed the Tunisian revolution, as well as the violence that shook the country, an author seeks to make a film on women's issue in his motherland. He makes his questioning the subject of his film and starts a journey.
Gray State: The Rise (2015)
A documentary about America’s current militarized police state, the liberal use of deadly force against unarmed citizens, and a possible pending economic collapse. The world reels with the turmoil of war, geological disaster, and economic collapse, while Americans continue to submerge themselves in illusions of safety and immunity. While rights are sold for security, the federal government, swollen with power, begins a systematic takeover of liberty in order to bring about a New World Order. Fear-mongering, terrorism, police state, martial law, war, arrest, internment, hunger, oppression, violence, resistance. Neighbor is turned against neighbor as the value of the dollar plunges to zero, food supplies are depleted, and everyone becomes a terror suspect. There are arrests. Disappearances. Bio attacks. Public executions of those even suspected of dissent. Even rumors of concentration camps on American soil. The GRAY STATE is here. It always was. By consent or conquest.
Beauty Will Save the World (2003)
BEAUTY WILL SAVE THE WORLD charts the journey of 19 year old Tecca Zendik, a contestant in the Miss Net World contest, Libya's first every beauty competition. Colonel Muammar Qaddafi hosts this competition and the film includes extraordinary footage of the Colonel. Tecca's story reveals an incredible conclusion no-one could have guessed when private jests transported the beauties to the country feared by the West in the 1980's.
Karama Has No Walls (2012)
'Karama has no walls' is set amidst Yemen's 2011 uprising. The film illustrates the nature of the Yemeni revolution in stark contrast to the gross violations of human rights that took place on Friday, March 18th 2011. Juma'at El-Karama (Friday of Dignity) marks a turning point in the Yemeni revolution as the tragic events that took place on this day -when pro-government snipers shot dead 53 protestors - shook the nation and propelled hundreds of thousands more to flock to the square in solidarity with their fellow citizens. Through the lenses of two cameramen and the accounts of two fathers, the film retells the story of the people behind the statistics and news reports, encapsulating the tragic events of the day as they unfolded.
Iran: The Hundred Year War (2009)
What kind of world power is Iran becoming, and how will Western countries deal with it?
Investigating Operation Condor (2003)
In the name of the struggle against terrorism, a special operation - code named CONDOR - was conducted in the 1970s and '80s in South America. Its target were left-wing political dissidents, the organized labor and intellectuals. Condor soon became a network of military dictatorships supported by the U.S. State Department, the CIA, and Interpol.
Khamsin (2019)
Lebanon today. The traces of the civil war are all too tangible as government corruption becomes unbearable. In a country where conflict and peace are caught in an endless cycle, musicians from different backgrounds pool their talents to create an underground music scene. Each evokes his or her representation of Lebanon: its shifting geographical, political, historical and social borders, its painful passage through conflict and instability. A touching portrait of a young generation trying to build an oasis in a hostile environment where the forces of destruction continue to wreak havoc.
Homeland Gone (2020)
Lebanon is a country hijacked by sects, money, and power. While citizens long for a collective identity to thrive as a community, politicians use the sectarianism for their corrupt ambitions. Unless there is a change, Lebanon will be lost forever.
Checkmate: Strategy of a Revolution (2003)
How does one trigger a revolution? In the Romanian uprising in 1989, everything seemed to happen by itself. The people were fed up and were plagued by poverty and terror. There comes a time when action must be taken! But, it turns out that history is not that simple, as this investigative documentary proves. The film is a thorough and revealing reconstruction of the events leading up to Ceaucescu’s downfall and execution. In actual fact, the Romanian revolution was a strictly managed operation, controlled from the outside. Hungary, Germany and especially America had big fingers in the pie.
Terror! Robespierre and the French Revolution (2009)
In 1794, French revolutionary Maximilien Robespierre produced the world's first defense of "state terror" - claiming that the road to virtue lay through political violence. This film combines drama, archive and documentary interviews to examine Robespierre's year in charge of the Committee Of Public Safety - the powerful state machine at the heart of Revolutionary France. Contesting Robespierre's legacy is Slavoj Zizek, who argues that terror in the cause of virtue is justifiable, and Simon Schama, who believes the road from Robespierre ran straight to the gulag and the 20th-century concentration camp. The drama, based on original sources, follows the life-and-death politics of the Committee during "Year Two" of the new Republic.
Taiwan: The Generation After Martial Law (1990)
This program illustrates how video activists have developed sophisticated use of small format video, with poetic and powerful imagery, complex mixes of sounds and scores and an effective editing style that belies the urgency under which it is being made. The video movement in Taiwan has made successful use of home cassette distribution, via both mail and street vendors. The Green Team collective has pioneered in this effort with over 100 titles in distribution, documenting the struggles of farmers, students, workers and environmentalists.
A Bridge at the Edge of the World (2007)
Year 1969 - in Turkey. 60s youth were living the most excited days. There was a great effort to make a bridge in Istanbul, on the Bosphorus. Meanwhile, on the eastern border of Turkey, in a Kurdish city between the borders of Iran and Iraq that is left to its destiny, in Hakkari, Zap River was taking lives since there were no passage on it.
Scenes For A Revolution (1991)
The film is about aftermaths and reckonings. Revisiting material for his earlier 4-part series, Karlin returns to Nicaragua to examine the history of the Sandinista government, consider its achievements, and assess the prospects for democracy following its defeat in the general election of 1990.
Nicaragua Part 1: Voyages (1985)
Composed of stills by renowned Magnum photographer Susan Meiselas taken in 1978 and 1979 during the overthrow of the fifty-year dictatorship of the Somoza family. Written in the form of a letter from Meiselas to Karlin, it is a ruminative and often profound exploration of the ethics of witnessing, the responsibilities of war photography and the politics of the still image.
Nicaragua Part 2: The Making of a Nation (1985)
Shot in 1983–84 and focusing on the work of the Historical Institute, this film witnesses how Nicaraguans are recovering their history, the memory of Sandino’s struggle, to transform their sense of identity.
Nicaragua Part 3: In Their Time (1985)
Through the eyes of journalists and photographers working at Barricada, the official publication of the FSLN, the film observes the problems of putting socialism into practice, with reports on the war, the economy, the prison system and the political process leading up to the 1984 elections.