A personal meditation on Rumble Fish, the legendary film directed by Francis Ford Coppola in 1983; the city of Tulsa, Oklahoma, USA, where it was shot; and its impact on the life of several people from Chile, Argentina and Uruguay related to film industry.
I Am Richard Pryor (2019)
The life story of Richard Pryor (1940-2005), the legendary performer and iconic social satirist who transcended racial and social barriers with his honest, irreverent and biting humor.
The Beauty of the Land: Anthony Slide on Andre De Toth and the Indian Fighter (2019)
Short doc in which Anthony Slide (Andre De Toth on Andre De Toth) discusses the work of Andre De Toth in general and The Indian Fighter in particular.
Todo Todo Teros (2006)
Basically an artist is also a terrorist, the protagonist thinks in an unguarded moment. And if he is a terrorist after all, then he might just as well be one. Not an instant product, but an experimental feature in which diary material is brought together to form an intriguing puzzle.
Taon Noong Ako'y Anak sa Labas (2008)
Filmmaker John Torres describes his childhood and discusses his father's infidelities.
Revolutions Per Second (2012)
A 25-minute visual essay by Kent Jones about Jean-Luc Godard and his film 'Weekend'.
The Red Bank. James Joyce: His Greek Notebooks (2013)
This documentary aims to register this unknown side of James Joyce: His Greek Notebooks. Trieste. Bloomsday, 2013. Dance in slow motion, accompanied by text. By deconstructing the body, we turn it into a memory: of the body, of life, of texts. The biographical references to Joyce and Mando Aravantinou, combined with the diagonal slicing of the image, cancel the realism of the landscape, including that of the Narrator’s space/study. As a culmination, Joyce’s letter “A request for a loan in Greek” functions as a timely denunciation. Various routes through cities, such as Trieste, London, New York, and Athens; languages such as Greek and English. In addition to the primal myth of Ulysses, there is another issue: Greek is “the language of the subject of Ulysses”
Cinéma! Cinéma! The French New Wave (1992)
An intimate window into one of the great movements in film history that brought about an evolution in the art of cinema. The documentary portrays the movement with insight on the lives and works of Jean-Luc Godard, François Truffaut and other principal players in the New Wave.
Fantômas: A Thoroughly Modern Villain (2022)
The story of Fantômas, the first villain of modernity, from his birth in 1911 as a novel character to his contemporary vicissitudes, passing through Louis Feuillade, André Hunebelle, surrealism and Moscow.
Donosti 2730 (2024)
A youngster writes a letter to his grandmother about his last trip to Donosti (Spain). This city inspires him to ponder about the language of cinema, time, cities, and sharing memories with our loved ones.
This is Not a Game (2021)
Angela Su’s fictional artist Rosie Leavers is the last remaining person to upload her consciousness to a video game. Contemplating during a pandemic year which also saw people’s resistance movements in many parts of the world, the work pinpoints the uncanny affinities between gaming and warfare strategies. They have mutually informed the infrastructure of both worlds since time immemorial when diplomatic conflicts played out on the battlefield of the 64 squares of a chess board to flight simulation technologies which were adapted to shape gaming experiences as we know it now. When the conflict is between the state and its people, she speculates that gaming strategies empower civilians in resistance movements to counter imperialism through its own operative logic. But once we upload our consciousness, are we able to return to the sensibilities and political motivation that inspired the revolution to begin with?
Mifune: The Last Samurai (2016)
An account of the life and work of legendary Japanese actor Toshirō Mifune (1920-97), the most prominent actor of the Golden Age of Japanese cinema.
Dr Tscharniblues (1979)
Bern, 1979: a tower block called Tscharnergut. A group of friends get together to make a film about their experiences growing up in suburban Switzerland.
Auge in Auge - Eine deutsche Filmgeschichte (2008)
This is not merely another film about cinema history; it is a film about the love of cinema, a journey of discovery through over a century of German film history. Ten people working in film today remember their favourite films of yesteryear.
Do the Dead Speak to Us? (2019)
Filmmaker Helena de Llanos, who lives in the chaotic house, full of memories and treasures, where her grandfather, Fernando Fernán Gómez (1921-2007), legendary writer, actor and director; and his wife, the actress and writer Emma Cohen (1946-2016), shared their lives, analyzes the relationship that the living have with the dead through the places and objects they have left behind.
Audrey (2020)
An unprecedented and intimate look at the life, work and enduring legacy of British actress Audrey Hepburn (1929-1993).
Clawing! A Journey Through the Spanish Horror (2014)
In the late sixties, Spanish cinema began to produce a huge amount of horror genre films: international markets were opened, the production was continuous, a small star-system was created, as well as a solid group of specialized directors. Although foreign trends were imitated, Spanish horror offered a particular approach to sex, blood and violence. It was an extremely unusual artistic movement in Franco's Spain.
MCAINE: An Anagram of Cinema (2023)
Legendary British actor Michael Caine, who began his brilliant career on stage during the 1950s, talks about his private life, his work in film and the books he has written.
Supersurface: An Alternative Model for Life on Earth (1972)
Produced for the 1972 Museum of Modern Art exhibition, Italy: The New Domestic Lanscape, Supersurface was the first of five films planned by Superstudio as a "critical reappraisal of the possibility of life without objects." Superstudio envisioned a "network of energy and information extending to every properly inhabitable area". According to the artists, this network would bring about the destruction of objects as status symbols, the elimination of the city as an accumulation of formal structures of power, and the end of specialized and repetitive work as an alienating activity. "The logical consequence," they write, "will be a new, revolutionary society in which everyone should find the full development of his possibilities".
No Traces of Life (2024)
Building on Forensic Architecture’s previous investigation into herbicidal warfare and its effects on Palestinian farmers along the eastern perimeter of the occupied Gaza Strip, this investigation marks Land Day in Palestine by examining the systematic targeting of orchards and greenhouses by Israeli forces since October 2023. Our analysis reveals that this destruction is a widespread and deliberate act of ecocide that has exacerbated the ongoing catastrophic famine in Gaza and is part of a wider pattern of deliberately depriving Palestinians of critical resources for survival.