A humorous observation in Barcelona’s immigrant neighbourhood El Raval. Four barber shops, four places of remembrance, strange time and space capsules inhabited by people who left their home to find a better one, while the Spaniards are about to leave their own country themselves.
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Orson Welles pitches to potential investors his vision of a largely improvised bullfighter movie about an existential, James Dean type troubadour who sets himself apart from other matadors. In front of an audience of wealthy arts patrons, Welles pontificates on the state of cinema, the filmmaking process, and the art of bullfighting.
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At the beginning of the 60's, thousands of Portuguese turned up in France through the underground. They were fleeing misery, war and repression. Left to unscrupulous smugglers, they had to cross the Iberian Peninsula tracked by the Portuguese and Spanish police. For many, the voyage towards France turned into a disaster. As a child in a shantytown, the author remembers having heard about these terrible odysseys. Thirty years later, he goes in search of the stories of his childhood and seeks to understand what sparked this unprecedented emigration known as the "plebiscite by foot" against Salazar. Between childhood memories and historical investigation, he looks for the images of this exodus, the largest in post-war Europe.
The Wire (2021)
The inhabitants of the canyon of river Kupa, located on the border between Croatia and Slovenia, have historically been united due to their harsh living conditions, but this peaceful cohabitation between members of different cultures is threatened by the construction of iron fences to prevent the transit of refugees from Bosnia.
