An experimental film comprised of Stanley Kubrick's THE SHINING played forwards and backwards at the same time on the same screen, creating bizarre juxtapositions and startling synchronicities
The Other Side of the Witching Hour (2016)
A spellbinding journey into the mind of an insomniac, who spends each night haunted by strange and wonderful illusions from another world.
Boys Night (2018)
"After chasing sunsets, one of life's simple joys is playing with the boys." - Kenneth Clark Loggins
Lost Footage (2022)
How would a found footage film look if the footage was never found? This conceptual art experiment questions the very nature of film and cinema while serving as an ironic tribute to the found footage horror pop culture. The found footage format provides the narrative justification for such a film to exist: the non-existence exists because the footage existed yet it was lost and never found.
The Monster (2020)
A man is been filled with responsibilities and problems with his family. With time, he starts to go mad.
Memoirs of a Strangler of Blondes (1971)
First film by Julio Bressane shot in exile, "Memoirs" is a film about a man who repeatedly kills the same type of woman in same places, the same way. Filmed on the streets of London.
Atmo HorroX (2016)
Through a very surreal chase of spying and surveillance, Catafuse, a dubiously dressed "creature", hunts down specific human targets with the help of Molosstrap. But in a world completely run by the shadowy hands of the pharmaceutical industry, the lines of reality become so blurry and complex, that the mastering of insanity might just be the only way out...
The Man's Name is Spade (2016)
A psychological portrait of a disturbed man whose fragmented thoughts and experiences form the framework of an experimental narrative.
Begotten (1991)
Begotten is the creation myth brought to life, the story of no less than the violent death of God and the (re)birth of nature on a barren earth.
Meta-Hegemony, Meta-Industry (2018)
Just another day in the life of a young man whose ass is used by a cruel syndicate and cult as a dildo mold. Unil he accidentally discovers how to make the most out of his abused hole.
Graffiti (1989)
A woman carries a cat in a shopping bag that refuses to be petted. Tired of its behaviour, she violently strikes the bag repeatedly against a wall. Then, with the blood of the animal, she draws a heart pierced by an arrow.
A Creak in Time (2017)
A 27-minute meditation on the ever-expanding fractal universe with recurring themes of transformation and altered perception, switching scale from microscopic topography to the vast distances of the cosmos.
GIRLZ NIGHT (2020)
A negative free and playful sitcom is hijacked by an entity daunting a pig mask, as it tears apart the mindless glee hiding the real horrors.
Hinterlands (2016)
Through a structuralist and simultaneously ambiguous form, the image's reality treads closer to the abstract, leaving the sunset and trees behind. As we enter the image's gloaming, it reveals its true eye: reality's pure haptic energy, where there is nothing but sonorous light, and the dregs of the Unknown.
Kakofonia Hirukoitza (NaN)
Someone wanders through a house while fleeing from a mysterious presence. Their body dissolves on-screen, and their mind is invaded by a strident gray noise.
Santa Sangre (1989)
A former circus artist escapes from a mental hospital to rejoin his mother - the leader of a strange religious cult - and is forced to enact brutal murders in her name.
BARE BONES (2020)
BARE BONES is an experimental short film written, directed and scored by DEBBY FRIDAY. Conceived during the Covid-19 lockdown and shot in Vancouver, BC on 16mm, the film tells the story of a young woman who swallows a bee and begins to undergo a hallucinatory and transformative experience. Abstract visual sequences depict time and space fracturing around her as she succumbs to wave after wave of pure feeling.
Tetsuo II: Body Hammer (1992)
A Japanese salaryman finds his body transforming into a weapon through sheer rage after his son is kidnapped by a gang of violent thugs.
Cremaster 2 (1999)
CREMASTER 2 is rendered as a gothic Western that introduces conflict into the system. On the biological level it corresponds to the phase of fetal development during which sexual division begins. In Matthew Barney's abstraction of this process, the system resists partition and tries to remain in the state of equilibrium imagined in Cremaster 1.