Based on the true story of Valerie Solanas who was a 1960s radical preaching hatred toward men in her "Scum" manifesto. She wrote a screenplay for a film that she wanted Andy Warhol to produce, but he continued to ignore her. So she shot him. This is Valerie's story.
Antonia's Line (1995)
After World War II, Antonia and her daughter, Danielle, go back to their Dutch hometown, where Antonia's late mother has bestowed a small farm upon her. There, Antonia settles down and joins a tightly-knit but unusual community. Those around her include quirky friend Crooked Finger, would-be suitor Bas and, eventually for Antonia, a granddaughter and great-granddaughter who help create a strong family of empowered women.
The Docks of New York (1928)
A blue-collar worker on New York's depressed waterfront finds his life changed after he saves a woman attempting suicide.
Do the Right Thing (1989)
Salvatore "Sal" Fragione is the Italian owner of a pizzeria in Brooklyn. A neighborhood local, Buggin' Out, becomes upset when he sees that the pizzeria's Wall of Fame exhibits only Italian actors. Buggin' Out believes a pizzeria in a black neighborhood should showcase black actors, but Sal disagrees. The wall becomes a symbol of racism and hate to Buggin' Out and to other people in the neighborhood, and tensions rise.
The Jazz Singer (1927)
A young Jewish man is torn between tradition and individuality when his old-fashioned family objects to his career as a jazz singer. This is the first full length feature film to use synchronized sound, and is the original film musical.
Dog Day Afternoon (1975)
Based on the true story of would-be Brooklyn bank robbers John Wojtowicz and Salvatore Naturile. Sonny and Sal attempt a bank heist which quickly turns sour and escalates into a hostage situation and stand-off with the police. As Sonny's motives for the robbery are slowly revealed and things become more complicated, the heist turns into a media circus.
Sweet Smell of Success (1957)
New York City newspaper writer J.J. Hunsecker holds considerable sway over public opinion with his Broadway column, but one thing that he can't control is his younger sister, Susan, who is in a relationship with aspiring jazz guitarist Steve Dallas. Hunsecker strongly disapproves of the romance and recruits publicist Sidney Falco to find a way to split the couple, no matter how ruthless the method.
Dead End (2013)
The loss of youth, social and professional activity intensifies the sense of loneliness, the obsessions and the "dead end" in the life of an elderly couple.
M. Butterfly (1993)
In 1960s China, French diplomat Rene Gallimard falls in love with an opera singer, Song Liling – but Song is not at all who Gallimard thinks.
Party Monster (2003)
The New York club scene of the 80s and 90s was a world like no other. Into this candy-colored, mirror ball playground stepped Michael Alig, a wannabe from nowhere special. Under the watchful eye of veteran club kid James St. James, Alig quickly rose to the top... and there was no place to go but down.
Changing Lanes (2002)
A rush-hour fender-bender on New York City's crowded FDR Drive, under most circumstances, wouldn't set off a chain reaction that could decimate two people's lives. But on this day, at this time, a minor collision will turn two complete strangers into vicious adversaries. Their means of destroying each other might be different, but their goals, ultimately, will be the same: Each will systematically try to dismantle the other's life in a reckless effort to reclaim something he has lost.
Letters to Paul Morrissey (2019)
Three celluloid letters sent from different parts of the globe to Paul Morrissey, director of Trash, Flesh and Heat, collaborator with Warhol and agent for the Velvet Underground.
The Disappearance of a Young Wife (1953)
The young wife of an upper-class academic disappears while her husband is on holiday. In his search for her, the husband learns that there was much he did not know both about her past and about their relationship.
Interim (1952)
A young man meets a young woman under a bridge by a railroad. They shelter from the rain and exchange a kiss. The man grows sullen and leaves. The film starts with him and ends with her. It’s a straightforward anecdote told in traditional ways, the likes of which he’d forsake forever; that is, it uses actors, a soundtrack with music and post-dubbed sound effects, a photographer who frames everything professionally and a coherent edited narrative.
To Take A Wife (2004)
The story takes place in Haifa, Israel, in 1979, during three days before the Shabbat. A young woman trying to raise three children, work from home, and observe the strict Moroccan traditions of her family finds herself at constant odds with her husband and her brothers, who want her to stay married and leave behind the notions of being loved and free.
Küss mich, Genosse! (2007)
Jenny is hit in the head by a soccer ball. When she comes to, the clock has turned back exactly 32 years! It is June 21, 1974, the year of the football World Cup, one day before the football match between the Federal Republic of Germany and the GDR. Jenny experiences two turbulent days at the side of her future parents - in both parts of Germany.
Yesterday (2004)
After falling ill, Yesterday learns that she is HIV positive. With her husband in denial and young daughter to tend to, Yesterday's one goal is to live long enough to see her child go to school.
The Weather Man (2005)
A Chicago weather man, separated from his wife and children, debates whether professional and personal success are mutually exclusive.
Something's Gotta Give (2003)
When perpetually single, aging music industry exec Harry Sanborn, and his latest trophy girlfriend, Marin, arrive at her mother's beach house in the Hamptons, they find that her mother, playwright Erica Barry, also plans to stay for the weekend. Erica is scandalized by the relationship and Harry's sexist ways. But when Harry has a heart attack while there, and the doctor prescribes bedrest, his only option is to stay at the Barry home. Left in the care of Erica and his doctor, a love triangle starts to take shape.