Out of the three-part burlesque, the only surviving one is the one called Pufi would buy a pair of shoes, with Hungarian inserts. The film is shot on a real-life location, in a Budapest shoe shop, and it portrays the mutual efforts of a puny sales assistant and Pufi, the bladder-of-lard customer, to find him a suitable pair of shoes. The content of the other two parts is not known.
The Misleading Widow (1919)
The Misleading Widow is a 1919 silent film comedy starring Billie Burke as Betty Taradine. It was based on the 1917 stage play Billeted by F. Tennyson Jesse and H.M. Harwood. The film was produced by Famous Players-Lasky and distributed through Paramount Pictures. It appears to be a lost film.
Waltz Me Around (1920)
Delivery man 'Snub' Pollard and his assistant Sunshine Sammy nearly run over Marie Mosquini in the street and ends up at dance school.
A Life in Technicolor (2022)
Alone in her apartment during the pandemic, Natalie turns to her favorite classic movies to keep her company. When her life in color gradually begins to turn to black-and-white, she takes a magical tour through film history, recreating a dazzling array of classic movie scenes.
City Lights (1931)
A tramp falls in love with a beautiful blind flower girl. His on-and-off friendship with a wealthy man allows him to be the girl's benefactor and suitor.
The General (1926)
During America’s Civil War, Union spies steal engineer Johnny Gray's beloved locomotive, 'The General'—with Johnnie's lady love aboard an attached boxcar—and he single-handedly must do all in his power to both get The General back and to rescue Annabelle.
The Gold Rush (1925)
A gold prospector in Alaska struggles to survive the elements and win the heart of a dance hall girl.
Josh's Suicide (1911)
Josh doesn't like the way things go at home and decides to quit and get out. Later, his wife gets what purports to be his farewell letter, which is intended to lead her to believe he has committed suicide. He, however, goes to New York to have a good time, and he does, "by gosh." The wife, believing herself a widow, makes a trip to New York with her admirer. Well, you may guess the rest.
King of the Circus (1924)
Max suffers from drunkenness, but gets serious after he falls for the daughter of a circus director - who forbids her romance with an outsider.
Take a Chance (1918)
It's a classic boy-meets-girl story, boy-loses-girl, boy gets mistaken for an escaped convict and ruthlessly chased by armies of cops across the countryside in a thrill-packed stunt-addled climax.
Kings of Comedy: Masters of the Silent Screen (2007)
A documentary about some of the comedians of the silent era featuring clips from their films and biographical information.
One Week (1920)
Newlyweds receive a build-it-yourself house as a wedding gift—and the house can, supposedly, be built in "one week". A rejected suitor secretly re-numbers packing crates, and the husband struggles to assemble the house according to this new 'arrangement' of its parts.
Sherlock Jr. (1924)
A film projectionist longs to be a detective, and puts his meagre skills to work when he is framed by a rival for stealing his girlfriend's father's pocketwatch.
Me and You and Everyone We Know (2005)
Single dad Richard meets Christine, a starving artist who moonlights as a cabbie. They awkwardly attempt to start a romance, but Richard’s divorce has left him emotionally damaged. Meanwhile, Richard’s sons—one a teenager, the other 6-years-old—take part in clumsy experiments with the opposite sex.
Untitled Kinetoscope Comedy (1895)
An 1895 British short black and white silent comedy film featuring two drunken men and a boy squabbling in a small bar.
Too Many Kisses (1925)
Wanting his son to get away from his many girlfriends and buckle down to work, the New York industrialist father of a playboy sends him to an obscure village in Spain to find samples of a rare mineral. When the son gets to Spain, he runs afoul of the local police chief - who has a secret that he tries to keep the young man from discovering.
His Lord's Will (1919)
A series of family entanglements develop around the changing will of Roger Bernhuses de Sars (Karl Mantzius), who wants his heritage to go to his illegitimate daughter Blenda (Greta Almroth). But love and fate also plays their cards. One of the most surprising films of Sjöström, close to Stroheim and some of the silent comedies of Lubitsch. Belonging to the golden age of Swedish film, this comedy offers one of the earliest explorations of the relationship between masters and servants on the screen, later developed by French masters like Renoir and Guitry. After acting in the diptych of Thomas Graal, Sjöström shows that he also dominates the “light genre” as director.