This movie is a choral of mothers and grandmothers. The old women who rise above the world in supreme beauty with tended waist, their eyes with reflected light, shriveled skin, gnarled and twisted hands suffering from polyarthritis deformans. Our mothers say goodbye having life-long carried the burden of the world. This farewell is quiet and discreet like their whole life was...
Workers Leaving the Lumière Factory (1895)
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
Night and Fog (1959)
Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.
نجميّات (2023)
A lightning-fast 10-minute dive into art, cinema, music, culture, and beyond, in each part. Ditch the fancy, embrace the fun. No script, just surprises. This part talks about music and its history
Shadows (1960)
Hansjürgen Pohland's short documentary is an audiovisual study that captures events and people on the streets on film. The special feature of the work is that the people and objects are portrayed exclusively through their shadows.
The Devil's Torturer (2004)
Herbert Fux talks about his role in the 1970 film "Hexen bis aufs Blut gequält" also known as "Mark of the Devil"
Le patro Le Prévost - 80 Years Later (1991)
Alanis Obomsawin turns her lens to Le Patro Le Prévost, a recreational centre in the Villeray quarter of Montreal. On the eve of its 80th anniversary in 1989, Le Patro is a vital focal point in the predominantly working-class neighbourhood. Beloved by the many generations who use the facilities and partake in activities daily, Le Patro encourages a strong sense of togetherness through principles of cooperation, respect and sharing. Obomsawin presents a tender portrait of a neighbourhood of diverse residents and the community centre many of them consider a second home.
Without Water (2019)
A resilient crop-farmer endeavours to preserve his land, legacy and way of life in the face of Australia’s ongoing ‘big dry’.
Strudel Sisters (2016)
Two elderly sisters share the delicate art of making traditional Hungarian strudel and reveal a deeply personal family story about their mother, who taught them everything they know.
Summer in the City (1970)
German writer Uwe Johnson lived for several years in the 1960s on Manhattan’s Upper Westside where he got to know his neighborhood very well, observing the goings-on in the streets, cafeterias, and parks. In 1968 German Television agreed to co-produce a film for broadcast featuring interviews with various neighborhood characters.
Land Without Bread (1933)
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)
My age, yours, and the age of the world (2022)
After the earthquake, my grandmother is facing the loss of her apartment.
Almantal Yu’un Lekilal (2021)
Twenty-two years after the massacre perpetrated by paramilitary groups in complicity with the government, the people of Acteal celebrate their martyrs and persist in their demand for justice.
Growing Girls (1949)
After several farmyard analogies featuring chicks and calves, the well-spoken narrator and director of the film, Winifred Holmes, considers the subject of girls and how they reach adulthood and readiness for the 'important job of motherhood.
Gerd Hansen, 55 (1987)
In the short documentary GERD HANSEN, 55 Jochen Hick talks about an aging gay masseur and the times before AIDS. The film was premiered at the International Short Film Festival Oberhausen in 1987 and received the Prize of the German Film Critics.