In the crystal clear waters off the coast of Borneo, a unique way of life threatens to disappear forever. For generations, the Badjao were oceanic nomads, living in harmony with the sea as fishermen and free divers. Nowadays, however, only a few Badjao remain, like Alexan, who still remembers the old ways. He hopes to pass his knowledge along to his ten-year-old nephew Sari, but time and opportunities are running out. Sari loves the sea, but it can only offer a hard life of subsistence fishing, while the nearby tourist resort sings a siren song of easy money.
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Since the late 18th century American legal decision that the business corporation organizational model is legally a person, it has become a dominant economic, political and social force around the globe. This film takes an in-depth psychological examination of the organization model through various case studies. What the study illustrates is that in the its behaviour, this type of "person" typically acts like a dangerously destructive psychopath without conscience. Furthermore, we see the profound threat this psychopath has for our world and our future, but also how the people with courage, intelligence and determination can do to stop it.
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In a slum in Chennai, India, a young mother of two, wants to sell her kidney so she can pay off the crippling debts of her family. If she sells Hema will be the fifth member of her family to sell a kidney for an amount that represents several years' wages. Across the world in Nanaimo, Canada, forty year old single mom Sandra's kidneys are failing and she has been on a waiting list for 5 years now. Two different people. Two journeys.
Florence from Ohio (NaN)
Filmmaker Stephanie Wang-Breal sets out to cross the generational divide, confronting long-simmering tensions with her Chinese immigrant mother by literally becoming her. Dressing in her mom’s iconic St John Knit power suits and re-creating her 1980s local TV cooking show, Stephanie becomes Beta-Florence, a radical reinterpretation of Asian-American identity.
General Idea: Art, AIDS and the fin de siècle (2008)
"GENERAL IDEA: Art, AIDS and the fin de siècle is a humorous, informative and ultimately poignant documentary about General Idea. Formed in 1969, they produced art that targeted and mimicked media, consumerism and celebrity, creating a revolutionary new spirit of art making. Interviews with AA Bronson, the sole survivor of the trio, lends personal relevancy to this story of art and sexual politics. GENERAL IDEA: Art, AIDS and the fin de siècle is a tale of love, fame, overwhelming loss and, ultimately, renewal." -AGO.net
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For five years, Schmitt and Lynch followed the buffalo hunt in the American West. Their fascinating portrait of a disappearing world contrasts unspoiled landscapes with commercial influences on the American myth.
Open Your Eyes (2015)
Living under the Himalayan sun, their eyes have slowly gone milky white. Manisara and Durga have cataracts, and their mountain home in Nepal has become a warren of darkness. Shot over three days, Open Your Eyes follows their extraordinary journey down the mountain for a chance to see again.
13th (2016)
An in-depth look at the prison system in the United States and how it reveals the nation's history of racial inequality.
Caste criminelle (1990)
The Indians that the British failed to subdue were called "born criminals" and were parked in camps. Yolande Zauberman's film tells the story of a family. The grandparents, Hira Bai and Serjian, grew up in the jungle. This is where their tribes lived, which the British were unable to subdue.
Meet the Donors: Does Money Talk? (2016)
Alexandra Pelosi looks at money in politics and interviews wealthy donors to Republican and Democratic parties to ask them about their contributions and philosophies. Also: a look at efforts to enact campaign-finance reform.
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Mona is a beautiful island, distant, mythical, mysterious, full of caves and legends. It is also unknown. This documentary reveals the history and the fauna of Mona Island, while also audiovisually preserving it.
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"Há terra! is an encounter, a hunt, a diachronic tale of looking and becoming. As in a game, as in a chase, the film errs between character and land, land and character, predator and prey."
Crisis Hotline: Veterans Press 1 (2013)
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Déjà vu (1999)
Somewhere in a subtropical country white visitors crowd around dark-skinned plantation workers emptying their harvest baskets. They look curious, as if wanting to test the quality of the tea leaves. Everywhere tourists take out their cameras whether in front of large animals in the wild or camel riders, whether in the face of decorated human bodies or daily work routines. Now and again they look into the camera themselves. For later, for when they will proudly show their 'exotic' finds at home. This posing contains a model of western travels and picture making which is over a century old. The fascinated gaze on the foreigners fixes them in pre-formed frames. Lisl Ponger follows the trail of that gaze by taking amateur found footage material and linking it together in new ways.
A Portrait of Ga (1952)
Another early experiment in portraiture from Tait. In filming her mother she asks the wider question of how much the camera can reveal of the person.
Heaven (1997)
This playful video from famed director and photographer Tracey Moffatt turns the tables on traditional representations of desire to examine the power of the female gaze in the objectification of men’s bodies. HEAVEN begins with surreptitiously taped documentary footage of brawny surfers changing in and out of bathing and wet-suits. While the soundtrack switches between the ocean surf and male chanting, Moffatt moves closer to alternately flirt with and tease her subjects, who respond with a combination of preening and macho reticence.
Tell Me Something About Yourself - Pavlína (1992)
Pavlina is a drug addict imprisoned, as well as her boyfriend, for illegal drug manufacturing. They meet again after the amnesty and the vicious circle of drugs starts rolling again.
Tell Me Something About Yourself - René (1992)
René has been in prison since he was 16. He is sick of life and doesn’t care about his parents (just as René’s parents never cared about him when he was a child); he doesn’t even know how many more children they had. After the general amnesty, René just hangs around, not satisfied in any job, and with his younger brother he starts stealing. In no time he is back in prison, this time joined by his brother who is still a youth. History repeats itself and René’s life philosophy seems to be confirmed: You enjoy your freedom for a while, then go to prison and the same thing happens all over again.
Tell Me Something About Yourself - Láda (1994)
Lada is a product of "educational“ or "corrective“ institutions. Not only is he not educated or corrected, he simply does not understand anything about life. He solves his problems in his own way – by swallowing sharp objects.
