Crime of Passion (1956)
Kathy leaves the newspaper business to marry homicide detective Bill, but is frustrated by his lack of ambition and the banality of life in the suburbs. Her drive to advance Bill's career soon takes her down a dangerous path.
Angel Face (1953)
Ambulance driver Frank Jessup is ensnared in the schemes of the sensuous but dangerous Diane Tremayne.
Thieves' Highway (1949)
Nick Garcos comes back from his tour of duty in World War II planning to settle down with his girlfriend, Polly Faber. He learns, however, that his father was recently beaten and burglarized by mob-connected trucker Mike Figlia, and Nick resolves to get even. He partners with prostitute Rica, and together they go after Mike, all the while getting pulled further into the local crime underworld.
Johnny O'Clock (1947)
When an employee at an illegal gambling den dies suspiciously, her sister, Nancy, looks into the situation and falls for Johnny O'Clock, a suave partner in the underground casino. Selfish and non-committal by nature, Johnny slowly begins to return Nancy's affection and decides to run away with her, but conflict within his business threatens their plans. As Johnny tries to distance himself from the casino, his shady past comes back to haunt him.
Gun Crazy (1950)
Bart Tare is an ex-Army man who has a lifelong fixation with guns, he meets a kindred spirit in sharpshooter Annie Starr and goes to work at a carnival. After upsetting the carnival owner who lusts after Starr, they both get fired. Soon, on Starr's behest, they embark on a crime spree for cash.
Chase a Crooked Shadow (1958)
A woman who lives in Spain has trouble convincing anybody that a complete stranger has taken her dead brother's identity.
The Big Combo (1955)
Police Lt. Leonard Diamond vies to bring a clever, well connected, and sadistic gangster to justice all the while obsessing over the gangster's girlfriend.
The Hitch-Hiker (1953)
Roy and Gilbert's fishing trip takes a terrifying turn when the hitchhiker they pick up turns out to be a sociopath on the run from the law. He's killed before, and he lets the two know that as soon as they're no longer useful, he'll kill again. The two friends plot an escape, but the hitchhiker's peculiar physical affliction, an eye that never closes even when he sleeps, makes it impossible for them to tell when they can make a break for it.
Blonde Ice (1948)
A golddigging femme fatale leaves a trail of men behind her, rich and poor, alive and dead.
Johnny Eager (1941)
A charming racketeer seduces the DA's stepdaughter for revenge, then falls in love.
The Scarf (1951)
A man who is believed to have murdered a woman, escapes from the insane asylum to find if he was the one to actually kill her using the scarf she was wearing.
Jeopardy (1953)
A woman is kidnapped when she goes to get help for her husband who is trapped on a beach with the tide coming in to surely drown him.
White Heat (1949)
A psychopathic criminal with a mother complex makes a daring break from prison and then leads his old gang in a chemical plant payroll heist. After the heist, events take a crazy turn.
Bad Day at Black Rock (1955)
One-armed war veteran John J. Macreedy steps off a train at the sleepy little town of Black Rock. Once there, he begins to unravel a web of lies, secrecy, and murder.
Fury (1936)
Joe, who owns a gas station along with his brothers and is about to marry Katherine, travels to the small town where she lives to visit her, but is wrongly mistaken for a wanted kidnapper and arrested.
Killer's Kiss (1955)
Davey Gordon, a New York City boxer at the end of his career, falls for dancer Gloria Price. However, their budding relationship is interrupted by Gloria's violent boss, Vincent Rapallo, who has eyes for Gloria. The two decide to skip town, but before they can, Vincent and his thugs abduct Gloria, and Davey is forced to search for her among the most squalid corners of the city, with his enemy hiding in the shadows.
Brighton Rock (1948)
Centring on the activities of a gang of assorted criminals and, in particular, their leader – a vicious young hoodlum known as "Pinkie" – the film's main thematic concern is the criminal underbelly evident in inter-war Brighton.
Body and Soul (1947)
Charley Davis, against the wishes of his mother, becomes a boxer. As he becomes more successful the fighter becomes surrounded by shady characters, including an unethical promoter named Roberts, who tempt the man with a number of vices. Charley finds himself faced with increasingly difficult choices.