Set in the heights of the Bolivian Andes, Mamachas del Ring is the story of Carmen Rosa the Champion, an indigenous woman who struggles to make it on her own in the male-dominated world of Bolivian professional wrestling.
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The Head of a Pin reveals the awkward ruminations of the filmmaker and her friends as they attempt to learn about nature. Starting out as an examination of the differences between urban and rural life, between the daily grind and summer vacations, the film turns unexpectedly into a portrait of what happens when city dwellers encounter a country spider.
The Odds of Recovery (2002)
After a twenty year period of multiple illnesses and injuries, the filmmaker turns the camera on herself as a way to analyze her chances for a happier, healthier life. In the process, she captures the frustration, tedium and petty annoyances of a revolving-door relationship with the medical establishment, while portraying the complicated web of emotions that accompany any medical problem. With humor and honesty, The Odds of Recovery uses the filmmaker's medical history as a means to address a perennial human problem: the desire to avoid conflict and deny the need for radical change.
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The Governance of Love (2013)
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Elie Wiesel Goes Home (1996)
A documentary chronicling the adolescent years of Elie Wiesel and the history of his sufferings. Eliezer was fifteen when Fascism brutally altered his life forever. Fifty years later, he returns to Sighetu Marmatiei, the town where he was born, to walk the painful road of remembrance - but is it possible to speak of the unspeakable? Or does Auschwitz lie beyond the capacity of any human language - the place where words and stories run out?
21 Below (2009)
On learning that her infant niece, Maya, is dying of a rare disease, newly pregnant Sharon decides she must return home to Buffalo, N.Y., to help out -- but instead, she steps into a hornet's nest of family turmoil. While Maya deteriorates, another crisis erupts when Karen -- Maya's mother -- becomes pregnant with the child of a former gang member in this cinema verité-style portrait of a family on the brink.
Almost Heaven (2017)
Far from home, 17-year-old Ying Ling practices for her examination to become a mortician at one of China's largest funeral homes. The everyday routine of this unusual occupation also serves up both humorous and life affirming moments.
Habibi (2008)
Filmed in New York in the summer of 2006: a march across the Brooklyn Bridge in support of the Palestinian and Lebanese populations. Habibi means "beloved" in Arabic.
Small Small Thing (2013)
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Rise of the Eco-Warriors (2014)
A group of passionate young environmentalists spend 100 days in the jungles of Borneo in effort to save the rainforests and its endangered orangutans in this Australian documentary...
Gypsie Eyes (2014)
Rhoma Acans is a journey of self-discovery undertaken by the director in order to understand the true identity weight of her Gypsy heritage, from the history of his own family to the way it moves away or approaches the story of a young gypsy inside the tradition – Her name is Joaquina.
The Road to Fame (2013)
China's top drama academy stages the American musical "Fame," China's first official collaboration with Broadway, as the graduation showcase for its senior class. During the eight-month rehearsal, five students compete for roles, struggle with pressure from family and authority, and prepare to graduate into China's corrupt entertainment industry.
The Vanquishing of the Witch Baba Yaga (2014)
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Road Comics: Big Work on Small Stages (2012)
Documenting the creative brilliance and passion of three stand-up comedians working the comedy club circuit in the “flyover zones” of middle America, Road Comics: Big Work on Small Stages explores expectations of where and how comedy thrives today in the United States. Anthropologist and first-time filmmaker Susan Seizer follows comedians Stewart Huff, Tim Northern, and Kristin Key as they earn their living on the road, pausing along the way to discuss the business of being funny with regional club owners.
The Korean Wedding Chest (2009)
Ulrike Ottinger’s provocative mélange of ethnography, stunning tableaux and baroque vignettes was inspired by what she calls the “well-stocked miracle” of Korean wedding chests, assembled according to time-honored customs. This exploration of love and marriage in South Korea looks closely at ancient and present-day rituals, revealing what is old in the new and new in the old. Her inquiry leads us from shamans, temples and priests, to the enchanted maze of 21st-century Seoul, where vendors of medicinal herbs co-exist with high-tech beauty salons for wedding couples and secular marriage palaces. Using film much like a canvas, Ottinger creates a modern fairytale flush with mythological heroes, traditional rites, ancestral symbolism, dreams of eternal love, and a whole lot of Western kitsch. One of her most acclaimed documentaries, it captures the amazing phenomenon of new mega-cities and their contradictory societies caught in a balancing act.
My Own Breathing (2000)
"My Own Breathing" is the final documentary of the trilogy, The Murmuring about comfort women during the World War II directed by BYUN Young-joo. This is the completion of her seven years work. BYUN's first and second documentaries spoke of grandmothers' everyday life through the origin of their torment, while My Own Breathing goes back to their past from their everyday life. Deleting any device of narration or music, the camera lets grandmothers talk about themselves. Finally, the film revives their deep voices trampled by harsh history.
