Mysteries of the Unseen World transports audiences to places on this planet that they have never been before, to see things that are beyond their normal vision, yet literally right in front of their eyes. Mysteries of the Unseen World reveals phenomena that can't be seen with the naked eye, taking audiences into earthly worlds secreted away in different dimensions of time and scale. Viewers experience events that unfold too slowly for human perception
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Workers Leaving the Lumière Factory (1895)
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
A Tale of Two Kitchens (2019)
Two countries, two restaurants, one vision. At Gabriela Cámara's acclaimed Contramar in Mexico City, the welcoming, uniformed waiters are as beloved by diners as the menu featuring fresh, local seafood caught within 24 hours. The entire staff sees themselves as part of an extended family. Meanwhile at Cala in San Francisco, Cámara hires staff from different backgrounds and cultures, including ex-felons and ex-addicts, who view the work as an important opportunity to grow as individuals. A Tale of Two Kitchens explores the ways in which a restaurant can serve as a place of both dignity and community.
Searching for Bong (2015)
Unlike our dream of becoming a great filmmaker, the movie boards that adults talk about are tough. We are looking for our idol, Bong Joon-ho...
Larisa (1980)
Elem Klimov's documentary ode to his wife, director Larisa Shepitko, who was killed in an auto wreck.
Where Do You Stand Now, João Pedro Rodrigues? (2016)
João Pedro Rodrigues answers the question from the title with an autobiographical short-film.
The Sixth Side of the Pentagon (1968)
On October 21, 1967, over 100,000 protestors gathered in Washington, D.C., for the Mobilization to End the War in Vietnam. It was the largest protest gathering yet, and it brought together a wide cross-section of liberals, radicals, hippies, and Yippies. Che Guevara had been killed in Bolivia only two weeks previously, and, for many, it was the transition from simply marching against the war, to taking direct action to try to stop the 'American war machine.' Norman Mailer wrote about the events in Armies of the Night. French filmmaker Chris Marker, leading a team of filmmakers, was also there.
Fanalysis (2002)
Actor/cult icon Bruce Campbell examines the world of fan conventions and what makes a fan into a fanatic.
Alcoholism and Its Consequences (1913)
Alcoholism and its Ill-Effects was considered to be one of the most popular science propaganda (or educational) films produced in Russia before the revolution of 1917. Alexander Khanzhonkov, the most prominent Russian film producer of that era, financed a special department dedicated to non-fictional cinema, despite the fact that such films were not commercially successful. Unfortunately, not a single copy of the film has survived to the present day. All that remains are 12 frames, which were used by Izvolov to create this reconstruction. He also used extracts from critical reviews, published at the time of the film’s release, to produce a soundtrack.
Daybreak Express (1953)
Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.
The Black Dog (2023)
Since Rosa was little, people used to say around town that her grandfather was a black dog. The legend, belonging to the Valley of Oaxaca, spoke of a man who had the ability to turn into a black dog and roam the streets at night. Through images of the town, interviews with the brothers and animated interventions, the documentary tells the story of the myth and its importance in the collective memory.
Electronic Control System of the C-1 Auto Pilot Part 1: Basic Electricity as Applied to Electronic Control System (1943)
Animated training film depicting the fundamentals of electricity and how electrical signals can be used to keep an airplane on correct course and altitude through an autopilot.
Breakdowns of 1938 (1938)
Flubs and bloopers that occurred on the set of some of the major Warner Bros. pictures of 1938.
Carl och spelreklamshelvetet (2019)
Internet comedian Carl Déman from the humor group JLC lived a life that looked glorious. But beneath the surface was a terrible gambling addiction that almost cost him his life. In 2019, he and other gambling addicts struggle to stay afloat in a contemporary age marinated in gambling advertising. Carl wants to ask those who make the advertising how they think and wonders why the advertising profiles now also come from the world of culture and entertainment.
The Conclave and Election of Pope Pius XII (1939)
A short documentary covering the conclave and election of Pope Pius XII.
The Dreamlife of Georgie Stone (2022)
Sharing her journey from child to teen activist, Georgie Stone looks back at her life and historic fight for transgender rights in this documentary.
Paparazzi (1964)
Paparazzi explores the relationship between Brigitte Bardot and groups of invasive photographers attempting to photograph her while she works on the set of Jean-Luc Godard's film Le Mépris (Contempt). Through video footage of Bardot, interviews with the paparazzi, and still photos of Bardot from magazine covers and elsewhere, director Rozier investigates some of the ramifications of international movie stardom, specifically the loss of privacy to the paparazzi. The film explains the shooting of the film on the island of Capri, and the photographers' valiant, even foolishly dangerous, attempts to get a photograph of Bardot.
