Pathemari features the life of Pallikkal Narayanan who migrated to the Middle-East in the early 1980s, when the Kerala Gulf boom was at its peak.
Throne of Capricorn (1975)
Ravi, an unemployed young man, faces a series of encounters during his search for a job.
Of Another Place (NaN)
On a Summer afternoon, Pedro packs the last few boxes before having to leave his apartment in New York. 12 years ago, Pedro and Ana had arrived in America from Portugal, in search of a dream. Now, Ana's voice describes, from the other side of the ocean, that same country to which they are returning. As the rooms are emptied, Pedro bids farewell to one life, welcoming another. But the dream that brought him will remain forever in the city that never sleeps, awaiting his return.
Newspaper Boy (1955)
Newspaper Boy is a Malayalam–language Indian film released in 1955. It is the first neo realistic movie in the language. The film, a drama of stark realism, narrates the life of the common man on the street. The film is noteworthy in that the entire production programme from script-writing to direction was controlled and executed by students.
Names Live Nowhere (1994)
A Senegalese storyteller travels to Belgium and observes the lives of African expatriates in Europe. Dreams and struggles great and small are explored.
Oru Mexican Aparatha (2017)
The student politics in a government college has for long revolved around the students' organisation KSQ. Subhash and Paul attempts to change the political scenario by launching a new movement called SFY based on their ideologies.
Aby (2017)
An emotionally childish man who never outgrows his childish fascination for flying, dreams of making his own aircraft which is considered foolish by his family and friends.
Kadhaveedu (2013)
Kadhaveedu' is a dedication to Malayalam being accorded the Shresthabhaasha (Malayalam has been declared a Classical language in 2013) status and presents, as a single entity, three different stories penned by the doyens of Malayalam literature - Vaikkom Muhammed Basheer, M T Vasudevan Nair and Madhavikutty. The film is an anthology with adaptations of stories written by renowned Malayalam fiction writers Basheer, M. T. Vasudevan Nair and Madhavikutty (Kamala Surayya).. The stories have been tweaked to fit in a modern setting and the script has been conceived by the director himself.
1983 (2014)
Rameshan, who has great love for cricket, fails to become a cricketer in his life. However, he tries to fulfil his dreams through his son when he realises that the child too has a passion for it.
Panchavadi Palam (1984)
A henpecked politician wants his name attached to a new bridge, even if that means destroying another, perfectly serviceable bridge.
Balyakalasakhi (2014)
Born to rich parents, Majeed falls in love with his not-so-affluent neighbor Suhra. After her father's death, when Suhra struggles to make both ends meet, Majeed pleads with his father to sponsor her education. Refused, he wanders off to distant lands.
Heaven's Gate (1980)
Harvard graduate James Averill is the sheriff of prosperous Jackson County, Wyo., when a battle erupts between the area's poverty-stricken immigrants and its wealthy cattle farmers. The politically connected ranch owners fight the immigrants with the help of Nathan Champion, a mercenary competing with Averill for the love of local madam Ella Watson. As the struggle escalates, Averill and Champion begin to question their decisions.
Report to Mother (1986)
Purushan, a student on his way to Delhi, becomes obsessed with the tragic suicide of a young drummer. He collects many people to go with him to tell the boy’s mother.
The Alternative (2017)
Valentina Moreno, a single mother who works as a housekeeper for a wealthy Manhattan family, takes decisive action when something from her past threatens to ruin her personal and professional relationships.
Vishudhan (2013)
Sunny, a priest, comes to know that Vavachan is running an old age home with vile intentions. He wants the corpses of the inmates for the medical college run by his son. Sunny decides to expose this.
Kaalapani (1996)
Govardhan, a doctor by profession, is wrongly accused of bombing a train and is jailed by the British in Cellular Jail, also known as Kala Pani in Andaman and Nicobar Islands. He witnesses sufferings of hundreds of Indian prisoners there.
Kanchana Sita (1978)
The film interprets a story from the Uttara Kanda of the epic poem Ramayana, where Rama sends his wife, Sita, to the jungle to satisfy his subjects. Sita is never actually seen in the film, but her virtual presence is compellingly evoked in the moods of the forest and the elements. The film retells the epic from a womens' liberationist perspective, and is about the tragedy of power and the sacrifices that adherence to dharma demands, including abandoning a chaste wife.
Kummatty (1979)
A stranger who may be the trickster magician Kummatty comes to a village in Malabar, India.
Romper Stomper (1992)
Nazi skinheads in Melbourne take out their anger on local Vietnamese, who are seen as threatening racial purity. Finally the Vietnamese have had enough and confront the skinheads in an all-out confrontation, sending the skinheads running. A woman who is prone to epileptic seizures joins the skins' merry band, and helps them on their run from justice, but is her affliction also a sign of impurity?
2 Penkuttikal (2016)
2 Penkuttikal discussed the issues faced by young girls and women in our society. Achu and Anagha are close friends, who decide to bunk their class to visit a mall in the city.Their visit to the city changes their life and what happens next form the crux of the film
House of Sand and Fog (2003)
Behrani, an Iranian immigrant buys a California bungalow, thinking he can fix it up, sell it again, and make enough money to send his son to college. However, the house is the legal property of former drug addict Kathy. After losing the house in an unfair legal dispute with the county, she is left with nowhere to go. Wanting her house back, she hires a lawyer and befriends a police officer. Neither Kathy nor Behrani have broken the law, so they find themselves involved in a difficult moral dilemma.