There's a mysterious predator lurking in the depths of Australia's wild Southern Ocean, a beast that savagely devoured a great white shark in front of cinematographer David Riggs 11 years ago. Riggs's obsession to find the killer leads him to an aquatic battle zone that's remained hidden until now. Here, killer whales, colossal squid and great white sharks face off in an underwater coliseum where only the fiercest creatures of the marine world survive.
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Big Sharks Rule (2018)
It’s an ocean of giants. South Africa has a dramatic, rocky coast that’s raked by churning currents. Warm, cold, rich and murky water collide to create "shark central", with enough food to sustain the biggest. Giant sharks like great whites, tiger sharks, bull sharks, ragged tooth sharks, and whale sharks all reign supreme in these waters.
Healing Heart Feeling Country (2023)
Witness country come alive as Mark Cora, proud Minjungbal man and cultural educator unveils the rich contexts that shape his evocative artwork, The Wind Dancer.
Welcome to the Waks Family (2003)
Everyday life in the Waks household is a logistical challenge of monumental proportions. There are two minibuses to move the family around and the kitchen in its suburban Melbourne home has five ovens for kosher cooking. The family follows an orthodox form of Judaism. School, work, synagogue and socialising all take place within a tight-knit Jewish community.
Rock Heart Fire (1985)
Shot mostly at Uluru, the rock in the heart of Australia. The extreme heat damaged the emulsion of the film which is subsequently incised by the filmmaker. A ceremonial death and rebirth. The soundtrack was made by the Orchestra of Skin and Bone comprising of Ollie Olsen and John Murphy. The aborigines were from Narwietooma Station. 16mm.
Black Man's Houses (1993)
In 1832 the government of Van Diemen’s Land sent the last Aboriginal resistance fighters into exile at Wybalenna on Flinders Island, bringing an end to the Black War and opening a new chapter in the struggle for justice and survival by Tasmanian Aboriginal people. Black Man’s Houses tells a dramatic story of the quest by Aboriginal people to reclaim the graves of their ancestors against a background of racism and denial. Documenting a moving memorial re-enactment of the funeral of the great chief Manalargenna, the film also charts the cultural strength and resilience of his descendants as they are forced to fight for recognition in a society that is not ready to remember the terrible events of the past.
Wild Australia: After the Fires (2020)
Charting the recovery of wildlife in the aftermath of Australia's catastrophic bushfires through stories of hope and resilience.
Playing with Sharks (2021)
Valerie Taylor is a shark fanatic and an Australian icon – a marine maverick who forged her way as a fearless diver, cinematographer and conservationist. She filmed the real sharks for Jaws and famously wore a chainmail suit, using herself as shark bait, changing our scientific understanding of sharks forever.
Deep Blue (2003)
Deep Blue is a major documentary feature film shot by the BBC Natural History Unit. An epic cinematic rollercoaster ride for all ages, Deep Blue uses amazing footage to tell us the story of our oceans and the life they support.
Undercurrents: Meditations on Power (2023)
Made from reimagined/recycled images and sounds from the filmmaker’s archive and other found materials, Undercurrents is a poetic essay documentary about the undercurrents of history playing out in the present. It is also (at its heart) about the power of resistance.
Whiteley (2017)
A visual journey into the life and legacy of one of Australia's most celebrated artists, Brett Whiteley.
Sacred Ground (2007)
Sacred Ground tells the true story of Aboriginal people fighting to save the last remnants of their ancient heritage and culture.
Life in the Blue (2016)
This films reveals the extraordinary variety of life found in the vast blue expanses of the open ocean. Here, all the action takes place in a 10 metre deep band of water, just under the surface. Many species use this section of water to migrate and hunt while others use ingenious ways to stay hidden where there appears to be no shelter.
General Hercules (2022)
In June 1893, European prospectors unlawfully took claim to ‘The Golden Mile’ on Aboriginal land. In little over a hundred years the natural landscape has been transformed into the industrial hellscape of Kalgoorlie-Boulder. As incumbent Mayor John Bowler starts to campaign for a second term, independent prospector John ‘General Hercules’ Katahanas decides to run against him on an anti-corruption ticket. What starts out as a quirky David-vs-Goliath political battle, unravels into a portrait of a man, a town and a country sent mad by the timeless cycles of exploitation, racism and greed.
Search for the Great Sharks (1992)
A journey into the land of sharks. The old myth of swimming killing machines is put against the true nature of those rather peaceful hunters, whose evolution ended in biological perfection millions of years ago. We accompany expeditions of Dr. Eugenie Clark and Rodney Fox, who have studied sharks since the 1950's.
Shark Girl (2014)
For 20-year-old Madison Stewart, nothing feels safer or more natural than diving straight into shark-infested waters. Since childhood, growing up by the Great Barrier Reef, she's treated these predators as family. But they're vanishing from existence, and because of their bad reputation, few people seem to care. Follow Madison on her mission to protect our sharks, a battle that began when she put her studies on hold, grabbed a camera, and set out to save these incredible, misunderstood creatures.
Paper Run (1956)
A panorama of scenic beauty unfolds as the newspaper delivery man works his run along Sydney's northern beaches of Newport and the Palm Beach area.
Under Cover (2022)
Some 240,000 women over 55 are at risk of homelessness In Australia – a figure both surprising (owing to this demographic being less likely to speak up about their difficulties) and shocking, given this country’s wealth. Under Cover introduces us to 10 of these people, including a survivor of domestic violence, a former advertising executive, a self-confessed loner and a displaced immigrant, for whom security and shelter are constant unknowns and who, until now, have suffered in silence.