
The Face Behind the Mask (1941)
A kindly, enthusiastic, newly-arrived American immigrant from Hungary is forced to turn to a life of crime after his face is badly disfigured in a hotel fire.

Witness to Murder (1954)
A woman fights to convince the police that she witnessed a murder while looking out her bedroom window.

Vicki (1953)
A supermodel gets murdered. While investigating the case the story of a waitress turned glamor girl is revealed.

Down Three Dark Streets (1954)
An FBI Agent takes on the three unrelated cases of a dead agent to track down his killer.

The Crooked Way (1949)
A war veteran suffering from amnesia, returns to Los Angeles from a San Francisco veterans hospital hoping to learn who he is and discovers his criminal past.

Guilty Bystander (1950)
A drunken ex-cop gets a shot at redemption when his young son is kidnapped after a smuggling deal goes belly up.

Ruthless (1948)
Horace Vendig always gets what he wants. Even as a poor youth, he charmed his way into high society by getting the father of his friend, Martha, to foot the bill for his Harvard education. When Vic, another childhood pal, is invited to Horace's mansion for a party, he brings along Mallory Flagg, who happens to bear a striking resemblance to Martha. As Vic and Horace reunite, old resentments rise to the surface.

Illegal Entry (1949)
Long before he became producer/director of The Tonight Show, Fred DeCordova helmed the Universal meller Illegal Entry. Howard Duff, who later worked with DeCordova on the TV series Mr. Adams and Eve, stars as Bert Powers, an undercover agent for the U.S. Department of Immigration. While attempting to bring a vicious gang of alien smugglers to justice, Powers falls in love with Anna Duvak (Marta Toren), a gang member who is Not What She Seems.

The Great Flamarion (1945)
A beautiful but unscrupulous female performer manipulates all the men in her life in order to achieve her aims.

The Guilty (1947)
Two friends land in hot water when they begin dating twins and one of the women ends up dead.

Quiet Please, Murder (1943)
A forger steals and kills for a rare book from a library in order to make forgeries to sell to rich suckers.

Never Let Go (1960)
John Cummings, an unsuccessful cosmetics salesman, has his unpaid-for car stolen by one of the hoods in the employ of Lionel Meadows, the sadistic organizer of a London car conversion racket. The car was not insured, and since the police appear indifferent to his plight, Cummings decides to find it himself -- and gets himself involved in an underworld battle.

Danger Signal (1945)
After robbing and murdering his married lover and then making her death look like suicide, conniving philanderer Ronnie Mason relocates to Los Angeles. Under a new identity and claiming to be a writer, Ronnie finds lodging at the home of Hilda Fenchurch and her mother. He woos Hilda, knowing she has money, but when he discovers that Hilda's sister, Anne, has just inherited $25,000, he switches his attentions to her.

The Damned Don't Cry (1950)
Fed up with her small-town marriage, a woman goes after the big time and gets mixed up with the mob.

The Sleeping City (1950)
A young doctor taking a break from work is shot in the head, and the police can't find a clue even as to a possible motive. Inspector Al Gordon (John Alexander) decides that he has to put some men on duty at the hospital, and one of them is Fred Rowan (Richard Conte), a detective with experience as an army medic, masquerading as an intern. What Rowan finds is a high-pressure world in which interns are hopelessly squeezed for time, sleep, energy, and -- most of all -- money, and walk a fine line on the edge of personal and professional disaster.