A short documentary exploring the ways LGBT couples show affection, and how small interactions like holding hands in public can carry, not only huge personal significance, but also the power to create social change.
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What the #$*! Do We (K)now!? (2004)
Amanda is a divorced woman who makes a living as a photographer. During the Fall of the year Amanda begins to see the world in new and different ways when she begins to question her role in life, her relationships with her career and men and what it all means. As the layers to her everyday experiences fall away insertions in the story with scientists, and philosophers and religious leaders impart information directly to an off-screen interviewer about academic issues, and Amanda begins to understand the basis to the quantum world beneath. During her epiphany as she considers the Great Questions raised by the host of inserted thinkers, she slowly comprehends the various inspirations and begins to see the world in a new way.
Ritratti: Andrea Zanzotto (2000)
Marco Paolini discusses with poet Andrea Zanzotto about nature, history and language.
1912, Breaking the Silence (2010)
Afro-Cubans played a leading role in the fight to free Cuba from Spanish domination; as part of that struggle, slavery was abolished. Nevertheless, as African descendants began to achieve a semblance of social and economic parity, the plantocracy, backed up by the US army, sought to undo their gains. Determined to resist, veterans of the Mambi army formed the Party of Independents of Color, gaining wide popular support and ultimately threatening the domination of the white Cuban rulers. Their response was savage, and 6,000 Afro-Cubans were massacred; until this film, these events have been shrouded in silence.
Boris Ryzhy (2008)
Russian Poet Boris Ryzhy was handsome, talented and famous. So why did he end his own life at the age of 26? A quest to find the answer takes the filmmaker to the notorious neighbourhood in the cold industrial city of Yekaterinenburg where Boris grew up...
Finally Home: Making Beau is Afraid (2023)
A documentary about the making of Ari Aster's Kafkaesque epic Beau is Afraid.
Jedi Junior High (2014)
In 2009, students of all walks of life at the Arts & Learning Children's Conservatory in Anaheim, CA set out to produce their own live musical parody version of Star Wars: Episode V - The Empire Strikes Back (1980), as interpreted through their young talents. Follow the young actors, artists, musicians (and a few supervising adults) as they audition, rehearse and perform their take on this classic film.
Avenged Sevenfold Waking the Fallen Resurrected (2014)
A documentary about the album Waking the Fallen.
Forever Hollywood (1999)
Noted Hollywood stars and directors talk about the history and evolution of the film industry in Los Angeles.
The Winterkeeper (2023)
As the impact of the climate crisis intensifies each year, both Steven Fuller and Yellowstone face an unprecedented threat to their future — one that could forever change one of North America's last great wildernesses.
Roxette (1978)
Documentary profiling young Roxy Music fans. They talk about the band and the music, are seen out and about in Manchester, they prepare for a concert at the Opera House. Includes footage of a tribute band, who, due to a lack of musical instruments, use household appliances to make music.
Olympia: Part One – Festival of the Nations (1938)
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.
Olympia: Part Two – Festival of Beauty (1938)
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.
Workers Leaving the Lumière Factory (1895)
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
Crisis Hotline: Veterans Press 1 (2013)
According to the U.S. Department of Veterans Affairs, one veteran dies by suicide in America every 80 minutes. While only 1% of Americans has served in the military, former service members account for 20% of all suicides in the U.S. Based in Canandaigua, NY and open 24 hours a day, 365 days a year, the Veterans Crisis Line receives more than 22,000 calls each month from veterans of all conflicts who are struggling or contemplating suicide. This timely documentary spotlights the traumas endured by America’s veterans, as seen through the work of the hotline’s trained responders. CRISIS HOTLINE captures extremely private moments, where the professionals, many of whom are themselves veterans or veterans’ spouses, can often interrupt the thoughts and plans of suicidal callers to steer them out of crisis.
Déjà vu (1999)
Somewhere in a subtropical country white visitors crowd around dark-skinned plantation workers emptying their harvest baskets. They look curious, as if wanting to test the quality of the tea leaves. Everywhere tourists take out their cameras whether in front of large animals in the wild or camel riders, whether in the face of decorated human bodies or daily work routines. Now and again they look into the camera themselves. For later, for when they will proudly show their 'exotic' finds at home. This posing contains a model of western travels and picture making which is over a century old. The fascinated gaze on the foreigners fixes them in pre-formed frames. Lisl Ponger follows the trail of that gaze by taking amateur found footage material and linking it together in new ways.
Positively Naked (2005)
No clothes. No apologies. This film marks artist Spencer Tunick's third 'Naked' documentary which feature photo shoots that create art from the naked bodies of men and women. In this shoot, 85 HIV-positive men and women gather in a downtown Manhattan bar where they bare it all for Tunick's camera, creating an unsentimental look at life with AIDS in America today.
Studs Terkel: Listening to America (2009)
For over 60 years, Studs Terkel elevated the voices and experiences of everyday Americans through his skillful interviews on radio, in books and on TV. This documentary takes a fond and illuminating look back at one of America's most influential authors and media personalities whose curiosity about people never dimmed over the course of a long and brilliant career.
