Ocean Giants (2011)

Biker Women (1996)

A fresh take on the outlaw spirit, focusing on a road trip by four motorcyclists who forge deep friendships over nearly 3,000 miles. Zeros in on four California women who get to know one another while traveling to and from Sturgis, South Dakota, for the world’s largest biker gathering, an annual event since 1938. The rally is a heady brew of races, partying, and exhibitionism under the Great Plains sun. The central quartet have come to Sturgis not merely to revel but to work: Among them are two journalists (Cris Sommer-Simmons, cofounder-founder of Harley Women magazine; and Jamie Elvidge, who specializes in test-riding bikes), a singer-songwriter (Gevin Fax) and a photographer (Gail DeMarco). Combines footage of the women’s trip and post-travel interviews.

Only Clouds Move the Stars (1998)

Eleven year old Maria has lost her little brother to cancer. Having disappeared into herself, her mother is no longer there for Maria and her father struggles to keep the family together. Maria meets Jacob, who is the same age as she, but with a completely different attitude. Jacob is outgoing, exciting, funny and has wisdom way beyond his tender years. He gradually pulls Maria out of her shell and enables her to come to decisions which will affect her entire life.

The Wild Parrots of Telegraph Hill (2003)

A homeless musician finds meaning in his life when he starts a friendship with dozens of parrots.

Grey Gardens (1976)

Edie Bouvier Beale and her mother, Edith, two aging, eccentric relatives of Jackie Kennedy Onassis, are the sole inhabitants of a Long Island estate. The women reveal themselves to be misfits with outsized, engaging personalities. Much of the conversation is centered on their pasts, as mother and daughter now rarely leave home.

News from a Personal War (1999)

Documentary about urban violence in Brazil, especially in Rio de Janeiro. Policemen, drug dealers, and shantytown dwellers get trapped into a daily war that knows no winners.

Jakub (1992)

Jakub presents an extensive ethnographical-sociological study of the life of the Ruthenians, filmed in the Maramuresh mountains in the north of Romania and in the former Sudetenland in Western Bohemia. The film was made over a period of five years during the time of both totalitarian regimes and was completed in 1992 after the revolution.

This Is Personal (2019)

While the 2016 election catalyzed the Women’s March and a new era of feminist activism, Tamika Mallory and Erika Andiola have been fighting for their communities for decades. Their stories expose the fundamental connection between personal and political and raise the question: what's intersectionality and can it save the world?

Fast Horse (2018)

The Blackfoot bareback horse-racing tradition returns in the astonishingly dangerous Indian Relay. Siksika horseman Allison Red Crow struggles with secondhand horses and a new jockey on his way to challenging the best riders in the Blackfoot Confederacy.

Winnie the Pooh: Seasons of Giving (1999)

A collection of Winnie the Pooh's memorable holiday adventures, as Winnie, Piglet, and Tigger set out to find the right ingredients for Winter, Rabbit learns how to manage a complicated Thanksgiving dinner, and everyone gets a special visit from a new friend. Featuring a number of delightful songs for singing along, this video is sure to become a favorite holiday classic.

Cycling the Frame (1988)

In 1988, Tilda Swinton toured round the Berlin Wall on a bicycle - starting and ending at the Brandenburg Gate - accompanied by filmmaker Cynthia Beatt. As Swinton travels through fields and historic neighborhoods, past lakes and massive concrete apartment buildings, the Wall is a constant presence.

When I Will Be Dictator (2013)

A diffraction of the autobiography using family footage filmed between the 1940s and today, this "science fiction documentary" creates multiple "I"s and transcends a story of mourning

Ariel (2013)

When Ariel was just 33, his legs were shredded by an industrial dough mixer in Mendoza, Argentina. He became a living embodiment of the ongoing duel between man and machine. From that point on, he began to rediscover the meaning of freedom: to rebuild his broken identity, keep his family together and design his own prosthetic legs. Following Ariel for 10 years from the time of the accident, director Laura Bari has created an intimate and metaphorical portrait of Ariel’s newfound transhumanity, juxtaposing his daily life with dreamlike inner worlds—and pushing the boundary between the real and the imaginary.

Return: Native American Women Reclaim Foodways for Health & Spirit (2019)

Concerned about the declining health of people all around them, Native American women are sparking physical and spiritual rejuvenation through reclaiming traditional foodways.

War Dance (2007)

Three children living in a displacement camp in northern Uganda compete in their country's national music and dance festival.

Kidz in da Hood (2006)

Kidz in da Hood is the gripping and warm story of Amina, who came to Sweden with her grandfather three years ago. Amina has not yet received her residency permit and when her grandfather dies everything seems to fall apart. She temporarily hides out with pierced and tattooed rocker Johan, who lives in a worn-down suburb. The wild girl Mirre lives on the same floor as Amina and together they begin fighting for Amina to stay in Sweden and live with Johan.

VICE News Presents: 'Epstein Didn't Kill Himself' (2024)

How the mysteries surrounding Jeffrey Epstein’s life and death gave rise to a conspiracy theory that will never die.

1971 (2014)

Forty years before WikiLeaks and the NSA scandal, there was Media, Pennsylvania. In 1971, eight activists plotted an intricate break-in to the local FBI offices to leak stolen documents and expose the illegal surveillance of ordinary Americans in an era of anti-war activism. In this riveting heist story, the perpetrators reveal themselves for the first time, reflecting on their actions and raising broader questions surrounding security leaks in activism today.

Who Is Bernard Tapie? (2001)

This documentary tells two stories simultaneously: it's a profile of Bernard Tapie, a wealthy man who rises and falls spectacularly in French society and may be on the rise again; and, it's a look at Marina Zenovich's fascination with Tapie, behaving oddly in spite of her awareness that she's being irrational. Politicians, athletes, friends, companions, and journalists comment on Bernard's charm, his rise to prominence in sports and politics, and his subsequent trouble with the law. Zenovich becomes fixated on her need to interview Tapie, becoming virtually a stalker in her quest.

Britain's Holocaust Survivors (2013)

They experienced perhaps the greatest crimes against humanity the world has ever seen. Yet what do we know about the Holocaust survivors who made Britain their home? Britain's Holocaust Survivors takes a unique approach to recording the experiences of the last generation to have living memories of the Holocaust. The film takes viewers into the homes of a small group of extraordinary survivors, telling their stories with sensitivity, humour and compassion. A compelling cast of characters are revealed as they gradually reveal the horror of their past and how those experiences have shaped their lives.

Keeping the Vision Alive (2002)

Keeping the Vision Alive is a documentary film containing the voices and images of Korean women filmmakers-both senior filmmakers and also the peers of director Yim. The film is Yim’s homage to both contemporary Korean women filmmakers, written by a filmmaker of the same age, and also to the history of women filmmakers in Korea. Yim does not reveal her own voice or opinion and lets the voices and images of the filmmakers speak for themselves through a non-interventionist camera. From the pioneers, Park Nam-ok, and Hwang Hye-mi, who directed First Experience in 70’s, to recent filmmakers, Byun Young-joo and Jang Hee-sun, the film traces their experiences, troubles, concerns and thoughts as women and women filmmakers. Keeping the Vision Alive calmly and enthusiastically encourages and celebrates the struggles, the resistance and the survival of women filmmakers in a conservative Korean film industry and a male-dominated and sexist social system. (Kwon Eun-sun)