Footage from the premiere of Charlie Chaplin's 1928 film 'The Circus'.
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An insider's account of Jack Warner, a founding father of the American film industry. This feature length documentary provides the rags to riches story of the man whose studio - Warner Bros - created many of Hollywood's most classic films. Includes extensive interviews with family members and friends, film clips, rare home movies and unique location footage.
Prater (2007)
Vienna’s Prater is an amusement park and a desire machine. No mechanical invention, no novel idea or sensational innovation could escape incorporation into the Prater. The diverse story-telling in Ulrike Ottinger’s film “Prater” transforms this place of sensations into a modern cinema of attractions. The Prater’s history from the beginning to the present is told by its protagonists and those who have documented it, including contemporary cinematic images of the Prater, interviews with carnies, commentary by Austrians and visitors from abroad, film quotes, and photographic and written documentary materials. The meaning of the Prater, its status as a place of technological innovation, and its role as a cultural medium are reflected in texts by Elfriede Jelinek, Josef von Sternberg, Erich Kästner and Elias Canetti, as well as in music devoted to this amusement venue throughout the course of its history.
Chaplin Today: 'The Kid' (2003)
This documentary is featured on the two-disc Chaplin Collection DVD for "The Kid" (1921), released in 2004.
Afro Promo (1997)
Co-curated by Jenni Olson and the late Black gay activist Karl Knapper, this entertaining showcase of vintage movie trailers traces the evolution of African American cinema through its most crucial period, 1952-1976. Filled with insights on race and social dynamics, this fascinating compendium of coming attractions explores an extensive range of stylistic approaches—Blaxploitation, Comedy, Music Bio, Plantation Drama and more—offering an outrageous joyride through motion picture history. Beyond mere camp, these marvelously condensed gems crystallize a range of African American identities and personalities, tracking the meteoric careers of Sidney Poitier, James Earl Jones, Billy Dee Williams, Richard Pryor, Pam Grier and others through their bold performances in movies both hugely popular and practically forgotten. Afro Promo provides a compact glimpse at the representation of African Americans through twenty-five dynamic years of American cinema history.
The Story of TMB (NaN)
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In the Shadow of Hollywood: Race Movies and the Birth of Black Cinema (2007)
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Ver a Hilda Vera (1998)
A living room, two video cameras, an armchair, two televisions and a mirror: domestic daily life in which colleagues, family and friends come together to decipher the life, personality and artistic trajectory of one of the most important actresses of Venezuelan Cinema: Hilda Vera
Workers Leaving the Lumière Factory (1895)
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
30 Years of James Bond (1992)
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In Search of James Bond with Jonathan Ross (1995)
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Auge in Auge - Eine deutsche Filmgeschichte (2008)
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The Pixar Story (2007)
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A Farra do Circo (2013)
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The Latino List (2011)
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Fakir (2019)
The feature-length documentary Fakir portrays the success of fakirism in Brazil, Latin America and France. This circus art origin show is presented and analyzed through archives that reveals the success of these presentations with their pain resistance championships and the great public presence, including politicians and government officials. Fakir spans current footage from contemporary artists who keep this art alive in performances and shows.
Cirque du Soleil: Full Circle (1996)
Come in under the Big Top for a behind-the-scenes look at the making of Cirque du Soleil's ninth creation, which critics have described as "the most dramatic, the most esthetic and perhaps the most melancholy show in the history of this marvelous circus" (La Presse, Montreal). Full Circle shows you the making of Quidam, from its very beginnings to its triumphant finish.
The Story Of An Encounter (2016)
The Story of an Encounter is a documentary that captures the unexpected encounter between México and Cirque du Soleil creators in the mist of the creation of LUZIA, Cirque du Soleil next big top show. It is a cultural and intimate story of the meeting of creative minds seen through personal interactions and relationship building of the show creators. Filmed in Mexico City, Tijuana, Oaxaca and Montréal, this series features: Daniele Finzi Pasca (Co-author and Director of LUZIA), Patricia Ruel (Direction of Creation), Simon Carpentier (Composer), Eugenio Caballero (Set and Props Designer) as well as Majo Cornejo and Rodrigo de la Mora (Musicians).
Round About Hollywood (1931)
This short travelogue depicts snippets of locations in Hollywood, California, most of them as seen from the streets. Considerable time is taken showing the kinds of architecture of private homes. There are images of various important buildings, and a depiction of the Hollywood Bowl. Finally, there is a sequence revolving around the premiere of the film “Dirigible” (1931) at the famed Chinese Theatre.
Roundhay Garden Scene (1888)
The earliest surviving celluloid film, and believed to be the second moving picture ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), possibly on 14 October 1888. The film shows Adolphe Le Prince (Le Prince's son), Mrs. Sarah Whitley (Le Prince's mother-in-law), Joseph Whitley, and Miss Harriet Hartley walking around in circles, laughing to themselves, and staying within the area framed by the camera. The Roundhay Garden Scene was recorded at 12 frames per second and runs for 2.11 seconds.
