Two adventurous women in love are desperate to have their own biological child. They take a chance on an experimental scientific process and make sperm from their own stem cells. Pregnant with humor and unexpected twists, their journey ultimately confirms that all life is a gift and all families are crazy.
Der Kaktus (2013)
After more than 20 years, the marriage of Bevon consultant Thea and car mechanic Rainer has been worn down by years of routine. Thea lacks appreciation from her family and no longer has access to her teenage daughter Janina. Her husband Rainer is still mourning his missed chance of a career as a rock star and is hopelessly at odds with his son Patrick. When Heinrich Bittner, a supposedly close friend of Thea's deceased father, suddenly moves in with the Cronpichels, Thea enjoys his presence and begins to see her life with new eyes. But is the charming and mysterious Heinrich really who he claims to be?
Honeymoon (1997)
Eric and Louise's honeymoon is disrupted by a stranger who claims he will perform a miracle. Meanwhile, Eric's brother and best friend are both experiencing trouble with their own relationships and want to warn him about challenges of marriage.
Friended to Death (2013)
An obnoxious meter maid and social media junkie, Michael fakes his own death to see which of his many friends will attend his funeral.
Marathon (1965)
Started as a class project in what was likely the first filmmaking course ever taught at Harvard, Marathon documents the running of the 1964 Boston Marathon.
The New Man (2016)
A creative documentary about becoming a parent... and how to reconceive yourself. Fiction director Josh Appignanesi turns the camera on himself and his wife as they undergo the ordeal of becoming parents in the era of man-children and assisted reproduction. Faced with fatherhood, Josh spirals comically into an envious career funk. But life-threatening complications emerge- the couple are tested to the brink, confronting shattering losses. It's a portrait of our generation going through a revolution in reproduction- forced to find new ways to think about ourselves as creative beings. We hear from Slavoj Žižek, John Berger, Darian Leader (20,000 Days) and Zadie Smith. Universal yet still taboo, it's a film for everyone who has children, wants them, or still feels like a child themselves.
Ulysse (1986)
At the sea shore, a goat, a child, and a naked man. This is a photograph taken in 1954 by Agnès Varda. The goat was dead, the child was named Ulysses, and the man was naked. Starting from this frozen image, the film explores the real and the imaginary.
The Shoe (1998)
The late 1950s. Every night, Soviet tractors comb the coast of Latvia looking for signs of anyone who could have infiltrated the Soviet border from the sea. One morning, three Soviet patrolmen discover a woman’s shoe in the sand and footsteps leading to the quaint little village of Liepaja.
Dream Land (2004)
There are places that we don’t want to know anything about, places that we would rather pretend don’t exist at all. One such place is a dumpsite. From the humans’ point of view, it is a ghastly place, a stinking desert of trash. But it’s a desert that is teaming with life.
Itinerary of Jean Bricard (2008)
The film is a commemoration of the lost livelihood of the earth, the lost lives of the War and to the work of two of the cinema’s greatest artists.
The Vanquishing of the Witch Baba Yaga (2014)
A descent into Eastern Europe's haunted woodlands uncovers the secrets, fairy tales, and bloody histories that shape our understanding of man's place in nature.
Puss Bucket (1991)
Two religious maniacs, Judas (played by Terrence Fleming) and Corned Beef (played by Eric Hammer), are visited by two aliens, Madeline Virbasius and Dion. Virbasius, dressed as the Virgin Mary, tells the two to kill people for Jesus and to drain the puss from their heads and bring it back to them. Fleming and Hammer set out to bring "the Virgin Mary" back as much puss back as possible in a bucket (hence the title)
Season of Love (2019)
A queer lady holiday movie that follows the lives of three very different couples in dealing with their love lives in various loosely interrelated tales all set right before Christmas through New Years.
No te metas en política: el documental (2019)
Comedians Facu Díaz and Miguel Maldonado, along with filmmaker Nacho Vigalondo as host, tell the brief story of “No te metas en política,” a Spanish late-night talk show that was broadcast online between 2016 and 2019.
Dolorès Marat: The Wave (NaN)
A passionate photographer from an early age, Dolorès Marat spent much of her life in photo labs, developing shots for fashion magazines. In the early 1990s, at the dawn of her forties, she decided to devote herself to her personal work. Today, she is exhibited worldwide. With her Leica camera in hand, Dolorès Marat takes an intimate look at her surroudings. She shots on the spot, as the blue hour settles. In her photographs, a dream-like strangeness overlaps the triviality of everyday life. Director Armelle Sèvre, also a photographer, wanted to see the world through Dolorès’ eyes. Together, the two women will scour the shores of the Mediterranean Sea, in search of a wave… Carried along by a bewitching soundtrack, this film dives in the enigmatic, hazy and colorful universe of a singular artist.
Spies of Mississippi (2014)
Spies of Mississippi tells the story of a secret spy agency formed by the state of Mississippi to preserve segregation and maintain white supremacy. The anti-civil rights organization was hidden in plain sight in an unassuming office in the Mississippi State Capitol. Funded with taxpayer dollars and granted extraordinary latitude to carry out its mission, the Commission evolved from a propaganda machine into a full blown spy operation. How do we know this is true? The Commission itself tells us in more than 146,000 pages of files preserved by the State. This wealth of first person primary historical material guides us through one of the most fascinating and yet little known stories of America's quest for Civil Rights.
Prater (2007)
Vienna’s Prater is an amusement park and a desire machine. No mechanical invention, no novel idea or sensational innovation could escape incorporation into the Prater. The diverse story-telling in Ulrike Ottinger’s film “Prater” transforms this place of sensations into a modern cinema of attractions. The Prater’s history from the beginning to the present is told by its protagonists and those who have documented it, including contemporary cinematic images of the Prater, interviews with carnies, commentary by Austrians and visitors from abroad, film quotes, and photographic and written documentary materials. The meaning of the Prater, its status as a place of technological innovation, and its role as a cultural medium are reflected in texts by Elfriede Jelinek, Josef von Sternberg, Erich Kästner and Elias Canetti, as well as in music devoted to this amusement venue throughout the course of its history.
Week-ends (2014)
It sometimes takes little to spoil a weekend in the country. A simple misunderstanding in a supermarket parking lot, a bad reaction, and there you go, everything is awry. Nothing is going well for Christine. Jean leaves her. Her oldest friends, Sylvette and Ulrich, are no longer such good friends. Everything is falling apart at the seams. But life is always full of surprises.
Cryptid (2019)
An awkward middle school teacher must trek through the dense woods of Oregon and find the elusive Bigfoot in an effort to save his relationship with his boyfriend.
Rated X (2020)
Rated X, a short documentary about the adult industry, focuses on giving a voice to the porn actresses working within it. In a perspective of showing how these women empower themselves with their job, Rated X shows the porn industry like never before.
A Comedy in Six Unnatural Acts (1975)
Jan Oxenberg’s charmingly raw, politically-charged and remarkably funny celebration of the American lesbian experience validates the nuanced voice of a community otherwise underrepresented in the Wild West of mid-’70s independent filmmaking. In an attempt to combat the pervasive misconception of the “humorless, angry feminist,” the vignettes in A Comedy in Six Unnatural Acts experiment with self-aware yet playful depictions of common stereotypes, such as the “Stompin’ Dyke” or the butch-femme couple. In the process, Oxenberg’s short film reclaims those insults and assumptions as newfound, loaded weapons—to deploy on her own terms, of course. (UCLA Film & Television Archive)