Examines the unfolding chaos in Iraq and how the U.S. is being pulled back into the conflict. Drawing on interviews with policymakers and military leaders, the film traces the U.S. role from the 2003 invasion to the current violence, showing how Iraq itself is coming undone, how we got here, what went wrong, and what happens next.
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Errol Morris examines the incidents of abuse and torture of suspected terrorists at the hands of U.S. forces at the Abu Ghraib prison.
Stacey on the Front Line: Girls, Guns and Isis (2017)
September 2016: Stacey Dooley embeds herself on the frontline with the extraordinary all-female Yazidi battalion, who are fuelled to take revenge against the so-called Islamic State. As the battle to take Mosul from ISIS advances in Northern Iraq, in this extraordinary film for BBC Three, Stacey finds these young women's lives have been transformed by a desire to avenge their loved ones who were murdered by Isis.
Saddam: America's Best Enemy (2005)
Documents a 40-year relationship between Saddam Hussein and the U.S., through accounts given by those who were witness to and participants in those years of violence. It is about a man and a superpower who used each other, in a marriage of convenience between strange bed-fellows. Includes selected archival footage of Saddam's beginnings, filmed to immortalise his exploits, at 20 years of age, in 1959. Includes also images from the film, Saddam Hussein, le maître de Baghdad, directed by Michel Vuillermet (Zarafa Films)
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Last Men in Aleppo (2017)
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Americans refused to be drafted from the concentration camp at Heart Mountain, Wyoming. Ready to fight, but not before their rights as U.S. citizens were restored and families released.
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Armadillo (2010)
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Pray the Devil Back to Hell (2008)
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Iraq in Fragments (2006)
An opus in three parts, Iraq In Fragments offers a series of intimate, passionately-felt portraits: A fatherless 11-year-old is apprenticed to the domineering owner of a Baghdad garage; Sadr followers in two Shiite cities rally for regional elections while enforcing Islamic law at the point of a gun; a family of Kurdish farmers welcomes the US presence, which has allowed them a measure of freedom previously denied. American director James Longley spent more than two years filming in Iraq to create this stunningly photographed, poetically rendered documentary of the war-torn country as seen through the eyes of Sunnis, Shiites and Kurds.
