A documentary consisting of a series of travelogue vignettes providing glimpses into cultural practices throughout the world intended to shock or surprise, including an insect banquet and a memorable look at a practicing South Pacific cargo cult.
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Japanese shockumentary detailing the aftermath of horrific accidents and murders. This is similar in style and format to Kiyotaka's former RARE trilogy, but it contains more content of an arguably more disturbing nature.
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A young pair from Stuttgart fly to Shanghai to hop aboard the textile business of his father while she prepares for the birth of their son. A story about the ever more common movement of Germans into the East for professional gain.
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A collection of death scenes, ranging from TV-material to home-made super-8 movies. The common factor is death by some means.
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In post-industrial Ohio, a Chinese billionaire opens a new factory in the husk of an abandoned General Motors plant, hiring two thousand blue-collar Americans. Early days of hope and optimism give way to setbacks as high-tech China clashes with working-class America.
Faces of Death III (1985)
The third installment of the infamous "is it real or fake?" mondo series sets its sights primarily on serial killers, with lengthy reenactments of police investigations of bodies being found in dumpsters, and a staged courtroom sequence.
Through These Eyes (2004)
A 1970s American elementary school program encouraging students to figure out for themselves the universal building blocks of human community — family, work, faith, etc. — inflamed political sensitivities so intensely it was shelved and forgotten. Archive footage of the documentary film series at the program's core, classroom exchanges, and the ensuing controversy frames larger issues of education, politics and ideology.
Earthlings (2005)
Using hidden cameras and never-before-seen footage, Earthlings chronicles the day-to-day practices of the largest industries in the world, all of which rely entirely on animals for profit.
The Chinese Are Coming to Town (2011)
The Chinese global machine has been invited to revitalise the ailing Swedish town of Kalmar. The town's mayor has invited a Chinese company to build a trade centre and 300 homes, but all does not go to plan. An amusing and deeply relevant film, which shows the fault lines that emerge when the tigers of the developing world try to expand into Europe.
Qipisa (2017)
The director goes back to her roots in Pangnirtung, amongst her family and community. It leads her to another journey: to Qipisa, the outpost camp from where they were uprooted.
Africa Addio (1966)
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Talihina Sky: The Story of Kings of Leon (2011)
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My Reincarnation (2011)
Filmed over twenty years, Tibetan Buddhist Master Choogyal Namkhai Norbu watches as his western-born son, Yeshi, who was recognized at birth as the reincarnation of a famous spiritual master, considers departing from tradition to embrace the modern world.
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This grisly documentary presents horrifying journalistic footage of suicides, assassinations, bombings, mob hits, decapitations, and more in bloody detail. Not for the faint of heart.
Oski (2022)
'Oski' is an intimate portrait of a young prodigy and the culture that surrounds him. A film documenting a year in the life of skateboarding sensation Oskar ‘Oski’ Rozenberg as he transforms from cool street skater to celebrity sportsman competing in the Olympics. The demands of being a sportman with a shot at the gold medal in Tokyo weighs hard on Oski. It’s obvious that he is not your everyday athlete. Can his sport, and his culture survive the transition from underground to mainstream? And will he loose himself and everything dear to him in the process? 'Oski' explores the history of a subculture at a pivotal point in its history and how a humble and different thinking athlete, loved and adored by thousands of skateboarders all around the world, struggles to find his own path in life as an adult and sportsman.
Stay Maybe? We Think We Made a Film (2020)
An Asian film crew’s attemptsat making a film while navigating the strict laws of filming in the UK. They don’t have a budget or enough preparation, all they have is a shared passion to create. Stay Maybe is a comparison of cultures, at times sublimely political and desperately hilarious; it is made by and for the people who are divided by language but united by cinema; a film about filmmaking – blurring the lines between fiction and reality.
