An analysis of director Sidney Lumet's work (12 Angry Men, Dog Day Afternoon, Before The Devil Knows You're Dead) in his own words, based on a five-day interview recorded shortly before his death.
Julia, toda en mí (2002)
A poetic journey about the life and work of Puerto Rican poet Julia de Burgos.
Anatomy of a Dress (2014)
This documentary presents the passion, the talents, the history, the struggles, and the local and international triumphs of the most renowned fashion designers in Puerto Rico. The history of garment making in Puerto Rico has marked our history, culture, and traditions forever. The exploitative history, as a labor manual industry, which served as the base for what we have today as a fashion industry is also portrayed.
Music 100x35, Notes of a Transformation (2013)
Focuses on children and young adults from disadvantaged communities that learn to play an instrument. Through this learning process, they overcome limitations and assert themselves. This program serves as a prevention tool. The stories of these kids will take us on their personal journey and everyday struggle while they prepare for the big concert.
Helen’s War: Portrait of a Dissident (2004)
Dr. Helen Caldicott, firebrand anti-nuclear campaigner, celebrated author, and Nobel Peace Prize nominee, is too alarmed to retire. Certain that the White House's War on Terror is escalating the global nuclear arms race, she embarks on an explosive crusade across post 9/11 USA, armed with her fifth book, 'The New Nuclear Danger', and a furious determination to rally the American people against Star Wars and the new nuclear weapons labs before it is too late.
Adam Jensen: The Life, The Loss & The Grind (2024)
Take a journey through the eyes of 25-year-old aspiring professional skateboarder, Adam Jensen to see how skateboarding is the perfect tool in overcoming life’s most difficult obstacles. Those closest to Adam will make their comments about his life, and potential to achieve notoriety in his professional career through his trials and triumphs.
In My Mother's House (2017)
One day in 2005, Lina Fruzzetti receives a startling email that reads, "If this is your father, we are cousins." There follows a decade-long quest to learn more about her Italian father who died young in Italian ruled Eritrea and her Eritrean mother who does not dwell on the past. Above all, Fruzzetti strives to understand her far-flung African, European, and American family against the backdrop of colonial rule, worlds at war, migration, grief, diasporas, and the global world in which we all live.
Cinema Through the Eye of Magnum (2017)
The film tells the story of the intimate and unprecedented encounter between the photojournalists of the Magnum Agency and the world of cinema. The confrontation of two seemingly opposite worlds – fiction and reality. For 70 years their paths crossed: a family of photographers, amongst them the biggest names in photography, and a family of actors and filmmakers who helped write the history of cinema, from John Huston to Marilyn Monroe to Orson Welles, Kate Winslet and Sean Penn.
Barry & Joan (2021)
A joyful insight into the creative world of Barry and Joan Grantham, two British eccentrics who have kept the skills of vaudeville alive for over seventy years. Since becoming stage-struck lovers in 1948, Barry and Joan have taught, danced and acted alongside the greats of British film and theatre. They are the last of the golden generation of vaudeville, eager to pass their legacy on to future generations.
The Field of Enchantment (2011)
A man remembers holidays at his uncle in a little village in the French countryside when he was something like 10. He feels so bored until he finds a pond and starts discovering the life in it.
Mein Herz sieht die Welt schwarz - Eine Liebe in Kabul (2009)
Hossein and Shaima have loved each other since childhood. As teenagers they were separated by war. They meet again in Kabul in the late 90s. Poverty forces Hossein to fight in the war. A shell splinter leaves him paralyzed. Shaima is sold into marriage with a man 40 years her senior and falls pregnant. Since Shaima's husband still owes half the dowry to her father he brings her back into the constraining patriarchal fold of the family, where she lives with her 5-year-old daughter. This situation doesn't prevent the two from seeing each other, even though this means going against their families' hard rules. In constant fear of revenge on the part of the male members of both families, they struggle to hold on to their love.
Mother Earth (1991)
This short documentary is a celebration of life on planet Earth. Made from haunting visual images selected from 50 years of NFB productions, the film looks at human beings, their place on earth, and their deep interconnection with all other beings. Evocations of forces that threaten the planet and all its inhabitants also offer avenues for reflection.
After the Apology (2017)
Suellyn thought the Department of Community Services (DOCS) would only remove children in extreme cases, until her own grandchildren were taken in the middle of the night. Hazel decided to take on the DOCS system after her fourth grandchild was taken into state care. Jen Swan expected to continue to care for her grandchildren but DOCS deemed her unsuitable, a shock not just to her but to her sister, Deb, who was, at the time, a DOCS worker. The rate of Indigenous child removal has actually increased since Prime Minister Kevin Rudd delivered the apology to the ‘stolen generations’ in 2008. These four grandmothers find each other and start a national movement to place extended families as a key solution to the rising number of Aboriginal children in out-of-home care. They are not only taking on the system; they are changing it…
My Mother, a War and Me (2014)
1942, and a spectacular wartime birth in the depths of winter: a young russian nurse unexpectedly goes into labour and, all alone and in freezing temperatures, gives birth to her daughter Tamara in a field on the banks of the Volga. The most personal film to date from co-directors Tamara Trampe and Johann Feindt is dedicated to Tamara's own family history. The search for her unknown father who, as a russian officer, made the young nurse pregnant, is complicated by the fact that her mother has never come to terms with her wartime trauma and worn family photos only seem to show happy-go-lucky life before the war. But the director won't give up so easily and, through a mixture of personal childhood recollections and conversations with relatives and former nurses who were on the front in Ukraine, she puts together the pieces of the puzzle.
Teach Us All (2017)
On the eve of the 60th anniversary of the 1957 Little Rock school desegregation crisis, educational inequality remains among the most urgent civil rights issues of our time. With its school district hanging in the balance following a state takeover in January 2015, Little Rock today presents a microcosm of the inequities and challenges manifesting in classrooms all across America. Through case studies in Little Rock, New York City, and Los Angeles, Teach Us All seeks to bring the critical lessons of history to bear on the current state of U.S. education and investigate: 60 years later, how far have we come-or not come-and how do we catalyze action from here?
Tela Brasil: 10 Anos de Cinema nas Quebradas (2014)
Idealized by the filmmakers Lais Bodansky and Luiz Bolognesi, the documentary portrays the projects executed by the Buriti Institute and Buriti Films in 10 years of work. Since 2004, projects collect impressive numbers: 116,509 kilometers were driven on roads, which led to 759 outlying neighborhoods, where they were made 7439 film sessions to 1,355,403 brazilians. Eighteen states and the Federal District were visited by Cine Tela Brasil, who put brazilian various ages for the first time in a movie theater.
After the Wave (2014)
The Boxing Day Tsunami in 2004 was the most devastating natural disaster in modern times, killing 228,000 people across 13 countries in just a few hours. AFTER THE WAVE tells the untold story of this epic forensic operation in Thailand to identify and return home the bodies of over 5,000 victims, both locals and holidaymakers from around the world. Led by a crack Australian team, the best forensic specialists from around the world were in a race against time to give back every victim their identity. Creating forensic history, the international team’s mantra from the outset was ‘we will take them home’, a seemingly impossible ambition but one that almost succeeded. In this film forensic science intersects with powerful stories of survival and loss, attempting to make some sense out of a tragedy so bewilderingly complete that nearly a decade out it still seems far-fetched to most of us.
Rated X (2020)
Rated X, a short documentary about the adult industry, focuses on giving a voice to the porn actresses working within it. In a perspective of showing how these women empower themselves with their job, Rated X shows the porn industry like never before.
The Last Goldfish (2017)
A daughter's search for her lost family stretches from Australia to Trinidad and WWII Germany. Rich with archival images, Su Goldfish's autobiographical documentary echoes through all those touched by forced migration.
Stanley Donen: You Just Do It (2010)
Story of a director Stanley Donen, king of Hollywood musicals and man behind such classics as "Singin' in the Rain".
Unteachable (2019)
Ng Meixi returns to Singapore having spent time in Mexico working with low-performing students. She joins a local school as a relief teacher but takes on a mammoth task: to pilot a new pedagogy to help students in the Normal (Technical) stream learn better. She reconfigures the classroom from a teacher-directed one to a community that aims to empower students as learners and tutors to each other. Will this work in Singapore’s result-oriented education system?