A documentary about the 1978 stage production of The Taming of the Shrew by the New York City Shakespeare company at the Delacorte Theatre in Central Park. Includes scenes from the production, interviews with Meryl Streep (Kate) and Raul Julia (Petruchio) as well as an introduction by producer Joseph Papp and audience commentary.
Related Movies
Chimes at Midnight (1965)
Henry IV usurps the English throne, sets in motion the factious War of the Roses and now faces a rebellion led by Northumberland scion Hotspur. Henry's heir, Prince Hal, is a ne'er-do-well carouser who drinks and causes mischief with his low-class friends, especially his rotund father figure, John Falstaff. To redeem his title, Hal may have to choose between allegiance to his real father and loyalty to his friend.
Cracking the Shakespeare Code (2016)
Norwegian researcher Petter Amundsen claims to have deciphered a secret code hidden in legendary playwright William Shakespeare's works that reveals a map leading to the location of certain treasures. British Shakespearean scholar Robert Crumpton embarks on a mission to prove he is spectacularly wrong. (A remake of “Shakespeare: The Hidden Truth,” including new discoveries.)
Rumstick Road (2014)
A video reconstruction of the 1977 Wooster Group production Rumstick Road, an experimental theater performance created by Spalding Gray and Elizabeth LeCompte after the suicide of Gray's mother. Archival recordings are combined with photographs, slides, and other materials to recreate the original production.
The Making of a Superhero Musical (2015)
A mockumentary following the troubled production of Clockmen: The Musical, focusing on a cosplayer-turned-actress who reacts to the stress of the production in a rather unusual way.
Please Don't Eat the Daisies (1960)
Drama critic Larry Mackay, his wife Kate and their four sons move from their crowded Manhattan apartment to an old house in the country. While housewife Kate settles into suburban life, Larry continues to enjoy the theater and party scene of New York.
One-way to Moscow (2020)
30 years ago, Switzerland was shaken by a scandal that seems to have already been forgotten: more than 900,000 people were surveilled because of their political convictions. Against the backdrop of this "secret files scandal," Micha Lewinsky sets his film. Conscientious policeman Viktor Schuler is tasked by his superior to infiltrate the Schauspielhaus, a renowned Zurich theatre, in order to keep an eye on its leftist scene. However, Viktor finds himself quite taken with the artist's life and falls in love with the subversive actress Odile Lehmann.
Twelfth Night (2012)
Shipwrecked on the coast of Illyria, Viola adopts a male disguise and enters the service of Duke Orsino, only to find herself part of a triangle of unrequited love. Meanwhile, in the household of the Countess Olivia, Sir Toby Belch and his unruly companions trick Olivia's strict and disapproving steward, Malvolio, into believing that she loves him.
Olivier Talks About Othello (1965)
Promotional short hosted by Laurence Olivier promoting the film "Othello."
Scotland, PA (2001)
In a modernized retelling of "MacBeth" set in 1970s suburban Pennsylvania, Joe McBeth, an unambitious hamburger stand employee, is driven to success by his scheming wife.
3 Scream Queens (2014)
Alexis, Sylvia and Ellen are a trio of legendary scream queens. After the head of a motion picture studio invites them out to a very special screening in exchange for the possibility of a lead role in an upcoming horror film, the three women slowly become suspicious... not only of their circumstances, but also each other. They begin to realize that the horrific footage they are watching might be real and that they might be trapped in the deserted studio with a bonafide killer.
To the New Girl (2020)
A bold anthology feature film made by an all-female creative team and cast. Based on the popular play of the same name the 80-minute movie follows 10 women scorned as they directly address their exes' new wives and lovers at an open mic night in Los Angeles. Created by a dynamic group of emerging filmmakers at a time when audiences are demanding films made both by and for women, the project taps into a social and political climate that's left women poised to take back their voices and be heard.
