Through the hauntingly beautiful lure of Jason deCaire's Taylor's underwater, life-like statues we witness the birth of an artificial coral reef, learn how we are inextricably connected to the ocean and everything in it, and are left to consider how our choices will determine what we leave to future generations.
Related Movies
Welcome Home Freckles (2025)
After four years away, Huiju returns home to South Korea. Exchanges with her loved ones are awkward and clumsy. Huiju turns once again to her familiar rituals: pruning the trees, preparing a sauce, tying a braid.
Myra Hindley. the Untold Story (2013)
An in depth description of the lives of Myra Hindley and Ian Brady, otherwise known as the Moors Murderers. It focuses on their relationship and the series of events that led to them murdering 5 children. A drama-documentary series about the life and crimes of Moors Murderer Myra Hindley. Exploring her turbulent childhood and relationship with Ian Brady.
Prayer for Marilyn Monroe (1998)
Based on the Nicaraguan poet Ernesto Cardenal's tribute to Norma Jeane Mortenson, these Cuban filmmakers link the actresses' overdose/suicide to patriarchy, exploitation, and many of the ills of the twentieth century.
Dark Horse (2015)
The larger than life true story of how a barmaid in a poor Welsh mining village convinces some of her fellow residents to pool their resources to compete in the "sport of kings" with a racehorse they would breed and raise.
The Film That Buys the Cinema (2014)
A collection of films from an eclectic array of contributors commissioned to raise funds for the Bristol independent cinema The Cube.
Back to Bosnia (2005)
Filmmaker Sabina Vajraca documents her Bosnian Muslim family's return to their home of Banja Luka, Bosnia, to recover their stolen belongings many years after being forced to flee to the United States. In Bosnia, they witness the devastation of the city, visit war crimes sites, and confront the family that has been living in their former apartment -- with all their furnishings -- for a decade.
Out of Print (2014)
A documentary exploring the importance of revival cinema and 35mm exhibition - seen through the lens of the patrons of the New Beverly Cinema - a unique and independent revival cinema in Los Angeles.
Awful Normal (2004)
Celesta and Karen Davis grew up in a loving family. They shared many wonderful childhood moments and, at the time, thought it all was normal. But when Karen and Celesta were molested in 1978, little was being done about sexual abuse. Their parents' lack of action was neither questioned nor challenged, including years of continued social contact with the perpetrator, his wife and their two young children. Twenty-five years later, feeling unresolved, they begin their quest to find the man who took advantage of their innocence and to ask him something that has haunted them for almost their entire life: "Why?"
Quiet Riot: Well Now You're Here, There's No Way Back (2014)
An inspiring documentary chronicling the rise, fall and resurrection of '80s metal band Quiet Riot. The career of Frankie Banali, the band's drummer, reached a serious crossroads when his best friend and bandmate died in 2007. Years later, Banali realizes he must forge ahead and make a new life for himself and his daughter and he goes on a quest to reunite the band and fill the immense void left by his bandmate.
Underwater Dreams (2014)
Underwater Dreams, narrated by Michael Peña, is an epic story of how the sons of undocumented Mexican immigrants learned how to build underwater robots. And go up against MIT in the process.
Refugee (2016)
Five acclaimed photographers travel the world to provide detailed insight into the difficult conditions faced by refugees who dream of a better life.
Mohawk Girls (2005)
For three teenage girls growing up in Kahnawake — and indeed, all teenagers on the reserve — life can be quite confusing. If they want to move away to pursue new experiences — perhaps in nearby Montreal — they risk losing credibility, or worse yet, their rights as Mohawk women. Of course, if they stay, their opportunities in the tiny community are limited. With insight, humour and heart, director Tracey Deer (who left Kahnawake to attend school and pursue filmmaking) returns to her community to follow these Mohawk girls and tell their stories. Her deeply emotional documentary reveals the complex hope, heartache and promise of growing up Indigenous in the 21st century.
How to Cook Your Life (2007)
A Zen priest in San Francisco and cookbook author use Zen Buddhism and cooking to relate to everyday life.
Victory in Soviet Ukraine (1945)
A wartime documentary directed by Alexander Dovzhenko and Yuliya Solntseva, depicting the final campaigns that drove Nazi forces from Ukraine in 1944–45. Combining frontline footage, liberated cityscapes, and scenes of returning civilians, the film chronicles both the devastation of occupation and the triumph of Soviet arms. It stands as both a historical record of the Ukrainian front and a patriotic celebration of victory at the close of the Second World War.
Ukraine in Flames (1943)
A 1943 Soviet war propaganda film by Ukrainian director Oleksandr Dovzhenko and Yuliya Solntseva. It is Dovzhenko's second World War II documentary, and dealt with the Battle of Kharkiv. The film incorporates German footage of the invasion of Ukraine, which was later captured by the Soviets.
A Suitable Girl (2017)
A Suitable Girl follows three young women in India struggling to maintain their identities and follow their dreams amid intense pressure to get married. The film examines the women's complex relationship with marriage, family, and society.
Footprints of Pan-Africanism (2017)
In 1957, Ghana was the first African country to become independent of its colonial rulers, in this case the British. Kwame Nkrumah, the first president of what in 1960 became the Republic of Ghana, called on Africans from all over the world to come to Ghana to help build the new nation. The most important aim was to "undo the damage caused by the slave trade" as filmmaker Shirikiana Aina expressed it in her documentary Footprints of Pan Africanism. Several people speak in Aina’s film about the reconstruction of Ghana and Nkrumah, who was deposed in 1966, offering room for their frequently gripping personal stories. These are often marked by racism, the emerging civil rights movement and what it’s like to be black and live elsewhere. For many, returning to Africa was like going home.