An animated satire on the question of self-image for African American women living in a society where beautiful hair is viewed as hair that blows in the wind and lets you be free. Lively tunes and witty narration accompany a quick-paced inventory of relaxers, gels, and curlers. This short film has become essential for discussions of racism, African American cinema, and empowerment.
Related Movies
Dirt (2008)
This feature documentary is an exploration of the concept of dirt and impurity. From the slums of Kolkata to Vancouver's Downtown Eastside to a barbeque joint in Central Texas, Dirt digs deep into the webs of meaning and feeling attached to that deceptively simple 4-letter word. An odyssey into all things unclean, the film features animation to make Hieronymus Bosch blush and music from Godspeed You! Black Emperor.
Roadhead (1998)
This is the first ‘independent’ use made of our “rotoshop” software. It was quite primitive in the beginning. This is a short road-trip documentary consisting of animated interviews with people found along the route from New York to Austin.
At Grandma's (NaN)
A story about the relationship between a grandma and her granddaughter, despite the physical difficulties.
Lola (NaN)
Karol is performing as a drag queen, Lola. He's trying to fit into the new environment and find his true self.
Soft and Hard (1985)
Jean-Luc Godard and Anne-Marie Miéville talk about their films, while doing everyday tasks around their house.
Hill of Pleasures (2013)
It examines the daily life of the residents and cops at a Rio de Janeiro favela one year after the arrival of a Pacifying Police Unit.
A Fuller Life (2013)
Friends and admirers of iconoclastic film director Sam Fuller read from his memoirs in this unconventional documentary directed by Fuller's only child, Samantha.
Mahjong (2013)
In a Chinese style garret, four men were playing Mahjong. A woman stood aside in silence, holding a bottle of liquor.They all had hidden cravings of their own, unaware that they would be invariably led to the ultimate doom.
Woher kommst du eigentlich? Schwarze in Deutschland (2021)
Prejudices, ignorance, and racism still leave their mark on the everyday life of black Germans, respectively Europeans, until today. How do Afro-Germans deal with their history? Which colonial-racist patterns still shape our society today? With insights into various historic epochs, it is made clear that THE history of the Black people does not exist. And neither exists THE history of white people.
Log Boy (2018)
A woodsman, who loves chopping wood, is relentlessly pestered by a boy made out of logs
Newtonian I (1978)
An illusion of 3 dimensions is achieved by a blending of mathematics and physics to carry the spectator through a new range of audio and visual dynamics.
L'oiseau (1977)
A single bird in flight is transformed, enhanced and interpreted so as to present a unique visual experience. From its original inception in a 128 frame black-and-white sequence it evolves by programmed reflection, inversion, magnification, color transformation and time distortion into the final restructured film as art.
Pictures from a Gallery (1976)
Picture-processed photos from the artist-filmmaker’s family. Faces are abstracted in a divisionistic manner.
Kinesis (1975)
Escher-like images stepping through the frames to the music of a jazz group. Delightful–shows a depth in the imagery not accomplished by computer before.
Collage (1975)
A swift moving assortment of moving images. Filmed from a color TV monitor that was computer controlled.
Alae (1975)
Beginning with footage of sea birds in flight, the film image is then optically scanned and transformed by the computer. The geometric overlay on live random motion has the effect of creating new depth, a third dimension. Our perception of the birds’ forms and movements is heightened by the abstract pattern outlining them.
Metamorphosis (1974)
“Schwartz’ METAMORPHOSIS is a complex study of evolving lines, planes, and circles, all moving at different speeds, and resulting in subtle color changes. The only computer-generated work on the program, it transcends what many of us have come to expect of such film with its subtle variations and significant use of color.” – Catherine Egan