On the edge of the 30th anniversary of punk rock, Punk's Not Dead takes you into the sweaty underground clubs, backyard parties, recording studios, shopping malls and stadiums where punk rock music and culture continue to thrive.
Andre Matos: Maestro of Rock (2021)
"Maestro do Rock" started when Andre Matos himself authorized recording interviews where he would talk about his life and the different phases of his career. Directed by Anderson Bellini and produced and scripted by Thiago Rahal Mauro, the document had it starting point in a long interview where Andre Matos spoke for over 5 hours about all sort of different subjects. With his sudden passing in 2019, the family yielded this material as well as hundreds of other ones from his personal archives so that this film could be finalized.
The Reverend (2022)
Winner of the DOC NYC Audience Award, Director Nick Canfield’s first film follows gospel-rock icon and activist Reverend Vince Anderson. After entering seminary, Vince dropped out to follow his second calling - music. With his band The Love Choir, he has played a now-legendary weekly show for over twenty years. Reconnecting with his faith and using his intense soulful music, he began to preach a type of spirituality that is open to all, meets people where they are, and moves everyone that sees him play. Reverend Vince is also deeply involved in social justice, working with other faith leaders around the country to build inclusive communities. Featuring Questlove and an ensemble of eccentric musicians, The Reverend is a rocking concert film as well as an intimate portrait of Reverend Vince’s inspiring personal and spiritual life.
Stories from the She Punks (2018)
Loud, fearless and (un)typical girls: Gina Birch (The Raincoats) and Helen Reddington (The Chefs), musicians and punk icons turned directors, serve up a fascinating documentary built on new interviews with the women who played instruments in punk bands in the 1970s. In accounts laced with wit, honesty and insight, pioneering players including the Adverts’ Gaye Black (bass), Palmolive from The Slits (drums), Shanne Bradley from The Nips (bass), Jane Munro from The Au Pairs (bass), Hester Smith and Rachel Bor from Dolly Mixture (drums and guitar), bassist Gina and guitarist Ana Da Silva from The Raincoats, as well as many others, we hear about acquiring instruments, learning to play, forming bands and getting gigs.
Algo Está Pasando - Cómo Nació el Rap en Chile (2018)
1988 marked the year in which the debut album of the Chilean band De Kiruza - Oficial was released, where the single "Algo está pasando" stood out, the first Chilean rap recording.
The Agreement (2013)
'History is always made in the middle of the night. And when it happens, you are so damned tired, that you couldn't care less,' says Robert Cooper, an EU peace negotiator whose job it is to get Serbia and Kosovo to reach an agreement about peaceful coexistence. National pride and compromise are on everyone's lips, and much is at stake: Kosovo wants to come closer to independence, the Serbs have been promised EU membership if they can reach an agreement, and the EU tries to strengthen its credibility. But how far is each party willing to go? It is the unique characters that make this fascinating film about a delicate political game so vivid and loveable. The stoic, Serbian negotiator has a great passion for rock music, his colleague from Kosovo does not want to miss out on his daily visit to the hairdresser, and Cooper himself has a closet full of ties - one for every conceivable occasion.
Angèle (2021)
Belgian pop star Angèle reflects on her life and hopes as she finds balance amid the tears, joys and loneliness of fame. Told through her own words.
The Cinema Travellers (2016)
Showmen riding cinema lorries have brought the wonder of the movies to faraway villages in India once every year. Seven decades on, as their cinema projectors crumble and film reels become scarce, their patrons are lured by slick digital technology. A benevolent showman, a shrewd exhibitor and a maverick projector mechanic bear a beautiful burden - to keep the last traveling cinemas of the world running. A critically acclaimed, poignant documentary that celebrates India’s travelling picture shows and laments their demise, filled with exquisite visuals and marvellous eccentrics.
Mötley Crüe: The End - Live in Los Angeles (2016)
The bad boys of rock have celebrated a career that has seen them sell millions of albums and perform thousands of concerts. In Jan. 2014 Mötley Crüe held a press conference announcing their final tour ever, complete with a “cessation of touring” agreement prohibiting all future live engagements. The Final Tour ended up being comprised of 164 concerts over two years, all ending with a hometown gig at Los Angeles' Staples Center. This New Year’s Eve Celebration was filled with hits like Kickstart My Heart, Girls Girls Girls, Home Sweet Home and many more. Now, for only one night, this last ever performance event gives fans front row access. Catch the moments that were buzzed about, such as Tommy’s infamous “Crüecifly” drum roller coaster, and behind the scene moments that will now just be coming to light.
The The - The Comeback Special - Live at the Royal Albert Hall (2021)
The Comeback Special documents The The's triumphant Royal Albert Hall Concert on 5th June 2018. The Royal Albert Hall concert was the first of a trio of London shows during The Comeback Special tour—the others taking place at Brixton Academy and The Troxy—all of which sold out within minutes of going on sale. Performing live for the first time in 16 years with a headline appearance at Denmark’s Heartland Festival a few days before the Royal Albert Hall concert, the rejuvenated The The, which featured previous members James Eller on bass, DC Collard on keyboards and Earl Harvin on drums and new member Barrie Cadogan on guitar alongside Matt Johnson, would go on to play sold-out shows and make festival headline appearances across the globe throughout 2018.
Stabbed in the Face: The Rise and Fall of the World's Most Violent Band (NaN)
An alternative documentary following the trail of blood and carnage of Philadelphia’s own Deathmatch Rock n’ Roll pioneers, Eat the Turnbuckle, from beer-soaked bars to the largest stage in the world of metal.
i hate myself :) (2017)
Nebbishy filmmaker Joanna Arnow documents her yearlong relationship with an open-mic poet provocateur. What starts out as an uncomfortably intimate portrait of a dysfunctional relationship and protracted mid-twenties adolescence, quickly turns into a complex commentary on societal repression, sexuality and self-confrontation through art.
Jimi Hendrix: Hear My Train a Comin' (2013)
An account of the short life of genius musician Jimi Hendrix (1942-70), probably the most talented and influential guitarist of the twentieth century: his humble beginnings in Seattle, his time in New York, his rise to fame in swinging London… Live fast, love hard, die young.
The Scape of the Monkey Woman (2009)
Two girls star in this musical drama amazing road! A van, a beach, a reed, very homesick, girls in flower perched at gas stations… and a little music.
Beyond Silence (1996)
Beyond Silence is about a family and a young girl’s coming of age story. This German film looks into the lives of the deaf and at a story about the love for music. A girl who has always had to translate speech into sign language for her deaf parents yet when her love for playing music grows strong she must decide to continue doing something she cannot share with her parents.
Empty Quarter (2011)
A brooding, deceptively rich series of near-static shots of farms, factories, townscapes, and—in dispassionate middle distance—people going about their mundane daily tasks in sparsely populated southeastern Oregon.
Franz Schubert's Last Three Piano Sonatas (1989)
Alfred Brendel, one of the greatest of all pianists, plays and reflects on Franz Schubert’s last three piano sonatas. As he points out, Schubert can’t have known that he was soon to die, so they probably do not embody the air of resignation and finality future generations have sentimentally insisted they bear. They were however long neglected, all but forgotten, and only in more recent times have they come to be treasured and performed. The repose and wisdom of the maestro, together with the patient observation of one who is no stranger to the idea of the irrevocably lost, of the erasures of history, and of the value of fragile objects passed carefully from generation to generation, is a joy.