British documentarian Nick Broomfield creates a follow-up piece to his 1992 documentary of the serial killer Aileen Wuornos, a highway prostitute who was convicted of killing six men in Florida between 1989 and 1990. Interviewing an increasingly mentally unstable Wuornos, Broomfield captures the distorted mind of a murderer whom the state of Florida deems of sound mind -- and therefore fit to execute. Throughout the film, Broomfield includes footage of his testimony at Wuornos' trial.
In Paris Parks (1954)
This short film displays the dynamic movement of people as they enter and exit parks in Paris.
Buddha Wild: Monk in a Hut (2008)
Buddhist monks open up about the joys and challenges of living out the precepts of the Buddha as a full-time vocation. Controversies swirling within modern monastic Buddhism are examined, from celibacy and the role of women to racism and concerns about the environment.
Hitcher in the Dark (1989)
A sick young man drives around in his daddy's camper, looking for lone stray females to kidnap, torture, rape and murder.
Naked Violence (1969)
Some youngsters rape and kill their teacher; but they won't tell their motivation. The police detective on the case feels some sinister influence behind the young murderers.
Madness (1980)
An escaped convicted murderer invades the cottage of a man, his wife and the wife's sister, whereupon he proceeds to torment this already dysfunctional trio with rape and violence.
The Mad Magician (1954)
Don Gallico is an inventor of stage magic effects who aspires to become a star in his own right. Just before his first performance his act is shut down by capricious manager Ross Ormond who wants Gallico's brilliant buzz saw effect for the act of The Great Rinaldi, an established star. With this defeat, and the humiliation of having already lost his wife Claire to Ormond, Gallico decides it is time to take matters into his own hands.
The Occupation of the American Mind (2016)
Over the past few years, Israel's ongoing military occupation of Palestinian territory and repeated invasions of the Gaza strip have triggered a fierce backlash against Israeli policies virtually everywhere in the world—except the United States. This documentary takes an eye-opening look at this critical exception, zeroing in on pro-Israel public relations efforts within the U.S.
Visions of Abolition: From Critical Resistance to a New Way of Life (2011)
Weaving together the voices of women entangled in the criminal justice system, along with leading scholars on prison abolition, this film provides a critical analysis of the disfunctionality and violence of the prison system.
She-Devils on Wheels (1968)
An all-female motorcycle gang, called 'The Maneaters' hold motorcycle races, as well as terrorize the residents of a small Florida town, and clash off against an all-male rival gang of hot-riders.
Mr. Death: The Rise and Fall of Fred A. Leuchter, Jr. (1999)
A portrait of the life and career of the infamous American execution device designer Fred A. Leuchter, Jr. Mr. Leuchter was an engineer who became an expert on execution devices and was later hired by holocaust revisionist historian Ernst Zundel to "prove" that there were no gas chambers at Auschwitz. Leuchter published a controversial report confirming Zundel's position, which ultimately ruined his own career. Most of the footage is of Leuchter, working in and around execution facilities or chipping away at the walls of Auschwitz, but Morris also interviews various historians, associates, and neighbors.
The Ace of Hearts (1921)
A romantic rivalry among members of a secret society becomes even more tense when one of the men is assigned to carry out an assassination.
The Maltese Falcon (1931)
A lovely dame with dangerous lies employs the services of a private detective, who is quickly caught up in the mystery and intrigue of a statuette known as the Maltese Falcon.
Dillinger (1973)
After a shoot-out kills five FBI agents in Kansas City the Bureau target John Dillinger as one of the men to hunt down. Waiting for him to break Federal law they sort out several other mobsters, while Dillinger's bank robbing exploits make him something of a folk hero. Escaping from jail he finds Pretty Boy Floyd and Baby Face Nelson have joined the gang and pretty soon he is Public Enemy Number One. Now the G-men really are after him.
Crime Without Passion (1934)
Caddish lawyer Lee Gentry is going out with Katy Costello, but carrying on an affair with dancer Carmen Brown. When he wants to end the dalliance with Carmen, she is so distraught that she becomes suicidal. Seizing the gun from Carmen, he accidentally shoots her, and thinking she's dead, concocts a series of increasingly outlandish alibis to cover his tracks under the guidance of a ghostly apparition that is his alter ego.
Modern British Slavery (2017)
Explores the rise of modern slavery in the UK, giving a portrait of the dark world of forced labor through the eyes of the people involved.
Birds of Passage (2018)
During the marijuana bonanza, a violent decade that saw the origins of drug trafficking in Colombia, Rapayet and his indigenous family get involved in a war to control the business that ends up destroying their lives and their culture.
Lady Chaser (1946)
A poisoned aspirin creates headaches for a woman who received the deadly pill from a stranger, then passed it on to her uncle.
The Zerda and the Songs of Forgetting (1983)
“La Zerda and the songs of oblivion” (1982) is one of only two films made by the Algerian novelist Assia Djebar, with “La Nouba des femmes du mont Chenoua” (1977). Powerful poetic essay based on archives, in which Assia Djebar – in collaboration with the poet Malek Alloula and the composer Ahmed Essyad – deconstructs the French colonial propaganda of the Pathé-Gaumont newsreels from 1912 to 1942, to reveal the signs of revolt among the subjugated North African population. Through the reassembly of these propaganda images, Djebar recovers the history of the Zerda ceremonies, suggesting that the power and mysticism of this tradition were obliterated and erased by the predatory voyeurism of the colonial gaze. This very gaze is thus subverted and a hidden tradition of resistance and struggle is revealed, against any exoticizing and orientalist temptation.